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Canadian Literature / Littérature canadienne

A Quarterly of Criticism and Review

Number 618, Summer 6315, Gendering the Archive

Published by The University of British Columbia, Vancouver

Editor: Margery FeeActing Editor: Laura Moss

Associate Editors: Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Reviews), Kathryn Gra4on (CanLitGuides), Iain Higgins (Poetry), Daniel Laforest (Francophone Writing)

Assistant Editor: Tiany Johnstone (Reviews)

Past Editors: George Woodcock (-), W

. H. New (1288-1220),

335), Laurie Ricou (6335-6338)

Editorial Board

Heinz Antor University of Cologne

Kristina Fagan Bidwell University of Saskatchewan

Alison Calder University of Manitoba

Carrie Dawson Dalhousie University

Cecily Devereux University of AlbertaJanice Fiamengo University of Ottawa

Carole Gerson Simon Fraser University

Helen Gilbert University of London

Susan Gingell University of Saskatchewan

Faye Hammill University of Strathclyde

Paul Hjartarson University of Alberta

Lucie Hotte University of Ottawa

Coral Ann Howells University of Reading

Smaro Kamboureli University of Guelph

Jon Kertzer University of Calgary

Ric Knowles University of Guelph

Louise Ladouceur University of Alberta

Patricia Merivale University of British Columbia

Judit Molnár University of Debrecen

Linda Morra Bishop's University

Lianne Moyes Université de Montréal

Maureen Moynagh St. Francis Xavier University

Reingard Nischik University of Constance

Ian Rae King's University College

Julie Rak University of Alberta

Roxanne Rimstead Université de Sherbrooke

Sherry Simon Concordia University

Patricia Smart Carleton University

David Staines University of Ottawa

Cynthia Sugars University of Ottawa

Neil ten Kortenaar University of TorontoMarie Vautier University of Victoria

Gillian Whitlock University of Queensland

David Williams University of Manitoba

Mark Williams Victoria University, New Zealand

Herb Wyile Acadia University

Editorial

Laura Moss

Guy-Guys, CWILA, and Going Down the Hall

to the Archives

Articles

Lorraine York

"How a Girl from Canada Break the Bigtime": Esi Edugyan and the Next Generation of Literary Celebrity in Canada

Hannah McGregor

Reading Closely: Discursive Frames and Technological

Mediations in Carol Shields' Unless

Sara Jamieson

“Surprising Developments": Midlife in Alice Munro"s

Who Do You Think You Are?

Laura Cameron

“The Great Dreams Pass On": Phyllis Webb"s

"Struggles of Silence"

Patrick Warner

Richard Outram and Barbara Howard"s Gauntlet Press:

Expanding into the World

Julia P. W. Cooper, Norah Franklin, and Nathan W. Murray

“Underskin Journals of Susanna Moodie":

Atwood Editing Atwood

Poems

Tammy Armstrong

Dawn-Amber Kennedy

34

Lakshmi Gill

53
rob mclennan 70

Puneet Dutt

87

Signa A. Daum Shanks

102

Denise Desautels

124

Articles, continued

Authors Reviewed

Nina Lee Aquino

Jonathan Ball

127

Carmen Mata Barreiro

128

John Belshaw

143

David Bezmozgis

129

E. D. Blodgett

131

Lori Ann Bloom?eld 154

Alanna F. Bondar

132

Jacques Brault

133

Julie Bruck

132

Jacques Cardinal 134

Warren Cariou

184

May Chazan

135

Rey Chow

137

George Elliott Clarke

140, 142

Claudia Cornwall 143

Ivan E. Coyote

146

Lorna Crozier

142

Frank Davey

148

Chuck Davis

143

Moira J. Day

125

James de Finney

150

Martine Delvaux

151

Robert D. Denham

152

Kristen den Hartog

154

Lisa de Nikolits

155

Hélène Destrempes

150

Mary Jane Edwards

163

Louise H. Forsyth

156

Christiane Frenette

158

Guy Gaudreau

160

Susan Gillis 127

John Gilmore

132

Susan Gingell 135

Brian Russell Graham

152
Forthcoming book reviews are available at canlit.ca/reviews

Books in Review

David Groulx

Rawi Hage

169

Steven Heighton

174

Lisa Helps

135

Lucie Hotte

162

Eva C. Karpinski

164

Catherine Khordoc 162

William Kirby 163

Ric Knowles 125

Louise Ladouceur

164

Perrine Leblanc

166

Christopher Lee

137

Linda Leith

167

Robert Lepage

168

Billie Livingston 169

Tom Managhan

170

Emily McGri?n

172
rob mclennan 174

Arley McNeney

177

Kenneth Meadwell

178

Benoît Melançon

179

Marie Michaud 168

Pamela Mordecai 127

Jean Morency

150

Rosemary Nixon

180

Alan Pearson

181

Robert Pepper-Smith

154

Sara Peters

172

Sarah Pinder

172

Éric Plamondon 182

Marie Hélène Poitras

151

Diane Purvey

143

Gayla Reid

177

Rebecca Rosenblum

158

Wendy Roy

135

Mary Henley Rubio

183

Cyndi Sand-Eveland

146

Mark Sedore

170

Dean Serravalle

170

Nigaanwewidam James

Sinclair 184

Johanna Skibsrud

158

Minnie Smith 177

Sue Sorensen

180

Anna Stanley 135

Ben Stephenson

146

Claire Tacon

180

Sonali Thakkar 135

Micheline Tremblay

160

Pablo Urbanyi

129

Dan Vyleta

174

Elizabeth Hillman Waterston

183

Jan Zwicky

142

Reviewers

Adina Balint-Babos

Mélanie Beauchemin

134

Kim Beauchesne

128

Guy Beauregard

137

Cassie Bérard

178

Micheline Besner

180

Lee Skallerup Bessette

164

Alison Calder

142

Alessandra Capperdoni 140

Joël Castonguay-Bélanger

182

Pilar Cuder-Domínguez 125

Kit Dobson

148

Je?ery Donaldson

152

Mark Diotte

177

Timothy E. Dugdale

169

Alexandra Gilbert

155

Ben Huberman

179

Weldon Hunter

132

Crystal Hurdle

146

Nicolas Kenny

143

Marion Kühn

151

Michelle La Flamme 161

Jodi Lundgren

158

Heather Macfarlane

135, 184

Judit Molnár 167

Katie Mullins

168

Nanette Norris

129

Jean-Noël Pontbriand

133

Srilata Ravi

131

Thierry Sauzeau

150

Stephen Scobie

181

Justin Shaw

170

Molleen Shilliday 162

Mathieu Simard

162

Sue Sinclair 172

Emily Aoife Somers

183

Fanie St-Laurent

160

Margaret Ste?er

154

Cynthia Sugars

163

Emily Wall

127

Kailin Wright

156
Canadian Literature, a peer-reviewed journal, welcomes original, unpublished submissions of articles, interviews, and other commentaries relating to writers and writing in Canada and of previously unpublished poems by Canadian writers. The journal does not publish 9ction. Articles of approximately ?033 words (including Notes and Works Cited), double-spaced, in 16-point font size, should be submitted online to canlitsubmit.ca. Submissions must be in Rich Text Format (.???) or Microso4 Word (.?ML or .?MLA). Submissions should include a brief biographical note (03 words) and an abstract (103 words). Articles should follow ?? guidelines for bibliographic format as outlined at canlitsubmit.ca/submissions/help. Littérature canadienne, une revue évaluée par les pairs, accueille la sou- mission d'articles, d'entrevues, et d'autres commentaires originaux et non publiés sur les écrivains et l'écriture au Canada, ainsi que de la poésie canadienne pour publication initiale. La revue ne publie pas de 9ction. Veuillez soumettre les articles - d'environ ?033 mots (notes et références bibliographiques comprises), à double interligne, taille de la police 16 - en ligne à canlitsubmit.ca. Les soumissions doivent être en format de texte enrichi (.???) ou Microso4 Word (.?ML ou .?MLA). Les soumissions doivent comprendre une brève note biographique (03 mots) et un résumé (103 mots). Les articles doivent suivre les directives ?? en matière de format biblio- graphique comme décrites à canlitsubmit.ca/submissions/help/fr.

Andrea Cabajsky

e Dead Witness (1

72), Rosanna Mullins Leprohon"s

Final Novel

Nora Foster Stovel

“Fragments on my Apple": Carol Shields"

Un9nished Novel

Lost and Found

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Canadian Literature / Summer 6315

On September , a short interview published in

Hazlitt, Random House Canada"s online magazine, sparked a giant controversy. In the interview for a recurring feature entitled "Shelf Esteem," "a weekly measure of the books on the shelves of writers, editors and other word lovers," Governor General's Award-winning author David Gilmour was asked by Emily M. Keeler to discuss the contents of the bookshelves in his o•ce at Victoria College, in the University of Toronto, where he teaches. His comments about literature and the classroom ignited a media 9restorm. People took particular exception to his point that "I'm not interested in teaching books by women," clarifying that "when I was given this job I said I would only teach the people that I truly, truly love. Unfortunately, none of those happen to be Chinese, or women. Except for Virginia Woolf. . . . I say I don't love women writers enough to teach them, if you want women writers go down the hall. What I teach is guys. Serious heterosexual guys. F. Scott Fitzgerald, Chekhov, Tolstoy. Real guy-guys. Henry Miller. Philip Roth" (qtd. in Keeler n. pag.). He also explained that "I haven't encountered any Canadian writers yet that I love enough to teach" (qtd. in Keeler n. pag.). Gilmour's comments immediately raised the ire of people across the country. While a few supporters defended his academic freedom and a few more raged against the politically correct ma9a and the "feministas" who criticized his points about women writers, the majority of responses took the form of commentary on the sexism and racism evident in Gilmour's interview, many of them coming from right down the hall.

Guy-Guys, CWILA,

and Going Down the Hall to the Archives

Laura Moss

Editorial

Canadian Literature / Summer 6315

The simple question I want to address here is the one a dentist friend of mine asked me the other day while we were watching our sons play soccer. Why does anyone care what David Gilmour thinks? It is a good question. A minor writer gave an o7-the-cu7 interview for a trade publication wherequotesdbs_dbs45.pdfusesText_45

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