Tonal Layout for the Tremolo/Octave Harmonicas musical direction and has the right instrument for everyone, whether beginner or professional The easy response downloadable PDF lesson plans with exercises and music notation/ TAB;
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11 juil 2018 · Typical “Diatonic” Harmonica With 10 holes and 20 reeds (2 per Basic harmonica – good to start on or stay with • Blues Harp The One and ONLY Lesson on Technique 13 or in pdf format, please send me an email:
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No. . 11
GUIDE2011/2012
H a r m o n i c a s
Contents
The Harmonica . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 2
Quality Handmade in Germany . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 3
From the harmonica to the blues harmonica
. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 4 - 5Bending Notes | Which harp for which key?
. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 6 - 7Richter Marine Band Series
Marine Band Crossover . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 8
Marine Band Thunderbird
-new- . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 9
Marine Band 1896 Classic . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 10
Marine Band Deluxe
. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 11
Marine Band 364 | -365 | -Soloist | -SBS | Special 20 . . 12 - 13Richter Classic & Special
Golden Melody | Golden Melody 'Gold'
. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 14
XB-40 | Chromatic Koch | Slide Harp . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 15
Marine Band Octave | Auto Valve Harp. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Blues Harmonica Starter Set 'Step by Step' . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 17
Richter MS System Professional
Reed plates for the MS Professional System
. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 18Meisterklasse MS | Cross Harp MS . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 19
Richter MS System Standard
Reed plates for the MS Standard System | Blues Harp MS . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 20Big River Harp MS | Pro Harp MS . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 21
Signature Series Richter
Steven Tyler | Bob Dylan . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 22 - 23
Signature Series Chromatic
Larry Adler | Toots Thielemans . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 24 - 25
Chromatic Harmonicas
Tonal Layout for the Chromatic Harmonicas . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 27
Silver Concerto | Amadeus | Meisterklasse
. . 28 - 29Super 64 X | Super 64 . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 30
CX-12 Series . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 32 - 33
Chromonica 40/260 | Chromonica 48/270 . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 34
Super Chromonica Deluxe | Chromonica 64/280 . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 35
Chrometta Line | Chromatic Starter-Set 'Step by Step' . . 36 - 37Orchestra & Ensembles
Bass 268/Bass 265 | Chord | Chromatica | Vineta . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 38 - 39
Tremolo Harmonicas
Tonal Layout for the Tremolo/Octave Harmonicas
. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 40Tremolo Soloist | Echo Harp 2x32/2x40/2x48/2x60
. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 41Tremolo Deluxe | Golden Melody | Alpenecho . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 42
Rheingold | Goliath | Echo
. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 43
Tremolo Starter-Set 'Step by Step'
. . 44 - 45Kreuzwender | Orchester Bravo 40/48 . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 46
Bravi Alpini | O Fado Portuguez . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 47
Octave Harmonicas
Comet 32/40 | Comet Wender | Unsere Liebline Series . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 48 - 49
Echo Series 32/40/48 | Seductora
. . 50 - 51Miniatures
Little Lady | Mini Harp | Mini Color Harp | Piccolo . . 52 - 53Beginners
Speedy | Melody Star | Silver Star . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .54
Happy Color Harp | Big Valley | Weekender & Ocean Star . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 55
History/Historic Collection
History
. . 56 - 57Historic Collection
. . 58 - 59Original HOHNER Accessories
Blues Blaster Microphone | Hoodoo Box Harp Amplifier. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Harmonica Belt/-Case/-Holders | Service Kit | Pitch Pipe | Examina 1 . .. .. .. .. .. .. . 61 - 63Service
HOHNER Service Team | HOHNER
CSHOP . . 64 - 65 HOHNER Online Workshops | HOHNER Master Workshops . .. .. .. .. .. .. .. .. .. .. .. .. .. . 66 - 67FAQ . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 68
1Greg Zlap
The harmonica may be small, but it can produce great sounding, powerful music with an emotionally expressive quality which is hard to equal. Small enough to carry in your pocket, it makes the perfect travelling companion. With the appropriate model it's possible to play almost any style of mus ic and the basics are easily learned by both young and old. As the market leader, HOHNER oers an extensive range of harmonicas for every musical direction and has the right instrument for everyone, whether beginner or professional. The easy response of the individual notes in every register and the great sound have made countless people into true fans of HOHNER harmonicas. The unique HOHNER sound is created by reeds of the highest quality special brass alloy, manufactured with precision die stamping and milling tools to ensureunparalleled airtightness and exceptional durability.To build the instruments of the HOHNER Classic diatonic range such as the models of
the Marine Band series and the Special 20 or Golden Melody, reed pro les are milled by hand into strips of rolled brass in the HOHNER factory in Trossingen before the individual reeds are punched out using state of the art die stamps.Quality Handmade in Germany
Reed slots are punched into the reed plates with a degree of accuracy unparalleled in harmonica manufacture to create a perfect t between reed and slot. The reeds are then riveted by hand to the plates in order to ensure the exact alignment necessary to create a top quality instrument. The third photo shows the tuning process, where the pitch of each individual reed is carefully adjusted to match the pitch of the identical reed in the maste r plate, which can be seen xed to the tuning table behind the plate being worked onMusical StyleHarmonica Type
Classical, Evergreens, Pop, Jazz,
Harmonica Groups
Blues, Folk, Rock,
Pop, Contemporary
Traditional Folk Music
Chromatic harmonicas,
orchestra and ensemble instrumentsSingle note diatonic
Richter harmonicas
Richter models, all tremolo
and octave-tuned instrumentsWhich harmonica for which style?
32From the harmonica to the blues harmonica (Steve Baker) What do people mean when they talk about the blues harmonica? How come it's possible to create sounds which are so far removed from the conventional sound of the harmonica that it's hard to believe they're coming from the same instrument? The expression blues harmonica or just plain "Harp" probably stems from an old South German dialect term for the instrument: "Mundharfe", which translates into English as "Mouth Harp". . It's used as a generic term for all 10-hol e diatonic harmonicas, which are usually (though not always) tuned according to t he Richter system. . Josef Richter from Haida in Bohemia (Czech Republic) is credit ed with inventing this harmonica tuning, which thanks to its combination of simp licity and astonishing fiexibility has established itself as the accepted standard for over 100 years. . So the harp doesn't originate from the deep South of The USA! Like the steelstring guitar, it was invented in the heart of Europe and was originally conceived for playing folk music. . The straightforward tonal layout and pleasant sounding chords made it easy to learn to play simple tunes with only a little practise and it wa s this fact which ?rst made the harmonica popular. . However, as has been the case with other instruments (the saxophone springs to mind here), it was in the USA that the true potential of the diatonic harp was ?rst discovered. . Following its introduction in 1865, black Americans began using this German folk instrument and found out a number of things about it which h ad never crossed the minds of its inventors. . They discovered a remarkable fact: because each hole contains one blow and one draw reed of di?erent pitches, both in the same airstream, it's possible to make them sound simultaneously. . In practice this means that the pitch of the higher of the two notes can be lowered, creating the bluesy wailing sound we've all come to associate with the blues harmonica. . It is this sound, known as "note bending", which has ensured the long-lasting popularity of the harp in blues, rock and c ontemporary music and makes it a uniquely fascinating instrument. . Though one such HOHNER Richter model is indeed called the blues harmonica, the original Blues Harp was the Marine Band 1896 Classic, which is still manufactured today much as it was over 100 years ago and remains the instrument of ch oice for an enormous number of blues harmonica players worldwide. . As well as the instruments of the Marine Band series, other models which share the same playing characteristics include the Special 20, Big River Harp, Golden Melody, Pro Harp and of c ourse the
Blues Harp
. . It was the enormous popularity of his instruments in the USA which prompted Matthias Hohner to industrialize his production, starting in 1888. . The availability of Marine Band harmonicas on a wide scale following their introduction in 1896 paved the way for one of the most fruitful musical fusions of Af ro-American and European culture. . The humble Marine Band harmonica has played a signi?cant role in the history of American blues and folk music ever since. . The possibility of using the modulations of note bending to imitate the sound of the human voice must have played a major part in this, because Afro-American music was always primarily vocal music. . This has its origins partly in the fact that the unfortunate African slaves brought against their will to the American continent over a period of several hundred years didn't have the opportunity to bring their musical instruments with them and drums were discouraged, as they provided a means of long-distance communication which the slave owners were unable to understand and which they therefore suppressed. . Work songs on the other hand were encouraged, as they made the backbreaking agricultural labour more bearable and therefore more pro?table for th e owner. . African song tradition makes frequent use of call and response and also employs slides rather than just the notes of the 12 tone Western scale, so note bending ?ttedinto this tradition like hand in glove. .The music later to be known as blues emerged out of a cultural melting pot which incorporated elements of European folk music and church music into the Afro-American musical heritage. . Instrumental techniques to accompany what was originally purely vocal music began to develop long before the introduction of the harmonica, but the harp ?tted in very well, as its simple chord layout also enabled
interesting rhythmic patterns which led to the fabled train and fox chase imitations documented on many old recordings. . A good harp player could use note ben ding to answer the vocal lines with similar phrases of his own and also provide rhythmical accompaniment as well as playing loudly or softly as required. . Many also became expert in imitating the sounds around them, leading to the tradition of the " talking harmonica" and underlining the remarkable similarity to the sound of the human voice. . A vital element in this puzzle was the discovery that it was possible to play not only in the major key of the tonic or blow chord (the 1st position), but also in the key of the dominant 7th or draw chord (in G on a C harp). . This is called "Cro ss Harp" or "2nd Position" and has become fundamental to much blues harmonica playing. . The earliest harmonica recordings dating from before WW1 document pro?cient note bending in the 1st position, whereas 2nd position playing was not record ed until1923, though it must have existed previously. . W. .C. . Handy claimed to have heard
harmonica train imitations as early as the 1870s. . Initially most harmonica players were solo performers. . In the 1920s the ?rst musicians to employ the harp in a band context tended to model themselves on trumpet players and generally played in 1st position. . The jugbands of th e 1930s with players such as Will Shade and Noah Lewis found a new role for the instrument and integrated the harp seamlessly into their ensemble sound, using both1st and
2nd positions. . With the birth of Chicago blues in the 1940s, the harmonica found
its place in the blues as we know it today, answering and accompanying the vocal as well as stepping out as a featured solo instrument and most commonly played in2nd position. . The introduction of ampli?cation in the early 1950s, playing through
a hand-held microphone into a guitar ampli?er or public address syste m, gave the harp the volume it needed to compete with electric guitars and drums as well as revolutionizing the sound to create the ripping tone which many blues harm onica players aspire to today. .This development has continued to the present day
and inspired players have discovered new techniques, expanding the musical possibilities of the instrument still further and enabling them to employ the 10 hole diatonic harp in the most varied musical settings, from blues, funk, pop and rock to classical and jazz. .It's an exciting time to be
a harp player! 54HOHNER diatonic harmonicas are top quality musical instruments with excellent response and a great sound. 10-hole harps tuned according to the Richter system are generally single note instruments with one blow note and one draw note in each hole and can be recognized by the undivided channel openings. It is this characteristic which enables note bending as well as the related phenomenon of overblowing.