Offenbach FANTASIO
15 déc. 2013 Opposite: Jacques Offenbach (Opera Rara Archive) ... Offenbach and Fantasio by Jean-Christophe Keck ... Couplets – Fantasio et Elsbeth.
Offenbach et lopéra-comique
Les rapports de Jacques Offenbach (1819-1880) avec le genre opéra-comique L'année 1873 sera celle de Fantasio opéra-comique en trois actes sur un ...
Offenbach FANTASIO
Libretto by Paul de Musset and Charles Nuitter. First performance: 18 January 1872 Opéra-Comique
The Jacques Offenbach Society
o News and More from Paris' Opéra Comique Donald Fox o Feature: Unmasking Oneself in a Fool's Opera: Offenbach's Fantasio 18 Alexander Flores (Part Two).
MACBETH UNDERWORLD
Wat opera betreft opende Thomas Jolly het seizoen 2016-17 van de Opéra de Paris met Eliogabalo (Cavalli). Vervolgens regisseerde hij Fantasio (Offenbach) voor.
« Fantasio » : Présentation
l'Opéra National de Lyon Orchestre de Chambre de Grenoble dirigés par Marc Minkowski. Fantasio : comédie en deux actes
Offenbach 2019
Fées du Rhin Barkouf
Ethel Smyths The Wreckers: a Cosmopolitan Voice for English Opera
of the 20th century the composer Ethel Smyth saw her opera The Wreckers with a Weimar premiere of her first opera Fantasio in 1898 (picked up by Carls-.
210618 Bilan activité 2020_modif
L'adaptation de la production Fantasio sous forme d'un concert mis en scène intitulé Deux opéras créés pour les enfants (La.
Ethel Smyth The Wreckers
https://www.jstor.org/stable/742066
[PDF] Offenbach FANTASIO - eClassical
15 déc 2013 · FANTASIO Opéra-comique in three acts and four tableaux Libretto by Paul de Musset and Charles Nuitter First performance: 18 January 1872
[PDF] Offenbach FANTASIO - IDAGIO
Libretto by Paul de Musset and Charles Nuitter First performance: 18 January 1872 Opéra-Comique Paris Fantasio Sarah Connolly La princesse Elsbeth
[PDF] [Fantasio] Jacques Offenbach (1819-1880) - Data BnF
Fantasio opéra-comique d' Offenbach Petite valse très facile pour le piano d'après O Métra par Antony Bérel (1873) Jacques Offenbach
[PDF] FANTASIO Libre Théâtre
FANTASIO Comédie en deux actes et en prose d'Alfred de Musset Fantasio jeune gens de la ville Spark jeune gens de la ville une fille d'opéra
[PDF] La Résurrection de FANTASIO - Amis de la musique française
15 fév 2017 · ou à l'Opéra-Comique c'est un sacrilège »1 Jacques Offenbach Les admirateurs d'Offenbach sont comblés d'observer que Fantasio
[PDF] « Fantasio » : Présentation - Médiathèque de Gonfreville lOrcher
Orphée aux enfers / Jacques Offenbach ; Natalie Dessay Laurent Naouri Patricia Petibon Véronique Gens ; Choeur et Orchestre de l'Opéra National de Lyon
Opéra: Fantasio Jacques Offenbach Partitions
Fantasio Compositeur: Offenbach Jacques Partition vocale "Fantasio" PDF 14Mb Vocal soloists Chorus Orchestra Wikipedia Fantasio est un opéra-comique
[PDF] Jacques Offenbach - Opus 64
2 nov 2017 · The comic opera Fantasio by Jacques Offenbach has a history that resembles a treasure hunt Taken from a work by Alfred de Musset (1834) it
1ORC351
?is recording is dedicated to the memory ofMichael John Heathcote
31 July 1937- 5 March 2014
Oenbach
FANTASIO
Rediscovering, restoring, recording and performing the forgotten operatic heritage of the 19th century 2Jacques O?enbach
FANTASIO
Opéra-comique in three acts and four tableaux
Libretto by Paul de Musset and Charles Nuitter
First performance: 18 January 1872, Opéra-Comique, ParisFantasio
Sarah Connolly
La princesse, Elsbeth
Brenda Rae
Le Roi de Bavière
Brindley Sherratt
Le prince de Mantoue
Russell Braun
Marinoni, the prince's aide-de-camp
Robert Murray
Sparck Neal Davies
Flamel, a page
Victoria Simmonds
FacioAled Hall
Hartmann Gavan Ring
Un Pénitent
Michael Burke
Max Robert
Anthony Gardiner
Le Tailleur& Passer-by
Sir Mark Elder
Le Suisse & Rutten
Nicholas Jenkins
Pages, Students, O?cers, Courtiers, Townspeople -
Opera Rara ChorusRenato Balsadonna chorus director Orchestra of the Age of EnlightenmentMatthew Truscott, leader Sir Mark Elder, conductorRecorded at Henry Wood Hall, London, December 2013 Dialogue recorded at St Jude's Church, Hampstead Garden Suburb, London, December 2013
3Producer Michael Haas
Opera Rara production ManagementKim Panter
Assistant conductorNicholas Jenkins
RépétiteurNicholas Bosworth
French coachNicole Tibbels
Dialogue directorAgathe Mélinand
Studio production assistantJim Barne
Dialogue editingRodney Milnes
Recording engineerJonathan Stokes
EditingMichael Haas, Sir Mark Elderand Jonathan StokesArticle, note and synopsisJean-Christophe Keck ?e synopsis translated into French, Ger-man and Italian can be found atwww.opera-rara.com/fantasio ?e complete libretto in French and English is available at www.opera-rara.com/fantasioSession photographsRussell Duncan
19th century singer imagesOpera Rara Archive
Jacques O?enbach, Fantasio revised edition by Jean-Christophe Keck© Boosey & Hawkes/Bote & Bock, Berlin
4Sir Mark Elder (conductor)
5Charles Alexander
Lady Alexander
John S Allan
Jean Pierre de Baets
Miss D Bailey
John da Luz Camacho
Hugh Canning
David Casstles
George I M Chapman
Angelo di Cicco
Sir Anthony Cleaver
Geo?rey Collens
Marco Compagnoni
Michael Conroy
Robert Cory
Peter Espenhahn
Colin Fletcher
Mr E D Gasson
Alan Godfrey
Patrick & Marian Griggs
Michael Hartnall
Michael Heathcote
Madeleine Hodgkin
Jonathan & Yvonne Horsfall-Turner
Glenn Hurst?eld
Graham C Ives
Richard Jacques
Ralph LandDr Mark WalkerColin & Suzy WebsterRichard Anwyl WilliamsDoris Pacey Charitable
Foundation
D'Oyly Carte
Charitable Trust
Dr Michael and Anna
Brynberg Charitable
Foundation
Esmée Fairbairn
Foundation
Gar?eld Weston
O?enbach Society
Palazzetto Bru Zane
Sfumato Foundation
Spears-Stutz Foundation
Vernon Ellis Foundation
?is recording has been made possible with generous support from the following individuals and foundations:Virginia Lawlor
Sir Timothy Lloyd
Barry Lock
Pierre Madeline
Carlo Marinelli
William McKnight Toner
Stratton Mills
Chris & Dominique Moore
Trifon & ?espina Natsis
John Nickson
John Paine
Dr Michael Peagram
Michel Plantevin
Patricia Raad Shour
Sir Simon Robertson
Peter Rosenthal
Imogen Rumbold
Ivor Samuels
Dereck B Scott
Mario Seiler
Howard Shewring
Christopher & Lucie Sims
Martin & Patricia Spiro
Anne Stoddart
Mr A & Dr G Suchy
Adam Swann
Robert Taylor
Gerry Wakelin
CÉLESTINE GALLI-MARIÉ (1840-1905)
e rst FantasioMARGUERITE PRIOLA (1849-1876) e rst Elsbeth7Dialogue tracks indicated by blue text
ACT IDuration
[1]Overture 7'10
[2] 'Vive le roi !' - Chorus 4'06 [3]Fanfare 0'06
[4] 'Mes amis, je vous...' 1'03 [5] 'Vive le roi ! Vive le roi !' - Chorus 1'01 [6] 'Où diable est donc Fantasio ?' 1'08Ballade - Fantasio
[7] 'Voyez dans la nuit brune' 3'23 [8] 'Eh bien, que ferons-nous...' 1'31Récit et Romance - Elsbeth
[9] 'Voilà toute la ville en fête' 5'30Duo - Fantasio et Elsbeth
[10] 'Quel murmure charmant' 4'38 [11] 'Quel astre contemples-tu là ?' 0'04 [12] 'Vois comme ce clair de lune' 1'14Choeur de pénitents
[13] 'Ô Saint-Jean ! ta joyeuse face' 3'53 [14] 'Que je prenne la place de Saint-Jean' 1'49Duo - Le Prince et Marinoni
[15] 'Je médite un projet d'importance !' 3'16 [16] 'Une seule chose me paraît s'opposer' 0'45CD1 73"33
8Duration
Finale Act I - Chorus, Hartmann, Facio, Sparck, Fantasio [17] 'Tout bruit cesse' 10'33ACT II
[18]Entr'acte 2'55
Choeur et air - Chorus, Flamel, Elsbeth
[19] 'Quand l'ombre des arbres' 9'02 [20] 'Je me sens, malgré tout...' 0'51 Quintette - Flamel, Marinoni, Le Prince, Elsbeth, Le Roi [21] 'Oui, c'est bien lui, chère princesse !' 2'51 [22] 'Permettez-moi de baiser cette main' 2'07Strophes - Le Prince
[23] 'Je ne serai donc jamais, non jamais' 3'38 [24] 'Aurait-elle un coeur dur et faux ?' 0'52 [1] 'Quel métier délicieux quel celui...' 1'03Couplets - Fantasio et Elsbeth
[2] 'C'est le nouveau bou?on de roi' 2'49 [3] 'Tu me fais l'e?et de regarder...' 1'13
Duo - Elsbeth et Fantasio
[4] 'Je n'ai donc rien de plus' 5'01 [5] 'Je vous laisse, princesse...' 0'25 Finale Act II - Chorus, Flamel, Facio, Max, Sparck,Fantasio, Le Prince, Marinoni, Le Roi, Elsbeth
[6] 'C'est aujourd'hui fête à la cour' 12'32CD2 65"35
9Duration
ACT III
[7]Entr'acte 2'47
[8] 'Par Jupiter ! Je l'avais bien prédit !' 1'04Romance - Elsbeth
[9] 'Psyché pauvre imprudente' 3'40 [10] 'Est-ce un rêve' 0'54Duo - Elsbeth et Fantasio
[11] 'Il n' est qu'un refrain à chanter' 9'08 [12] 'Princesse, on vous cherche' 0'57 [13]Entr'acte 0'56
[14] 'Calmez-vous, prince ! Calmez-vous' 0'53Couplets - Marinoni et Le Prince
[15] 'Reprenez cet habit mon prince' 2'29 [16] 'Oui, oui, je connais ton dévouement !' 0'06Ensemble - Chorus, Facio, Sparck, Hartmann
[17] 'Ils sont entrés dans le palais' 3'47 [18] 'Eh ! bien ! Le voilà, Fantasio !' 1'32 Finale Act III - Facio, Hartmann, Sparck, Le Prince, Fantasio, Marinoni, Flamel, Le Roi, Elsbeth, Chorus [19] 'Sous ta bannière on se rallie' 7'33Appendices
[20] 'Ballade à la Lune' - Fantasio 4'39 [21] 'Pleure, le ciel te voit' - Fantasio 2'03 10LÉON
MELCHISSÉDEC
(1843-1925) ?e ?rst SparckJEAN-VITAL JAMMESStage name ISMAËL
(1825-1893) ?e ?rst prince de Mantoue11OFFENBACH AND FANTASIO
O enbach and England, a secret love aairAsk any music lover which city O?enbach's
music calls to mind and the obvious answer will be Paris. ?e 'City of Light' that took the composer to its heart as a very young man seems inseparable from the spirit that inspired the creator of La Vie Parisienne. However, there is another imperial city with close links to the career of this itinerant musician:Vienna. As the man himself once said: 'I write
my music for Paris, but it is in Vienna that I hear it played.' Maybe this says a lot about the respective virtues of Parisian and Austrian artists of the 1860s.But what about London, another beacon of
European culture and also an imperial capital?
Its name seems somewhat out of place among
the composer's favourites; neither has it caught the attention of any of his biographers. Nev ertheless, England has always been a special place, as it was in O?enbach's day. It was here that he began his career, built his reputation and became the object of admiration border- ing on adoration. He even progressed so far as to attract imitators.It all began in 1844. ?en aged 25, the young
O?enbach was about to marry the beautiful Herminie de Alcain. His ?ancée's mother was remarried to an Englishman, Michael George
Mitchell. ?e future in-laws trod warily. ?ey
set the composer and virtuoso cellist a kind of entrance exam to prove his talent and, sur- reptitiously, to see whether he was capable of earning enough to support a family. A cousin, the impresario John Mitchell, organised a tour of England for the young man. It was a resounding success. Audiences - including a number of crowned heads - were captivated, and the press waxed lyrical. Jacques could now look forward to married bliss and, soon a?erwards, to bringing up ?ve children.Twelve years later, O?enbach was to return
to the British capital to conduct performances of his operettasBa-Ta-Clan
and Les DeuxAveugles
- staged in English as B eggar ?yNeighbour
andA Mere Blind
quotesdbs_dbs33.pdfusesText_39[PDF] second messager
[PDF] frein tambour velo decathlon
[PDF] reglage frein stop easy
[PDF] reglage guidon velo btwin
[PDF] roue arriere velo frein tambour
[PDF] reglage guidon b'twin 20 pouces
[PDF] programme histoire secondaire 3
[PDF] reglage potence rockrider 520
[PDF] démonter roue avant vélo b'twin
[PDF] histoire secondaire 4 résumé
[PDF] reglage frein velo btwin
[PDF] nouveau programme histoire secondaire 3
[PDF] nouveau programme histoire secondaire 4
[PDF] histoire secondaire 4 population et peuplement