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IIIL..

POLITEANDSOCIALDANCES

ACOLLECTIONOFHISTORIC

DANCES,

SPANISH,ITALIAN,FRENCH,ENGLISH,

GERMAN,

AMERICAN

WithHistorical

Sketches,Descriptions

of theDancesandInstructionsfor

TheirPerformance

COMPILEDANDEDITEDBY

MARTRUEFHOFER

Price$1.25

CHICAGO

CLAYTONF.SUMMY

CO.,

429SO.WABASHAVE,

Copyright

1917
byClayton F. Summy Co.

PoliteandSocial

Dances

EARLYPOLITEANDSOCIALDANCES

Page Pa g e

MarchdesRois

Lully

3ChelseaReach

Old

English20

PavaneAncient

Song

Form...Arbeau't

Orchetographie

5LeGrandePereOldGerman21

PavaneFrench6Menuetd'Exaudet

Exaudet23

Dauphine

27

PavaneTheEarlof

Salisbury

Wm. Byrde

10MenuetBoccherini29

AllemandeArr.

Couperin

13GavottedeVestrisdeVestris33

PaizamewoXVICentOldItalian14Gavotte

Lully 35

Passepieds

Andre

Campra

17BourreeBach39

SicilianReinecke18PolonaiseBach39

PrincessPolonaiseLeutner40

LATERFIGUREDANCES

Sir Roger de

Coverly

ColonialAirs43

Cavalierand

Lady

WhiteCockade

BritishGrenadiers

WashingtonQuickstep

Country

DanceTheRout

TheGirlILeftBehindMeWeWon'tGoHomeTill

Morning

Moran'sCotillionarr.

by

M.Charmande48

EvalinaLouise

Margaret

Juliet

LaviniaClaire

Lancers

QuadrilleDodworth54

IntroductionLesVisites

Les

Lignes

LesLanciers

LesMoulinets

American

Quadrille

PopularSong*

60

ALifeontheOceanWave

Nancy Lee

LittleBrown

JugTheMinstrel

Boy Le

TempeteOriginaleCountry

Dance61LaCarillonde

Dunkerque

AncientBranle65

La

Boulanger

61Garcon

Volange

French

Country

Dance66

AMERICANDANCES

Spanish

Dance

Progrettive

Dance67

Money

MuskBarnDance70

The

Tempest.

LineDance68OldDanTuckerBarnDance70

Devil'*Dream..BarnDance68

Pop

GoestheWeasel

Song

Dance71

CicillianCircle..

60Patronella

Country

Dance71

ArkansasTraveler

Reel60

Captain

Jinks Song

Dance72

POLITEANDSOCIALDANCES

MarcfredesRois

Moderato

LULLY.

rr dim.e m f isiii^l i

Tobeusedasan

introductory

Marchwitha

figuredstep whichvarieswiththe pattern of themusic.

Copyrig-ht

1917by

Clayton

P. Summy Co.

C.F.S.Co.1750

70
s ^JF^ I cresc. 7 L Tyy7 7 tr p

C.P.8.Co.1760

Pavane.

Ancient

Song Form.

ARBEAU'SORCHESOGRAPHIE.

JjJj|Jj|Jj|Jv\mm\

mm\r\Ezc rrrrr.r'rr'rr'f r el le, B'el l'e,qui tiensmavi-e

Cap.ti-ve

dans lesyeux,Qui m'asl'a-mera-vi eDunsu-briz gra-ci-eux,

Tesbeau-tesetta

gra-ce

Ettesdi-vins

pro-pos

Ontech-auff-ela

gla-ceQui me ge laitles os,

Ap-pro-che

done, mabel-le.

Ap-pro-che-toi,

mon bien;

Nemesoi

plus re-1 rr'rnrrif during- thethirdf ig-ureoftheItwas customary to sing- oneversebeforethedance beg-anunaccompanied andthefinalfigure isdancedtotheinstruments.

Thevoices

Vienstotmase-cour

irOumefaud-rait mou-r'ir,

Vienstotmese-cour-irOumefaud-raitmou-Mr.

Etont rem-plis moncoerD'unea mour-eusear- deur, Etont rem-plis moncourD'unea-mour-eusear-deur.

Pounmon

ame a-pais -er Dop ne-mqi unbais-er.Pourmonamea rpaun 4 J: pi unba J ,j J s erDon ne-moiunbais-er. PAVANEFORONECOUPLE.

Formation:

Couple

face audience,holding insidehands. Begin dancewithoutsidefeetonfirstbeatof music, one step pointed wellforwardand thefreehand guides thedress.

1.Fourpasmarche

steps downthe stage,point and hold-,again four steps andasthe gentlemanpasseslady across, he changes hands.Bothturnandretrace steps withsame figure -backto stage- then recrossingtoplace theyagain faceaudience.This requires thefirst eight measures repeated.

2.Themannowtakesthreeshort

stepsbackwards,leadinglady roundinfrontofhim the ladytaking three longersteps to gain the opposite side.Thistakesfourbarsofthesecond part ofthe music;theychange handsand pose onthefourth step,pointing outsidefeetandheadsleaning insamedirection,holding inside hands.Thisis repeated withthe ladystepping backwardsand leadinggentleman roundinfrontfromthe op- posite side pose totheaudience.This occupies fourmoremeasuresofmusic. The gentleman nowtakesthree steps backwardintohisown place, leading the lady in front, then pose withbacksto audience, heads away fromeachother. Lady thenturnsunderherownarmandbothfaceaudi enceandfinishwith deepcourtesy andbow.Second partrepeated

3.Bothdancersnow

pasglissez to left,ending with deepcurtsy,repeat to right with deepcurtsy;joinright handsandwithtwo steps crossovertotheotherside.Pas glissez and curtsy to right,crossing over obliquely andposebackto back, headturnedoverleft shoulder,pointing leftfoot.

Repeat

inthe opposite direction. For the close, one pasglissez tothe right the other tothe left,ending with deep reverence.Gentlemanleads lady off with pas marche step toherseat.Thistract may befollowed byany evennumberof couples whichthedancingspace al- lows.

COSTUMENOTES.

Thedressshouldbeofthe

heavystyle oftheMedici days, antedating theMinuet.Theladiescostumeshould bejewelled fastenings,hang fromtheshoulders.Theun- dersleevesisaseriesof puffs fromtheshouldertothe wrist, witha long outer open sleevemadeofthemater-quotesdbs_dbs25.pdfusesText_31