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ADOBEPREMIERE
PROContents
What's New1...................................................................................................................................................What's New in Premiere Pro CC December 2013 (version 7.2)................................................................................2What's new in Premiere Pro CC October 2013 (version 7.1)....................................................................................7What's new in Premiere Pro CC July 2013 (version 7.0.1)......................................................................................17What's New in Premiere Pro CC June 2013 (version 7.0)...........................................................................24
What's new in Adobe Media Encoder CC 7.1 and CC 7.235...................................................................................................
Workspace and workflow45............................................................................................................................
Sync settings52........................................................................................................................................................................
Direct-Link workflow between Premiere Pro and SpeedGrade55............................................................................................
Using the Source Monitor and Program Monitor60..................................................................................................................
Multi-Camera editing workflow68..............................................................................................................................................
Control surface support74........................................................................................................................................................
Keyboard shortcuts in Premiere Pro CC76...............................................................................................................................
Cross-application workflows89.................................................................................................................................................
Setting up your system97.........................................................................................................................................................
Working with Panels111...........................................................................................................................................................
Adobe Dynamic Link115...........................................................................................................................................................
Cross-platform workflow119.....................................................................................................................................................
Basic workflow120....................................................................................................................................................................
Project setup124.............................................................................................................................................
Trim or copy your project125....................................................................................................................................................
Creating and changing projects127..........................................................................................................................................
Archiving projects131...............................................................................................................................................................
Importing footage132......................................................................................................................................
Transferring and importing files133..........................................................................................................................................
Importing assets from tapeless formats140..............................................................................................................................
Importing still images143..........................................................................................................................................................
Support for growing files146.....................................................................................................................................................
Working with timecode147........................................................................................................................................................
Importing XML project files fromFinal Cut Pro153....................................................................................................................
Importing sequences, clip lists,libraries, and compositions156................................................................................................
Importing digital audio159.........................................................................................................................................................
Digitizing analog video161........................................................................................................................................................
Create clips for offline editing163.............................................................................................................................................
Capturing and digitizing165......................................................................................................................................................
Capturing HD video176............................................................................................................................................................
Capturing DV or HDV video177................................................................................................................................................
Capturing content for DVD178..................................................................................................................................................
Batch capturing and recapturing179.........................................................................................................................................
Managing assets185.......................................................................................................................................
Customizing the Project panel186............................................................................................................................................
Organizing assets in the Project panel192...............................................................................................................................
Monitor overlays201.................................................................................................................................................................
Managing metadata205............................................................................................................................................................
Working with markers211.........................................................................................................................................................
Working with aspect ratios218..................................................................................................................................................
Monitoring assets223......................................................................................................................................
Using the Source Monitor and Program Monitor224................................................................................................................
Using the Waveform monitors and vectorscope232.................................................................................................................
Using the Reference Monitor236..............................................................................................................................................
Playing assets238.....................................................................................................................................................................
Editing sequences and clips242.....................................................................................................................
Relinking offline media243........................................................................................................................................................
Trimming clips246.....................................................................................................................................................................
Source patching and track targeting267...................................................................................................................................
Multi-Camera editing workflow268............................................................................................................................................
Edit from sequences loaded into the Source monitor274.........................................................................................................
Closed Captioning276..............................................................................................................................................................
Synchronizing audio and video with Merge Clips281...............................................................................................................
Rendering and previewing sequences285................................................................................................................................
Remove alerts with the Events panel290.................................................................................................................................
Rearranging clips in a sequence291........................................................................................................................................
Working with offline clips297....................................................................................................................................................
Modifying clip properties withInterpret Footage300..................................................................................................................
Creating and changing sequences301.....................................................................................................................................
Creating special clips (synthetics)322......................................................................................................................................
Creating and playing clips325...................................................................................................................................................
Adding clips to sequences329..................................................................................................................................................
Correcting mistakes338............................................................................................................................................................
Working with clips in a sequence340........................................................................................................................................
Trimming clips (CS5 and CS5.5)345........................................................................................................................................
Editing audio358.............................................................................................................................................
Overview of audio and the Audio Track Mixer359....................................................................................................................
Working with clips, channels, and tracks367............................................................................................................................
Editing audio in a Timeline panel374........................................................................................................................................
Recording audio378..................................................................................................................................................................
Recording audio mixes381.......................................................................................................................................................
Panning and balancing384.......................................................................................................................................................
Multiple stereo assignments for tracks to multichannel masters387........................................................................................
Monitor clip volume and pan using Audio Clip Mixer388..........................................................................................................
Editing audio in Adobe Audition390..........................................................................................................................................
Advanced mixing391................................................................................................................................................................
Adjusting volume levels395......................................................................................................................................................
Titling and the Titler400..................................................................................................................................
Titler text styles401...................................................................................................................................................................
Working with text and objects intitles404..................................................................................................................................
Rolling and crawling titles408...................................................................................................................................................
Fills, strokes, and shadows intitles410.....................................................................................................................................
Drawing shapes in titles415......................................................................................................................................................
Creating and formatting text intitles420....................................................................................................................................
Creating and editing titles426...................................................................................................................................................
Add images to titles431............................................................................................................................................................
Effects and transitions432..............................................................................................................................
Motion: position, scale, and rotatea clip433..............................................................................................................................
Viewing and adjusting effects and keyframes439.....................................................................................................................
Transition overview: applying transitions442............................................................................................................................
Three-way Color Corrector effect448.......................................................................................................................................
Stabilize motion with the Warp Stabilizer effect450..................................................................................................................
The rolling shutter repair effect454...........................................................................................................................................
Modifying and customizing transitions455................................................................................................................................
Interlacing and field order460...................................................................................................................................................
Adjustment Layers463..............................................................................................................................................................
About effects465.......................................................................................................................................................................
Eliminate flicker470...................................................................................................................................................................
Effect presets471......................................................................................................................................................................
Duration and speed475............................................................................................................................................................
Creating common results484....................................................................................................................................................
Color correction and adjustment486.........................................................................................................................................
Working with audio transitions505............................................................................................................................................
Audio effects and transitions507...............................................................................................................................................
Applying, removing, finding, and organizingeffects517............................................................................................................
Applying effects to audio521.....................................................................................................................................................
Animation and keyframes526.........................................................................................................................
Optimize keyframe automation527...........................................................................................................................................
Moving and copying keyframes528..........................................................................................................................................
Controlling effect changes using keyframeinterpolation531.....................................................................................................
Animating effects535................................................................................................................................................................
Adding, navigating, and setting keyframes537.........................................................................................................................
Compositing, alpha channels, and adjustingclip opacity546....................................................................................................
Blending modes549..................................................................................................................................................................
Workflow and overview for exporting553..................................................................................................................................
Exporting to DVD or Blu-ray Disc556.......................................................................................................................................
Smart rendering558..................................................................................................................................................................
Working with Adobe SpeedGrade559......................................................................................................................................
Working with Adobe Prelude561..............................................................................................................................................
Export a still image562.............................................................................................................................................................
Formats exported directly fromPremiere Pro563......................................................................................................................
Export to Panasonic P2 format564...........................................................................................................................................
Exporting for the Web and mobile devices566.........................................................................................................................
Exporting to videotape570........................................................................................................................................................
Exporting projects for other applications573.............................................................................................................................
Exporting OMF files for Pro Tools576.......................................................................................................................................
What's New1
What's New in Premiere Pro CC December 2013 (versionTo the topFor information on what's new in the earlier Creative Cloud releases of Premiere Pro, see:What's New in Premiere Pro CC October 2013 (7.1)
What's New in Premiere Pro CC July 2013 (7.0.1)
What's New in Premiere Pro CC June 2013 (7.0)
This document describes the new and changed features in the Premiere Pro CC December 2013 release (version 7.2):
Editing Finesse enhancements
Improved media management
Multi-Camera workflow enhancements
Audio enhancements
Performance enhancements
Support for new graphics cards
Other changes
Editing Finesse enhancements
Descriptive text in empty Project panel or Timeline panelWhen the
Project panel is empty, Premiere Pro shows descriptive text that says "Import Media To Start".When the
Timeline panel is empty, Premiere Pro displays the text "Drop Media Here To Create Sequence".When you drag-and-drop any files to the
Project panel or Timeline panel, or import files into the Project panel, the text disappears.Auto-save enhancements
When you specify auto-save to occur at regular intervals, Premiere Pro auto-saves a project on detecting changes to the project file.
The auto-save occurs irrespective of whether you manually save the changes to the project or not. Earlier, Premiere Pro would not execute auto-
save if you manually saved within the interval setting. If the system goes idle for a period beyond the interval setting, Premiere Pro forces an auto-save.Create sequence by dragging clip to Timeline2
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You can quickly create a sequence by dragging media and dropping it to the empty Timeline window. Premiere pro creates a new sequence from the media file that you dragged to theTimeline.
Export markers as a list
Premiere Pro lets you export markers from a single media asset or sequence to a CSV or HTML file. The Export Markers feature works with the
asset whose markers are loaded in the Markers panel.1. Load the markers of the required clip or sequence into the Markers panel. To do so, select the clip or sequence in the Project panel, or setfocus on the Source Monitor, Program Monitor, or Timeline.
2. Select File > Export > Markers.
3. In the Export Markers dialog, specify the file type, output destination, and filename. Then, click OK.
The markers are exported as a list to a comma-separated CSV file or a web page in HTML file format.Duplicate frame marker enhancements
Premiere Pro now displays duplicate frame markers for media created from the same file, or from files with identical timecode and tape name
metadata. Premiere Pro displays duplicate frame markers in the Timeline when track items are duplicated in the following scenarios:The same master clip is used
The master clips are created from projects that use the same media on diskThe master clips are created from media with matching tape name and timecode metadata, where the tape name is not blank and timecode
is not 00:00:00:00Add a clip marker based on clip selection
You no longer use multiple keyboard shortcuts to set a clip marker on a selected clip. You simply select the clip in the
Timeline
and press the M keyboard shortcut. A clip marker is applied to the selected clip.Use Ripple-Delete command for In/Out range
When you select a clip, a gap, or an In/Out range, and use the Ripple-Delete command, the selected clip, gap, or In/Out range is ripple-deleted.When using the
Ripple-Delete command, the priority of selection is as follows:1. Clip
2. Gap
3. In/Out range
That is, when using the Ripple-Delete command, a clip or gap selection has priority over selecting an In/Out range selection. The keyboard
shortcut for the Ripple-Delete command is Shift+Delete (Win) or Shift+Forward Delete (Mac).Warning to prevent project overwriting
When you work on Premiere Pro projects stored on a network drive, a warning dialog protects you from overwriting someone else's changes.
Say, you open a project from a network drive and make changes, and a second person opens the same project and makes changes. Then, a
warning appears when trying to save the project.In the warning dialog, click
OK to overwrite changes to the project on the network, or click Cancel to save a copy of the project.3
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Improved media management
Open multiple Media Browser panels
To easily access multiple projects and media locations, Premiere Pro lets you open multiple Media Browser panels simultaneously.
Select New Media Browser Panel from the Media Browser's context menu.Bypass automatic relinking of offline media
Premiere Pro automatically finds and links offline media where possible. However, there are times, when you want to quickly open a project
without automatically relinking the offline media. Premiere Pro now lets you do that by providing aCancel button in the Progress dialog. When you
click Cancel, Premiere Pro bypasses the automatic relinking workflow, and opens the Link And Locate dialog only if it detects offline clips.
Create a new Premiere Pro project from a sequence
You can now create a Premiere Pro project from a selected clip sequence.1. Select the clip sequence in the Project panel.
2. Select File > Export > Selection As Premiere Project.
3. Select a project name and location, and click Save.
Premiere Pro creates the project (.prproj filename extension) in the specified directory.When Premiere Pro creates the new project, the required project files are copied to the specified directory without moving the source files.
Any media not associated with the sequence is excluded from the new project.Multi-Camera workflow enhancements
Single source multi-camera sequence shows full-frame clip When there is only a single video stream in a multi-camera source sequence, the Source monitor displays that video clip as a full-frame clip.Earlier, the clip would be displayed in a quarter frame; that is, a single angle displayed in the multi-camera 2 x 2 grid.
Show multi-camera clip names in
Timeline
The multi-camera source sequence clips in the
Timeline display the source clip names. This feature helps you quickly determine which camera angle is switched to the output.The source clip names are appended to the multi-camera source sequence name. For example, [MC1] Camera 1.mov, [MC2] Camera 2.mov.
Sequence Preset option for switch audio
Earlier, sequence presets could be used only in Custom Sequence settings. That restriction is now removed. You can now select a custom or a4
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previously saved sequence preset for camera 1, all cameras, or switch audio.Audio enhancements
New voice-over recording workflow
Premiere Pro now lets you set up and record voiceovers on audio tracks directly from the Timeline, without using the Audio Track Mixer workflow.Display the Voice-over
Record button
The voice-over
Record button
lets you record a voice-over directly from the Timeline on to an audio track. To display the voice-over Record button in theTimeline header, do the following:
1. Select the track in the Timeline to which you want to add the voice-over
2. Click the Settings button in the Timeline and select Customize Audio Header.
3. From the Button Editor dialog that appears, drag-and-drop the Microphone button
to the required audio track, and click OK.Start the voice-over recording workflow
Start a voice-over recording workflow by doing one of the following: Mark a specific In/Out range to insert the audio recording, or Position the playhead at the starting point of inserting the voice-overDisplay pre-roll countdown
As soon as you mark the In/Out range or position the playhead, the voice-over recording workflow starts. A pre-roll countdown appears as an
overlay on the Program Monitor. Pre-roll countdown displayed as an overlay on the Program MonitorThe pre-roll countdown is a visual cue to give you time to prepare and begin the recording. Recording begins after the countdown reaches zero.
You can specify the duration of the pre-roll countdown in thePreferences dialog.
Begin recording
Clickin the audio track's header to begin recording. A status message "Recording..." appears in the Program Monitor to indicate that recording
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When using a predefined In/Out range, you don't have to click the Voice-over Record button . Recording automatically starts when the playhead reaches the In point in theTimeline.
Finish Recording
When using a predefined In/Out range, recording ends when the playhead reaches the Out point in theTimeline. The status message on the
Program Monitor then changes to "Finishing...". If you are not using a predefined In/Out range, stop the recording manually by clicking the Voice-
over Record button again, or by pressing the Spacebar key.Once recording is complete, an audio file of the recording is created. The audio file is imported as a new project item into the
Project panel.
Performance enhancements
This release of Premiere Pro CC further leverages the power of third-party GPUs to increase speed of work with high-resolution formats:
OpenCL performance is faster and more stable than beforePerformance improvements for UltraHD
Support for new graphics cards
Premiere Pro now supports the following NVIDIA graphics cards:Windows
Quadro K1100
GeForce GTX Titan
MacGeForce GT 750M
For the complete list of supported graphics cards, see theTech Specs.
Other changes
Premiere Pro now uses the MXF Importer for importing P2 and Canon XF files You can natively import AVCI-100 .mov files and smart render the files to MXF-wrapped AVCI-100 filesWhen using third-party transmit tools for SDI display, Premiere Pro ensures that the audio and video are in sync at all times
Improved playback performance for Sony XAVC 60p media6 What's new in Premiere Pro CC October 2013 (version 7.1)To the topTo the top
This document describes the new and changed features in the Premiere Pro CC October 2013 release (version 7.1):
Video:
New features overview by Al Mooney
Direct-Link workflow between Premiere Pro and SpeedGradeEditing finesse enhancements
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