Working with a Canadian corpus of French-English literary translations of translated by Susan Ouiou as Fidelity doesn't make the news, offers a similar, but
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Working with a Canadian corpus of French-English literary translations of translated by Susan Ouiou as Fidelity doesn't make the news, offers a similar, but
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Intratextual Voices in French-English Literary Translation in Canada: Identifying the
Translation Challenges
Agnes Whitfield
Working with a Canadian corpus of French-English literary translations of fiction and non- fiction, this article examines translation challenges posed by intratextual voices particularly in contexts of intermingling voices, shows impacts on agency, and concludes with a general reflection on the importance of understanding intratextual voice for a pragmatics of translation. Key words: polyphony, intratextual voice, literary translation, agency -anglais)littéraires, cet article examine les difficultés posées par les voix intra-textuelles surtout en
situation de polyphonie, fait ressortir leur impact sur la dynamique entre subjectivités, et -textuelles pour une pragmatique traductive. Mots clés : polyphonie, voix intra-textuelle, traduction littéraire, subjectivité In studies of literary translation in Canada, intratextual voice has most frequently been considered from a post-colonial theoretical perspective as the site of socio-political difference. Focus has been primarily, if not almost exclusively, on the difficulty of translating Francophone dialogue into English, particularly in works where different forms of spoken French including joual and acadien are used to (dis)play and resist Anglophone cultural, economic and political hegemony.1 Canadian Francophone and Anglophone literary translators have talked about their concerns with socio-linguistic issues.2 Scholars have examined how Canadian feminist writing has established translation both as a mode of articulation for female subjectivity and a strategy for oppositional poetics.3 However, surprisingly little attention has been paid in this context to more wide-ranging questions of translating intratextual voice: how translators deal with differences in point of view among narrators and characters, how narrative voice and focalisation contribute to the creation of fictional worlds and their interpretation by readers of both source and target cultures, and how issues in recognising and rendering intratextual voices, given their relationship to interpersonal relations and tensions between individual and social discourses, can have important impacts for questions of agency. 4 Since 2002, I have been responsible for the University of Toronto Quarterly quotesdbs_dbs14.pdfusesText_20