In the book, the little prince discovers the true meaning of life At the end But then I remembered how my studies had been concentrated on geography, history ,
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The little prince novel study guide Literature Guides The Little Prince is a fantasy sci-fi novel by French writer, poet and aviary Antoine de Saint-Exupéry, which
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An aviator reveals a story of how he crash-landed his plane into the Sahara Desert and encounters the mysterious Little Prince from a distant planet The two
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The Little Prince by Antoine de Saint-Exupery - MonkeyNotes by PinkMonkey com The full study guide is available for download at:
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'The Little Prince' (1943), which in a way is really a children's book for But then I remembered how my studies had been concentrated on geography, history
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of that book? What should a person who flies planes study, according to the narrator? Why does the pilot get so cross with the little prince in Chapter 2?
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Have your students heard of The Little Prince – the book or the film? Motivate them with background information (see The Back Story above) and by reading aloud
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In the book, the little prince discovers the true meaning of life At the end But then I remembered how my studies had been concentrated on geography, history ,
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Describe the characteristics of the little prince's flower 3 The storyteller thinks that when a person cries: 4 What does "naively" mean? ( “And, naively
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Antoine de Saint-exupéry's The Little Prince, first published in French and english in 1943, Because of the intimacy and immediacy of its narrative style, reading The Little Prince This approach is characterized in the book as “childlike” and
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The Little Prince
written and illustrated byAntoine de Saint Exupéry
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$%2+.%%3+.',#$:+?( 3The Little Prince
written and illustrated byAntoine de Saint Exupéry
translated from the French by Katherine WoodsTO LEON WERTH
I ask the indulgence of the children who may read this book for dedicating it to a grown- up. I have a serious reason: he is the best friend I have in the world. I have another reason: this grown-up understands everything, even books about children. I have a third reason: he lives in France where he is hungry and cold. He needs cheering up. If all these reasons are not enough, I will dedicate the book to the child from whom this grown-up grew. All grown-ups were once children--although few of them remember it. And so I correct my dedication:TO LEON WERTH
WHEN HE WAS A LITTLE BOY
4 1Once when I was six years old I saw a magnificent picture in a book, called True Stories from Nature,
about the primeval forest. It was a picture of a boa constrictor in the act of swallowing an animal. Here is a
copy of the drawing.In the book it said: "Boa constrictors swallow their prey whole, without chewing it. After that they are not
able to move, and they sleep through the six months that they need for digestion."I pondered deeply, then, over the adventures of the jungle. And after some work with a colored pencil I
succeeded in making my first drawing. My Drawing Number One. It looked something like this: I showed my masterpiece to the grown-ups, and asked them whether the drawing frightened them. But they answered: "Frighten? Why should any one be frightened by a hat?"My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant. But since
the grown-ups were not able to understand it, I made another drawing: I drew the inside of a boaconstrictor, so that the grown-ups could see it clearly. They always need to have things explained. My
Drawing Number Two looked like this:
The grown-ups' response, this time, was to advise me to lay aside my drawings of boa constrictors, whether
from the inside or the outside, and devote myself instead to geography, history, arithmetic, and grammar.
That is why, at the age of six, I gave up what might have been a magnificent career as a painter. I had been
disheartened by the failure of my Drawing Number One and my Drawing Number Two. Grown-ups never 5understand anything by themselves, and it is tiresome for children to be always and forever explaining
things to them.So then I chose another profession, and learned to pilot airplanes. I have flown a little over all parts of the
world; and it is true that geography has been very useful to me. At a glance I can distinguish China from
Arizona. If one gets lost in the night, such knowledge is valuable. In the course of this life I have had a great many encounters with a great many people who have been concerned with matters of consequence. I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that hasn't much improved my opinion of them.Whenever I met one of them who seemed to me at all clear-sighted, I tried the experiment of showing him
my Drawing Number One, which I have always kept. I would try to find out, so, if this was a person of true
understanding. But, whoever it was, he, or she, would always say: "That is a hat."Then I would never talk to that person about boa constrictors, or primeval forests, or stars. I would bring
myself down to his level. I would talk to him about bridge, and golf, and politics, and neckties. And the
grown-up would be greatly pleased to have met such a sensible man. 6 2So I lived my life alone, without anyone that I could really talk to, until I had an accident with my plane in
the Desert of Sahara, six years ago. Something was broken in my engine. And as I had with me neither a
mechanic nor any passengers, I set myself to attempt the difficult repairs all alone. It was a question of life
or death for me: I had scarcely enough drinking water to last a week.The first night, then, I went to sleep on the sand, a thousand miles from any human habitation. I was more
isolated than a shipwrecked sailor on a raft in the middle of the ocean. Thus you can imagine my amazement, at sunrise, when I was awakened by an odd little voice. It said: "If you please--draw me a sheep!" "What!" "Draw me a sheep!"I jumped to my feet, completely thunderstruck. I blinked my eyes hard. I looked carefully all around me.
And I saw a most extraordinary small person, who stood there examining me with great seriousness. Here
you may see the best portrait that, later, I was able to make of him. But my drawing is certainly very much
less charming than its model.That, however, is not my fault. The grown-ups discouraged me in my painter's career when I was six years
old, and I never learned to draw anything, except boas from the outside and boas from the inside. Now I stared at this sudden apparition with my eyes fairly starting out of my head in astonishment.Remember, I had crashed in the desert a thousand miles from any inhabited region. And yet my little man
seemed neither to be straying uncertainly among the sands, nor to be fainting from fatigue or hunger or
thirst or fear. Nothing about him gave any suggestion of a child lost in the middle of the desert, a thousand
miles from any human habitation. When at last I was able to speak, I said to him: "But--what are you doing here?" 7 And in answer he repeated, very slowly, as if he were speaking of a matter of great consequence: "If you please--draw me a sheep . . ." When a mystery is too overpowering, one dare not disobey. Absurd as it might seem to me, a thousandmiles from any human habitation and in danger of death, I took out of my pocket a sheet of paper and my
fountain-pen. But then I remembered how my studies had been concentrated on geography, history,arithmetic and grammar, and I told the little chap (a little crossly, too) that I did not know how to draw. He
answered me: "That doesn't matter. Draw me a sheep . . ."But I had never drawn a sheep. So I drew for him one of the two pictures I had drawn so often. It was that
of the boa constrictor from the outside. And I was astounded to hear the little fellow greet it with,
"No, no, no! I do not want an elephant inside a boa constrictor. A boa constrictor is a very dangerous
creature, and an elephant is very cumbersome. Where I live, everything is very small. What I need is a
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