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Seconde - Anglais. 17. VAC 2 ANG - 0801 - 1 fflfflfflffl COURS. 1ère leçon. BOB MARLEY THE REGGAE BOY. Robert Nesta Marley
LANGUES VIVANTES Déclinaisons culturelles
Anglais. Langages. Codes socio-culturels et dimensions géographiques et historiques. Gra- Blackbird The BeatlesThe Death of Emmett Till
Lobjectif culturel en classe danglais : intéresser les élèves
En ce qui concerne la culture dans l'enseignement de l'anglais Enter Bob Marley and the Wailers and reggae gots its big break in the United states in ...
MISSION : CHOOSE A CELEBRITY AND WRITE A BIOGRAPHY !
James Dean / Marilyn Monroe / Walt Disney / / Michael Jackson / Elvis Presley /. Bob Marley / David Bowie ….. Ces critères sont ceux que tu trouveras.
BOB MARLEY ENTRE NOUS DEUX : ESSAI SUR LES
Ah Mademoiselle
Anglais - classe de seconde générale et technologique
différents aspects de l'enseignement et de l'apprentissage de l'anglais. classe d'anglais en seconde mettre en lumière la ... Bob Marley. Glenn Miller.
Évaluation et remÉdiation
MF Chen Géré IA-IPR d'anglais anglophone
© Cours Pi Paris & Montpellier www.cours-pi.com
Bob Marley a Jamaican icon. ? Le past perfect. ? Les question tags. ? L'accentuation des phrases. Devoir n°6. Anglais 3ème. Programme
EPP lf &5
CAPES EXTERNE D'ANGLAIS. CAFEP EXTERNE D'ANGLAIS explain why listening to Joni Mitchell or Bob Marley (who happened to be her two favourite singers)was ...
Activités phonologiques
Claudine IUNG
Académie de Nancy-Metz
claudine.iung@ac-nancy-metz.frClaudine Iung, janvier 2008
PHONETIQUE, PHONOLOGIE
COMPOSANTES DE LA CHAÎNE SONORE
POUR UN PROJET A L
1. Sons spécifiques à la L2 :
Entraînement à les discriminer, à les produire, isolément et en contexte. - Sons vocaliques, - Sons consonantiques.2. Accent de mot :
- Syllabes accentuées intensité et de durée). - Syllabes inaccentuées : entraînement à les percevoir, et à les introduire en contraste dans la chaîne sonore (perte de tonalité, accélération).3. Rythme du flux sonore :
- uels (mouvements articulatoires). - Entraînement au traitement du groupe de souffle entre les mots. - Entraînement à percevoir et à de pics accentuels.4. Intonation :
Complémentarité très forte entre :
- La trame écrite et le flux sonore, - La forme (les choix linguistiques et phonologiques du locuteur) et le sens.Claudine Iung, avril 2005
- Which key? - The key to the car. - The key to my car? [JetIWhether the weather be fine
or whether the weather be not.Whether the weather be cold
or whether the weather be hot.We'll weather the weather
whether we like it or not.I thought a thought.
But the thought I thought wasn't the
thought I thought I thought.If the thought I thought I thought had
been the thought I thought,I wouldn't have thought so much.
Claudine Iung, pour la classe de PSI, novembre 2005 [DN] et [WN]Five white mice hiding in a
pie while Clive the tiger flies his nice white kite.A pleasant place to place a
plaice is a place where a plaice is pleased to be placed.AMELIORER LA FLUIDITE DE LA LANGUE
Accent de phrase : contraste accentué inaccentuéQuickjacket and shoes.
The man was mad, or he was lying.
fell in mustShe have disappeared so quickly.
La fluidité du discours oral : les liaisons
Vous allez entendre cinq phrases, soulignez le mot important et marquez les liaisons entendues : - Forget about it. - Please, take it back. - He will get on with it. - I do like rock and roll music. Entraînez-vous à les prononcer sans accroc ni coupure. Préparez seul les cinq phrases suivantes et enregistrez-vous : - I never eat fish and chips when I go to England. - Unfortunately, it will go on and on.La musicalité de la langue
Rappel :
Stops voiced :
[b],[d],[g]Continuants voiced :
[v],[z],[th],[m],[n],[l],[r]Stops unvoiced :
[p],[t],[k]Continuants unvoiced :
[f],[s],[th],[sh] Activité 1 : sur segments. Faire remarquer les deux caractéristiques ci-dessus mentionnées (le souffle pour [p],[t],[k], et [b],[d],[g], [p],[t],[k]) Activité 2 : les paires minimales. Faire marquer le contraste porteur de sens. Buy, pie / bet, pet / down, town / done, ton / game, came / good, could / goat, coat / drunk, trunk / girls, curls. Activité 3 : tongue-twisters pour délier la langue (succession de segments sonores et sourds)Clumsy cats cover the carpet with cream.
Big bad baboons blow up beautiful blue balloons.
Kind King-Kong keeps a kitten in a kettle.
A big black bug bit a big black bear, made the big black bear bleed blood.Two tigers took a taxi to town.
Double bubble gum bubbles double.
Activité 4 : role-play
- When did you last see it? - Last Tuesday, at the supermarket. - Look! here it is, on the counter.Claudine Iung, mars 2003
La musicalité de la langue
Rappel :
Stops voiced :
[b],[d],[g]Continuants voiced :
[v],[z],[th],[m],[n],[l],[r]Stops unvoiced :
[p],[t],[k]Continuants unvoiced :
[f],[s],[th],[sh]Activité 1 : sons isolés (mots)
Faire apparier les paires minimales et proposer un entraînement à voix haute de quelques minutes. Sap / game / face / zap / fan / phase / came / van / - Sounds like bees. - In the middle of the desert ? - nd? - Sounds like a snake. - A snake! What sort of snake? - A sand snake. Quite common here.Faire écouter les quatre se
le son majoritaire - Seven snakes sit singing silly songs. - Lucy loves licking lovely lollipops. - My mean monster munches marmalade muffins. - Five friendly frogs feast on fat figs. Demander alors aux élèves répartis en groupes de sélectionner un de ces correspondant.Groupe de travail CRDP, mars 2003
La musicalité de la langue
Rappel :
Les voyelles sont des sons qui peuvent se prolonger dans la durée, en fonction du message du locuteur. - I have one.Activité 1 :
faire constater les variations de durée pour un mêm - hat. - What kind of hat ? - It was a rain hat. - A white rain hat? - Yes. - There was a white rain hat in the car. - Which car? - The one I sold.Activité 2 : lecture à haute voix
Après des repérages à effectuer sur le script, et entraînement à haute voix de quelques minutes, demander aux élèves de lire de la façon la plus expressive possible le poème suivantThe warm sun is failing,
The bleak wind is wailing
The bare boughs are sighing,
The pale flowers are dying.
(P. B. Shelley, Autumn) par Stephen Stills donne regroupements de sons majoritaires.Wordlessly watching
He waits at the window
And wonders
At the empty place inside
Stand by the stairway
see somethingCertain to tell you confusion has its cost
Llying
loose in a lady who lingers lostAnd choking on hello.
(extraits : http://www.stephenstills.com/index 2.htlm )A SLIGHT ACCIDENT
Harry,
Harry!
Uneasy / incredulous / shocked / worried / helpless / anxious / irritated / disappointed / determined / frightened / panicky / horrified / delighted / relieved.Tongue twisters
Peter Piper picked a peck of pickled pepper,
A peck of pickled pepper Peter Piper picked;
If Peter Piper picked a peck of pickled pepper,
How much wood would a woodchuck chuck if a
woodchuck could chuck wood?As much wood as a woodchuck could if a
woodchuck could chuck wood. Swan swam over the pond, swim swan swim; swan swam back again well swum swan!TRAVAILLER LE SON : [BL]
vous, se prononcent [BL]Old Tony Toad has a mobile phone at
alone on his boat when he goes sailing in October all over the open sea to the North Pole.LE CONTRASTE : [BL] et [aL]
[aL]How much ground would a groundhog
hog, if a groundhog could hog ground?A groundhog would hog all the ground
he could hog, if a groundhog could hog ground. [BL]How much dough would Bob Dole dole
if Bob Dole could dole dough?Bob Dole would dole as much dough
as Bob Dole could dole, if Bob Dole could dole dough.CONFUSING WORDS
Quelles caractéristiques phonologiques mettre en plac [RpCYtS] important [Nm@pC: tBnt] Les notions de contrastes accentuels sont en anglais essentielles. eux-ACTION
ARTICLE
OPINION
CATASTROPHE
DIFFERENCE
NATIONAL
DETERMINE
PAGES FINALPREFERABLE
Lesquels posent le plus de problèmes ? Pourquoi ?Etienne Gégout et Claudine Iung, novembre 2006
Mots transparents, pièges phonologiques
Separately []
desperately @sepr(B)tlN extraordinaryDk'strC:dNn(B)rN
mature mB'tjLB ignoreNg'nC:
dangerous 'deNn7(B)rBs suppose sB'pBLz interesting absolutely principally comfortable differently chocolateFebruary
preferable fabulous promised difficult vigorous village extremely unfavourable especially geography adventurous financially vocabulary laboratory example determine deliver research deliberate presume assume defend return decide transmit produce marine report support magnetic indignant significant recognize signal signature stagnation cognition pugnacity favourite agency favourable paper cable table education favour safe frustrate publication face debate phone social motor Rome notably emotion provoke robot focus oppose control global totally Mots transparents en contexte, doubles pièges phonologiquesThe research should be made public.
dangerous politician. really interesting.This discovery is absolutely fabulous.
real difference between both examples. presidentsecretary. comparatively more mature than her sister.I spoke to them separately.
traditional approach.That was rather adventurous.
This new method is preferable.
He was able to buy a new gun illegally.
They did take an unfavourable decision.
She was my favourite geography teacher.
-generalisation.I suppose so.
His attitude is extremely old-fashioned.
No law could eliminate gun violence.
Claudine Iung et les classes de PSI et TS1En, 2004 2005LIKES AND DISLIKES
I like singing,
I love hair, autumn, fairy tales and smiling people, ities, dead fish and sleeping tablets,I dislike sewing, snobs, liars and hypocrites,
I hate violence.
SeBut lies in bed till eight or nine
And surely she does take her time.
The wife who sells the barley, honey
1. Relevez et classez les mots contenant des diphtongues (correction)
BL aN DN grown fine eight swine take so lies wife time2. Trouvez le rythme (correction)
_ ° _ ° _ ° _ ° _ ° _ ° _ ° _ She ° _ ° _ ° _ ° _But lies in bed till eight or nine
° _ ° _ ° _ ° _And surely she does take her time.
_ ° _ ° _ ° _ ° sie Marley, honey ° _ ° _ ° _ ° _ °The wife who sells the barley, honey
° _ ° _ ° _ ° _ ° _ ° _ ° _ ° _ ° And yTHE CAR DRIVER
He drives his car
Both wide and far,
He drives and drives all day.
So wide and far
He drives that car,
That sadly his neigbours say:
How sad!
Poor lad!
Kathleen Rich
DAFFODILS
I wandered lonely as a cloud
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
William Wordsworth, 1807
SENTENCE LENGHTENING
5OThe captain was 50
lling you captain John Philip was 50 when he died sank his boat as she sank in the Ocean sank in the Atlantic Ocean sank in the middle of the Atlantic Ocean sank in the middle of the Atlantic Ocean, leaving two children sank in the middle of the Atlantic Ocean, leaving two young children sank in the middle of the Atlantic Ocean, leaving two children and a widow sank in the middle of the Atlantic Ocean, leaving two young children and a30 year old widow
sank in the middle of the Atlantic Ocean, leaving two young children and a30 year old widow who married her young lover.
SENTENCE LENGHTENING (collège)
He jumps
He jumps over the fence
If he jumps over the fence, he will fall
If he jumps over the fence, Billy the Kid will fall If he jumps over the fence, Billy the Kid, the young cowboy will fall If he jumps over the fence, Billy the Kid, the young cowboy will fall from his horse If he jumps over the fence, Billy the Kid, the young cowboy will fall from his horse calledStorm,
If he jumps over the fence, Billy the Kid, the young cowboy will fall from his horse calledStorm, and break his neck
If he jumps over the fence, Billy the Kid, the young cowboy will fall from his horse calledStorm, and break his neck so badly
If he jumps over the fence, Billy the Kid, the young cowboy will fall from his horse called Storm, and break his neck so badly that he will never ride again.Detective Polly
Detective Polly came suddenly
Detective Polly came suddenly into the room
Detective Polly came suddenly into the room and shouted Detective Polly came suddenly into the room and shouted at them all Detective Polly came suddenly into the room and shouted at them all to go outside Detective Polly came suddenly into the room and shouted at them all to go outside and to gather in the street Detective Polly came suddenly into the room and shouted at them all to go outside and to gather in the street in front of the school Detective Polly came suddenly into the room and shouted at them all to go outside and to gather in the street in front of the school where there was a big crowd Detective Polly came suddenly into the room and shouted at them all to go outside and to gather in the street in front of the school where there was a big crowd already waiting Detective Polly came suddenly into the room and shouted at them all to go outside and to gather in the street in front of the school where there was a big crowd already waiting for something unusual to happenGardez le rythme
(Le jeu du métronome)SELECTOR 60
You work
You worked
You are working
e been working all been workingYou should have all been working
You should have all been able to work
Claudine Iung et les élèves du lycée Loritz, novembre 2003LES COUPURES NECESSAIRES
FLASHSCRIPT :
RETABLISSEZ LES COUPURES NECESSAIRES DANS LA CHAÎNE ECRITE POURRECONNAÎTRE LES MOTS :
gouthi METTEZ LES PAUSES NECESSAIRES DANS LE FLUX ORAL POUR POUVOIRRESPIRER ET MIEUX VOUS FAIRE COMPRENDRE:
It was high time for him to stop and eat his husky dog was exhausted and hungry too he sat on his sled suddenly he saw two wolves coming out his dog was so tired that he PRONONCEZ CE SEGMENT SANS BEGAYER, DES COUPURES PEUVENT ÊTRENECESSAIRES :
Old Tony Toad has a mobile phone at home so he is never alone in his boat when he goes sailing in October all over the open sea to the North Pole.Claudine Iung, octobre 2004
Ponctuation et ambiguïté du message
Lisez les quatre phrases suivantes : pour chaque phrase, il existe deux ou trois possibilités de coupure qui donnent au message un sens différent.We gave her dog biscuits.
a) b). c)He slipped on a bathrobe.
a) b)Alfred said the boss is stupid.
a) b)A woman without her man is nothing.
a) b)Quel sens donnez-vous au message suivant : est-
Dear John I want a man who knows what love is all about you are generous kind thoughtful people who are not like you admit to being useless and inferior Gloria (version collège) Dear John I want a man who knows what love is all about you are generous kind thoughtful people who are not like you admit to being useless and inferior you have ruined me for other men I yearn for you I have no feelings whatsoever when we are apart I can be forever happy will you let me be yours GloriaDear John,
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