5 nov 2013 · forms, including as an opera in Mozart's grand "Le Nozze di Figaro " Analysis and comparison of these two works, including the libretto by
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[PDF] The Marriage of Figaro as presented by Beaumarchais, Da - CORE
5 nov 2013 · forms, including as an opera in Mozart's grand "Le Nozze di Figaro " Analysis and comparison of these two works, including the libretto by
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Le Mariage de Figaro Auteur : Pierre Augustin Caron de Beaumarchais Catégorie : Théâtre Le Mariage de Figaro fait suite au Barbier de Séville Le comte
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B utler UniversityDi gital Commons @ Butler UniversityU ndergraduate Honors hThesis Collection +"#.%."10#!&,)./&'- hThe M arriage of Figaro as presented by K elly CassadyB utler UniversityF ollow this and additional works at:&
9-"'%'0)!,**,+/ 10)#.#"11%0&#/#/
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s hThesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted$,.'+!)1/',+'+
+"#.%."10#,+,./7#/'/,))#!0',+ 5+10&,.'6#""*'+'/0.0,.,$'%'0),**,+/10)#.+'2#./'05,.*,.#'+$,. *0',+-)#/#!,+0!0$% #"# 10)#.#"1R ecommended CitationCassady, Kelly, "hThe Marriage of Figaro as presented by Beaumarchais, Da Ponte, and Mozart: An Expression of Shitfting Class
0.1!01.#
U ndergraduate Honors hThesis Collection.P aper 216.BUTLERUNIVERSITYHONORSPROGRAM
HonorsThesisCertification
Pleasetypeallinformationinthissection:
Applicant
KellyCassady
(Nameasitistoappearondiploma)IntendeddateofcommencementMay,2013
Date DateCertifiedbyDate
9-/b73
Director,HonorsProgramDate
ForHonorsProgramuse:
_l11iYlt'.~_ilJ.jHoi1t()fd?§CAM---- ------__----------------Cassady1
AnExpressionofShiftingClassStructure
By:KellyCassady
Cassady2
AnExpressionofShiftingClassStructure
Cassady3
betweentheclassesbegantoblur.2Steptoe,MozartDaPonteOperas,17.
Cassady4
Beaumarchais:ALifeDesignedForRevolution
centuryprotestedmorethanhedid."6OxfordUniversityPress,
&pos=l&_start=1#firsthit>.6Grendel,Beaumarchais,I.
Cassady5
eliteofFrance.IvanR.Dee,1994),124.
BGrendel,Beaumarchois,9.
9Grendel,Beaumarchais,14.
Cassady6
I'vegotthereceipt!'?
JOGrendel,Beaumarchais,16.
11Angermuller,Beaumarchis,2.
12Grendel,Beaumarchis,20.
13GrendelBeaumarchais,43.
Cassady7
entitlement.14Grendel,Beamarchais,55.
Cassady8
15GrendelBeaumarchais,55.
16Grendel86
Cassady9
city.17Grendel92
1BGrendel,Beaumarchis,103.
Cassady10
valet,andAlmaviva,hisformeremployer.Almaviva:Lazy,argumentative...
knowmanymasterswhoarefittobevalets'F" seenthroughouttheFigaroplays.19Grendel,Beaumarctiais,137.
(Paris,1818),78. ..4Cassady11
lifethatweknowBeaumarchaislived.21Grendel,Beaumarchais,140.
22Grendel,Beaumarchois,212.
23Beaumarchais,TheBarbera/Seville,105.
24Grendel,Beaumarchais,147.
Cassady12
EuropeaswellasintheUnitedStates.
2"Grendel,Beaumarchais.169.
26Grendel,Beaumarchais,212.
27Grendel,Beaumarchais,220.
Cassady13
28Grendel,Beaurnarchais,212.
29Beaumarchais,TheMarriageofFiqaro,21.
Cassady14
"superior"woman,theCountess.30Beaumarchais,TheMarriageofFigaro,16.
31Beaumarchais,TheMarriageofFigaro,45.
Cassady15
style.32Beaumarchais,TheMarriageofFigaro,105.
33Beaumarchais,TheMarriageofFigaro,48.
34Beaumarchais,TheMarriageofFiqaro,62.
Cassady16
humor. andunfoundedcourtbattles.35Beaumarchais,TheMarriagea/Figaro,36.
36Beaumarchais,TheMarriageofFigaro,59.
37Beaumarchais,TheMarriageofFigaro,105.
Cassady17
theplot. summonedinacentury."38Beaumarchais,TheMarriageofFigaro,90.
39Beaumarchais,TheMarriagea/Figaro,91.
'lOAngermuller,Beaumarchais,2.Cassady18
therestofhislifeinrelativepeace. communicatehispoliticalgoals.Cassady19
compromise." 3. ~2Bolt,LibrettistofVenice,14.Cassady20lI
Venice.t>
'13Bolt,TheLibrettistofVenice,11.44Bolt,TheLibrettistofYenice,12.
Weidenfeld&Nicolson,2006),23.
46Bolt,TheLibrettistofVenice,27.
~7Bolt,TheLibrettistofVenice,29.Cassady21
Fromthenymph,anothergift,
Iwouldcertainlyliketoask:
IntoadifferentmanfromtheoneIam
Iwouldliketobetransformed...
Tobecometheabsolutemonarch.
ThenIwouldspreadaround
Auniversallaw
Comingfromtheshorewherethedayisborn
TotheWesternshore.
48Bolt,TheLibrettistofVenice,44.
49Holden,TheManWhoWroteMozart,23.
50Holden,TheManWhoWroteMozart,26.
Cassady22
Alawthat,throughouttheworld,
Wouldendallotherlaws
Thatdidnotdefendorgivepriorityto
Thewell-beingofsufferingcitizens.51
HemetMozartinViennain1781.53
51Holden,TheManWhoWroteMozart,28.
52Bolt,TheLibrettistafVenice,45.
53Holden,TheManWhoWroteMozart,47.
Cassady23
thataresalienttooursubjectmatter. development."54HoldenTheManWhoWroteMozart,43.
~ICassady24
56Gutman,Mozart,6.
57Gutman,Mozart,527.
513Holden,TheManWhoWroteMozart,46.
Cassady25
hisbirthandrank.60Gutman,Mozart,10.
61Gutman,Mozart,12.
Cassady26
6 63Steptoe,TheMozart-DoPonteOperas,80.
Cassady27
havecomestraightfromthedialogueofFigaro. whole."65 64Steptoe,TheMozart-DoPonteOperas,82.
65Steptoe,TheMozart-DoPonteOperas,82.
Cassady28
Mozart."66
Holdendescribesitwell:
66HoldenTheManWhoWroteMozart,66.
67Holden,TheManWhoWroteMozart,70.
68Holden,TheManWhoWroteMozart,70.
Cassady29
69Steptoe,TheMozart-DoPonteOperas,67.
70Holden,TheManWhoWroteMozart,71.
Cassady30
Figarowasrevolutionaryevenforhim.
Cassady31
71Steptoe,TheMozart-DoPonteOperas,110.
72Steptoe,TheMozart-DoPonteOperas,111.
(Middleton,Wis:A-REditions,2012). Cassady32
74Steptoe,TheMozart-DoPonteOperas,112.
75Steptoe,TheMozart-DoPonteOperas,112.
Cassady33
Cassady34
otherparticipantsinthisscene(exampleL]. Ba.~~Solo
.__.',:,__,~',.~~-w-",-._--". Ill.1 111..f.U.,:.j;}l..do
_--_._--_.~ I ,1." .a:..,. _..1m..It -Cassady35 Mozartintendsthevillainofthisoperatobe.
76Mozart,TheMarriageofFigaro,429.
Cassady36
If~ Violin1~¢~_f-g-:~~-~,_n_.~!
ViolinZ~~~±f*~~~t-~$gcI"f:~
nMozart,TheMarriageofFigaro,376. Cassady37
Mozart'spromptingandinvolvement.)
78Mozart,TheMarriageofFiqaro,188
79Mozart,TheMarriageofFigaro,597.I
Cassady38
(example3). -Cassady39 Translation:[Nomercy,nonono!]
.,0'----'.... ._.1\..~~~_.r'·o. I ("1. tJ IIIIII
~"~'~fp Fig. I'l Cor. t) e .1\I Vl.l tJl-L,J I'l I .."....;""J""~-;-/7 rhp or .,r:... r» r:.~~f!:f!:f!f!~~p........ lU.• v-. eell. fp 1-..Cassady40
~I Cassady41
becauseofit. Cassady42
therightsofthepeople. Cassady43
Bibiliography
ofFigaro.Chicago:IvanR.Dee,1994. OperainTwoActs.NewYork,1818.
NewYork,NY:BloomsburyPublishing,2006.
Cassady44
1977.
California,1990.
Ponte.London:Weidenfeld&Nicolson,2006.
1988.
quotesdbs_dbs46.pdfusesText_46
63Steptoe,TheMozart-DoPonteOperas,80.
Cassady27
havecomestraightfromthedialogueofFigaro. whole."6564Steptoe,TheMozart-DoPonteOperas,82.
65Steptoe,TheMozart-DoPonteOperas,82.
Cassady28
Mozart."66
Holdendescribesitwell:
66HoldenTheManWhoWroteMozart,66.
67Holden,TheManWhoWroteMozart,70.
68Holden,TheManWhoWroteMozart,70.
Cassady29
69Steptoe,TheMozart-DoPonteOperas,67.
70Holden,TheManWhoWroteMozart,71.
Cassady30
Figarowasrevolutionaryevenforhim.
Cassady31
71Steptoe,TheMozart-DoPonteOperas,110.
72Steptoe,TheMozart-DoPonteOperas,111.
(Middleton,Wis:A-REditions,2012).Cassady32
74Steptoe,TheMozart-DoPonteOperas,112.
75Steptoe,TheMozart-DoPonteOperas,112.
Cassady33
Cassady34
otherparticipantsinthisscene(exampleL].Ba.~~Solo
.__.',:,__,~',.~~-w-",-._--". Ill.1111..f.U.,:.j;}l..do
_--_._--_.~ I ,1." .a:..,. _..1m..It -Cassady35Mozartintendsthevillainofthisoperatobe.
76Mozart,TheMarriageofFigaro,429.
Cassady36
If~Violin1~¢~_f-g-:~~-~,_n_.~!
ViolinZ~~~±f*~~~t-~$gcI"f:~
nMozart,TheMarriageofFigaro,376.Cassady37
Mozart'spromptingandinvolvement.)
78Mozart,TheMarriageofFiqaro,188
79Mozart,TheMarriageofFigaro,597.I
Cassady38
(example3). -Cassady39Translation:[Nomercy,nonono!]
.,0'----'.... ._.1\..~~~_.r'·o. I ("1. tJIIIIII
~"~'~fp Fig. I'l Cor. t) e .1\I Vl.l tJl-L,J I'l I .."....;""J""~-;-/7 rhp or .,r:... r» r:.~~f!:f!:f!f!~~p........ lU.• v-. eell. fp1-..Cassady40
~ICassady41
becauseofit.Cassady42
therightsofthepeople.Cassady43
Bibiliography
ofFigaro.Chicago:IvanR.Dee,1994.OperainTwoActs.NewYork,1818.
NewYork,NY:BloomsburyPublishing,2006.
Cassady44
1977.California,1990.
Ponte.London:Weidenfeld&Nicolson,2006.
1988.quotesdbs_dbs46.pdfusesText_46