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![Reading Between the Lines - AAU Reading Between the Lines - AAU](https://pdfprof.com/Listes/18/21159-18frankenstein_thesis.pdf.pdf.jpg)
Reading Between the Lines:
Frankenstein, or, the Modern Prometheus, using
The Castle of Otranto as an example of male discourse about womenLouise Othello Knudsen
English Almen, 10th semester
31-07-2012
1Tabel of Contents
Abstract ................................................................................................................................................ 3
Introduction .......................................................................................................................................... 5
Historical Context .............................................................................................................................. 10
The View on Women and Their Expected Roles in the late 18th and 19th Century ....................... 11
- Mary Shelley disowns herself .................................................................................................. 11
- .................................................................................................... 12
Frankenstein ..................................................................................................... 13
Frankenstein ........................................................................................................... 13
- Women in Society and Women as Writers .................................................................................. 15
- The Status of Women .................................................................................................................. 18
Gothic Novels Exclude Women from the Social Order ................................................................. 20
Good and Bad Science ................................................................................................................... 20
- Monstrous Births ......................................................................................................................... 21
Anxiety of authorship..................................................................................................................... 22
- Percy Bysshe Shelley as the Editor of Mary Shelley .................................................................. 23
- Percy as the Author of Frankenstein ........................................................................................... 24
Analysis of Frankenstein or the Modern Prometheus ........................................................................ 26
A summary of Frankenstein .......................................................................................................... 27
Narrative......................................................................................................................................... 28
The male characters in Frankenstein ............................................................................................. 30
- Robert Walton .............................................................................................................................. 31
- The dangers of ambition .............................................................................................................. 32
- Aspirations of Glory: Victor and Walton .................................................................................... 33
- Personal Relationships: Walton and Margaret ............................................................................ 35
Introducing Victor Frankenstein .................................................................................................... 35
- Egotism ........................................................................................................................................ 37
- Victor and His Creature ............................................................................................................... 38
- .................................................................................................... 40
- Victor, Clerval, and Elizabeth ..................................................................................................... 41
The Creature ................................................................................................................................... 44
- The Creature and the de Lacey family ......................................................................................... 46
2- Human Nature .............................................................................................................................. 46
The (non)-representation of Women in Frankenstein.................................................................... 48
Margaret Saville ............................................................................................................................. 49
- ......................................................................................................................... 49
Caroline Beaufort ........................................................................................................................... 50
Elizabeth Lavenza .......................................................................................................................... 51
- .......................................................................................................................... 51
- ......................................................................................................................... 52
- E ......................................................................................................................... 53
Justine Moritz ................................................................................................................................. 53
Safie, the Arabian ........................................................................................................................... 54
The Science in Frankenstein .......................................................................................................... 56
- Warning against Ambition ........................................................................................................... 56
- Rhetoric........................................................................................................................................ 57
- Monstrous Births in Frankenstein ............................................................................................... 57
- The Different Sciences ................................................................................................................ 58
The Castle of Otranto .......................................... 59Elements of Gothic......................................................................................................................... 60
The Castle of Otranto ..................................................................................................................... 61
The Women in Otranto .................................................................................................................. 62
Hippolita......................................................................................................................................... 63
- The Curse of the Obedient Wife .................................................................................................. 64
- ............................................................................................................................ 65
Matilda ........................................................................................................................................... 66
- ............................................................................. 67- .................................................................................................................. 68
Isabella ........................................................................................................................................... 68
Bianca............................................................................................................................................. 69
Killing the Aesthetic Ideal ............................................................................................................. 70
Conclusion ..................................................................................................................................... 72
Bibliography....................................................................................................................................... 75
3