black monochromes would remain at the mercy of the reckless geniuses of noise music, who could walk all over them Parrino was the Dr Frankenstein
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[PDF] LA MArQUE NOIrE / - Palais de Tokyo
black monochromes would remain at the mercy of the reckless geniuses of noise music, who could walk all over them Parrino was the Dr Frankenstein
[PDF] PALAIS DE TOKYO / DOSSIER ENSEIGNANTS / - multi-faces
Pour cette session, le Palais de Tokyo consacre la totalité de ses espaces d' expositions à Black Noise se veut un hommage collaboratif à Steven Parrino
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Künstlerhaus Palais Thurn und Taxis, Bregenz, AT Current Group Carte Blanche à John M Armleder: All of the Above, Palais de Tokyo, Paris, FR 2010 Radical Black Noise: A tribute to Steven Parrino, Mamco, Geneva, CH Bastard
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PALAIS DE TOKYO / PrESS KIT /LA MArQUE NOIrE / MAY 24 -
AU g 26, 07 LA MA r
QUENOIrE /
STEVEN PA
rr INO r ET rOSPECTIVE, P
rOSPECTIVE
PALAIS DE TOKYO / PrESS KIT /LA MArQUE NOIrE / LA MA rQUENOIrE /
Steven Parrino is considered by many as a model of a radical and uncompromising artistic activity, one that disregards the notion of categories and also places the collaborative process at its core.Steven Parrino made the apparently inconceivable
junction between Pop culture and Greenbergian modernism. He brought together the aesthetics of Hell's Angels and Minimal Art. Dreaming of creating a new Cabaret Voltaire in New York's No Wave of the 1980s, he conceived of exhibitions where his black monochromes would remain at the mercy of the reckless geniuses of noise music, who could walk all over them. Parrino was the Dr Frankenstein of painting. A witness to the death of painting, he unremittingly brought it back to life by replacing each and every piece of its corpse. Necrophilia rescuing High Art: an ambitious project to which Steven Parrino devoted himself for more than twenty years, ignoring hierarchies, good taste, and social conventions.STEVEN PA
rr INO r ET rOSPECTIVE, P
rOSPECTIVE
exhibition programs at the Palais de Tokyo that tested the elasticity and the oscillation of the work of art, respectively, LA MARQUE NOIRE considers its resilience. For this program, the Palais de Tokyo devotes the entirety of its exhibition spaces to Steven Parrino, who died in a motorcycle accident in January 2005. Conceived as a triptych, the program not only brings together a selection of works by Parrino, but also presents a collection of works by artists from whom he drew inspiration as well as pieces by artists he exhibited, supported, and with whom he collaborated. In this way, LA MARQUENOIRE covers a field ranging from Minimalism to
tattoo art, by way of experimental cinema, cartoons, industrial design, No Wave and punk.Marc-Olivier Wahler
PALAIS DE TOKYO / PrESS KIT /LA MArQUE NOIrE /EXHIBITIONS
STEVEN PARRINO,
RETROSPECTIVE 1981-2004
A RETROSPECTIVE THAT gATHErS NEArLY ONE HUNDrED MAJOr WOrKS BY THE ArTIST may 24 - aug 26BEFORE (PLUS OU MOINS)
ANEXHIBITION
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By Marc-Olivier Wahler, april 1998, Neuchâtel / By Ivo Zanetti, September 2004.EXCERPT FROM THE ARTICLE BY CHRISTOPHE KIHM
Art press n°4
SUMMA r Y P rACTICAL IN
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