[PDF] On Poetic Function: Jakobsons Revised Prague Thesis





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The Poetic Function in the Theory of Roman Jakobson

And even in our parlance about language the referential function is spoken of as 'ordinary language.' Page 3. POETIC FUNCTION AND NATURE OF LANGUAGE 59. The 



TOPIC 16. Children´s literature in english. Didactic techniques to

habits to appreciate the poetic function of language. 1. inTroducTion. • Communicative competence definition. • Natural route for learning any language goes 



Anticapitalism and the Poetic Function of Language

Anticapitalism and the Poetic Function of Language. Nathalie Wourm. CHRISTOPHE HANNA PUBLISHED a theoretical monograph on poetry—Poésie Action Directe—in 



The Language of Job and Its Poetic Function

THE LANGUAGE OF JOB. AND ITS POETIC FUNCTION. EDWARD L. GREENSTEIN edgreen @post.tau.ac.il. Tel Aviv University Ramat Aviv 69978 Israel.



6 Considering Values: The Poetic Function of Language

All functions of language assist in shaping our beliefs but poetic language especially helps us understand the now familiar dicta from physics and poetry that 



A LANGUAGE FUNCTION: THE ANALYSIS OF CONATIVE

The researcher used the five functions of language proposed by Jakobson that are referential function



CONVERSATION THE POETIC FUNCTION

https://www.jstor.org/stable/42946081



Form and Function of Poetic Language

FORM AND FUNCTION. OF POETIC LANGUAGE. Ivan Fónagy. An attempt is made here to consider poetry as one of the aspects of language.



FUNCTIONS OF LANGUAGE AND ELEMENTS OF POETRY

Any process of language learning in particu1ar child acquisition of the mother tongue



On Poetic Function: Jakobsons Revised Prague Thesis

for Jakobson investigations into language. whether literary or non-literary



Remembering the poetic function of language in intercultural

The poetic function of language with its focus on the form/structure/shape/sound of the message was discarded by the communicative approach together with translation in favor of the efficient and effective transmission ofinformation through communicative competence



Dramatizing poetry in the second language classroom - ed

functions of language Jakobson (1960) points out that the poetic function (aesthetic function) in verbal art is its dominant determining factor whereas in all other language activities it acts as a subsidiary to the act of communication Hence crucially for English learning aesthetic language is an important feature of everyday



Searches related to poetic function of language filetype:pdf

ning of an explanation of the word-field 'function' Especially in German-language literature talk of an 'aesth­ etic' or 'poetic' function of language may be bound up with scientific and technological connotations from which one would like to see both they and one's self dissociated Talk about a goal is much less likely than talk about func­

What is poetic function and nature of language?

    POETIC FUNCTION AND NATURE OF LANGUAGE 69 3.2 Sound: "in poetry speech sounds spontaneously and immediately display their proper semantic function" (RJ & LW, 1979:222). In the poetic function, the focus on the linguistic sign as a sign and the divorce of the sign from its referent means that the texture of the sign in all its

What is the function of poetry in poetry?

    POETIC FUNCTION AND NATURE OF LANGUAGE 79 meanings in poetic discourse, the use of sound figures and especially of paro- nomasia, the immediacy characteristic of the distinctive features, the poem as an autotelic system of systems of signs, the poem as a structure, the grammar of

What is the poetic function of the linguistic sign?

    In the poetic function, the focus on the linguistic sign as a sign and the divorce of the sign from its referent means that the texture of the sign in all its aspects (see Ejkhenbaum, 1927/1965) is made perceptible, including that aspect of the sign which is by its very nature perceptible, namely the signans.

What are the two functions of language?

    Out of the various functions of language presented by Jakobson, only two are functions as understood here. These are the poetic function and the referential function. The former seems to us to be an immediate function: It needs to be further interpreted in order to arrive at the role, or roles, played by the

OnPoeticFunction:

Jakobson'sRevised'Prague'Thesis

R.AGoodrich

function 'Linguistics andPoetics',I thecontinuingpotencyofwhichisrevealed function

Moscow

Parisgroup

guises. 2 ofpoeticfunction number aremore fundamentallyconceptual innature. 4 otherarts and...other kindsofverbalbehavior',thestudyofpoetics principallydeals that averbal paper,therefore,there seemstoexistatensionbetweenpoeticsasa linguisticenterprise andpoeticsasanaestheticenquiry. quarters,Jakobsonfirstlyconcedesthatmany ofthe'devices'probed sincetheymayequallyappear inmusicordance,cinemaorsculpture (p.350).Poetic devices-alsointerchangeablycalled 'poeticfeatures' ofpictorial signsfiguring 54

R.A.Goodrich

(p.351).Allkinds ofdiscoursearesoaffectedsinceallkindsof truthorfalsity involved.'excecd[s]thebounds ofpoeticsandoflinguisticsingeneral' [p.351 linguisticssimplyonthegroundsthat. ofthetwo.poeticsaloneinvites evaluationiserroneous.

Itmaybetruethatpoeticstypicallydealswith

oneexcludesthe linguistics ofgrammarorsyntax. oflanguage goal-directedsystem components.Allfunctions oflanguage.wearethereforeurged,

Expandingupontheearlierinsights

ofKarlBahler,JanMukarovsky ofverbal

CONTEXT

Ia'verhal' orverhalizahle'referent'l

ADDRESSERMESSAGEADDRESSEE

I·encoder·)I'decoder')

CONTACT

CODE [·fully.oratpartially.common') 55
correspondingfunctionsmay bechartedasfollows:

REFERENTIAL

[the'cognitive'or'dcnotativc')

EMOTIVEPOETICCONATIVE

PHATIC

[sustainingorchecking)

METALINGUAL

['glossing'or'cquational') actcommunicate wereto 'adifferenthierarchicalorder offunctions';thenatureofits'verbal structure amongstthesixfunctions ofthecommunicativeevent(p.353).(Imagine threeopposingpairs configurations forceoffersausefulvisualanalogy.) None prohlems,noristhechart itselfentirelyadequate. S

Forexample,can

lakobson'smodel ofcommunicationaccommodatemonologueas context theaddresserandthe addressee?How,ifatall,doesthereferential truth theirintentions encoders addresser's feelings?Oragain,whalimpactdospatial andtemporaldislancehave 56

R.A.Goodrich

communication,whetherspoken orelectronic,ifwhatistransmittedis opento

Bethat

y,focuses'onthemessage activitiesit andexhortationtomention butthree---differentgenres 'implyadifferentlyrankedparticipationof (p.357).Forexample. arguesJakobsonsomewhatselectively,epic. focusedupon '1').involvesthe 'you'), involvestheconative.

Thedominance

thepoeticfunctionwhendominant'deepens thefundamentaldichotomy utterances('veni.vidi,vici ')astoanentireverseplay.Inotherwords, forJakohson, 'asplitaddressee', 'anintrinsic,inalienablecharacter ofanyself-focusedmessage'(pp.37I,

370).Apartfromaddresser

andaddressee.forinstance,theremaywell exist audience of discourse opening forreiterationwhetherimmediate ordelayed,thisrcilicationofa poetic property ofpoetry'(p.371).

Finally,afurther'indispensable'

and'inherent'featureofthe poeticfunctioncentresuponthe 'twobasicmodesofarrangementused 57
buildup case: (p.358). theaxis

Equivalencesorsimilaritiesthatexist

withinthecodeoflanguageat (utterances) device ofthecode'to 'combinewhatiskeptseparate... andseparatewhatiscombined',6as andselective axis multiplex,polysemantic essence'(p.370).Underthedominanceof similarities 'how...town...down'.. opposed (p.358). 58

R.A.Goodrich

practice, consist (i) focuses (ij) rcmainshierarchicallysuhordinatcd inallothcrfonnsofverhal behaviour; (iii) versa; (iv) Letus theabovefeaturesinturn. First functionare toallmanifestations ofverbalbehaviour,fromjokesanddrillsto insultsanddeclarations. foranartform. theverbalartsproperlyliesintheroles playedbytheaddresserandthe 59
codeofanycommunicablemessage. mind:whyshould onlyonefunctionberegardedasdominantor

Emmetcontends,8isoften

topresumethatsocialactsofcommunication compriseaunitarysystemwhichisanalysable intermsofmetonymous (part-whole)relationships.This, inturn,predisposesJakobsonamongst otherstothink dominance rules [p.364]).But,from anempiricalpointofview,9itnotonlyseems balance,antagonistic orco-operative,oftwoormorefunctions.From eitherpoint exclusively poeticfunction divisionbetweenthelinguisticsign andtheobjecttowhichthatsign closinglinesfrom

WilfredOwen's'StrangeMeeting':

I amtheenemyyoukilled,myfriend. I knewyouinthisdark;foryousofrowned

Yesterdaytllroughmeasyoujahbedandkilled.

I parried;hutmyhandswereloathandcold. Let ussleepnow... thatwecaneasilyattend tothemessageforitsownsakeindependently theonehand, hadthebook 60

R.A.Goodrich

circumstancesunderwhichtheutterance wasmade.Ontheotherhand, ofits meaningsor,alternatively,thespeaker him-orherselfmayhaveonly intendedone alone,then thenwenow uponaddresser prevails,ambiguitycannot beexclusivelytracedtothemessagealone: otherfactorswithinJakobson'sschemewou ldappeartohaveacrucial, explanatoryrole toplay. mightprotestthat theexampleof'Epsilonhadthebookstolen'can scarcely listingexamplesbecomeslittlemorethan anexchangeofopinion aboutwhatmakestheopeningof,say,Moby-Dick ('CallmeIshmael') predominantlypoeticratherthanphatic orofTheGo-Between('The bookstolen',onJakohson'savowedcriteria, isrepletewithpatterns saidto alliterative,assonantal, andgrammaticalrepetitions(theIIIandlsI completed development,too,mayhave beenselectedfromanindefinitenumber 'theman example;'owned','possessed','gripped', andsofonhinsteadof ambiguousutterancecouldhardly beregardedasananistictext;even theshortest distributed thanistheconcealednotion oftext.Iftheconceptionoftextismeant toilluminatethedominantfocusupon messageattributedtotheverbal arts,then fonhcoming artistictexts, 61
discourse'.11 functiondonot endthere. 12

Thetransformativepowers,heresaidtobe

supposedlyoperateuponthe axesofselectionandcombination.These ratherthancategories Now, appliedtosounds.words, andphrases.althoughitisalsothephatic requirement physicalorpsychological,existsbetween addresseeandaddresser.

Whilst

characterisesmuch ofourverbalbehaviour.acommunicativeact certainlynotinconceivablethata familybiblecouldhavethe handsatdifferenttimes, werdegeheilgt'(ModernGermancirca1996), andsoon.Ontheone hand. On just manufacture construction ofapartments. addresser'scapacityto select'semanticallycognate'items;items 'moreor synonymousorantonymous(p.358).To adaptJakobson'sownexample. itmightonoccasion betruethatthereareexplicablereasonswhen talkingaboutachildforselecting theterm'child'inpreferenceto thesuggestion connotation 62

R.A.Goodrich

connexionbetweentheconcepts ofselectionandsimilarityishardlya necessaryoruniversal one.Noristheapplicationoftheconceptof problems afflictingambiguity.

Finally,there

appearto trust'exchange withtheencouragementofthecompere:

Epsilon:

Omikron:

Epsilon:

Omikron:

Epsilon:Either

orl1,eEnglishPatient.

Correct.

WaterlandnorPossession.

So,whatfollows?

Therefore,itisTheEnglishPatient!

probability or bedevi centresuponamisjudgementnotonly ofthecharacterbutalsoofthe role analogously.many theirconcepts besolelydefinedinmathematicalterms. in 63
aboutthetendency replacetheobjective'description oftheintrinsicvaluesofaliterary in function(namely,that factorsambiguous firstthird supreme: To functionnotonly

Thereis,moreover,another

difficultywithJakobson'sargumentthat thepre-eminence property ifthe poetry.Thisputativestate ofaffairsdoesnot,however,entailthe furtherconclusionthatthepoeticfunction assuchnecessarilymakes thegivenpiecepoetry.

Finally.whilst

the each 64

R.A.Goodrich

concomitantfeatures. Notes namely,

2Foraseries

structuralismandrelateditemsthiscentury, seeTheNewPrinceton

Encyclopedia

toBaudelaire's"I.esChats'"(1966) inStructuralism,ed.JacquesEhrmann,

GardenCity,1970,

Culler,

verbal

21-73.

much 'Jakobson'sPhilosophicalBackground' inLanguage,PoetryamiPoetics:

KrystynaPomorska

etal.,Berlin,1987,pp.15-31.

5Recentliterarycriticisms

ofJakobson'sschemefrom'reader-responsc'

DerekAttridge,'Closing

statement:linguisticsandpoetics inretrospect'inThelinguisticsoj writing:Argumentsbetween languageandliterature,cd.NigelFahbet

MonashUniversity,August1991.

6

1975,p.57.

7 p.57.

8D.M.Emmet,

Study circlesbyD.H.Hymes, 'TheEthnographyofSpeaking'(1962)in 65

Readings

1968,especiallypp.l20--2.

10

Stylistics

and conventionalistdefence ofJakobson,seePaulKiparsky,'Ontheoryand interpretation' andliterature, (1984):89-103.

Distinction:AnImpassefor

EducationalLiteraryTheory'!',TheJournal

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