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Background for the Study J S Bach: Two Part Inventions Related Research Methodology Plan of This Report II A STYLISTIC ANALYSIS OF THE BACH



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Background for the Study J S Bach: Two Part Inventions Related Research Methodology Plan of This Report II A STYLISTIC ANALYSIS OF THE BACH



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1

A PEDAGOGICAL APPROACH TO THE BACH

TWO PART INVENTIONS

THESIS

Presented to the Graduate Council of the

North Texas State University in Partial

Fulfillment of the Requirements

For the Degree of

MASTER OF MUSIC

By

Carol W. Coryell, B. M. E.

Denton, Texas

January, 1969

PREFACE

Since the nineteenth century the Two Part Inventions have become standard repertoire for piano students. However, piano teachers have often failed to give serious consideration to the suitable selection of Inventions for study. Piano students have commonly formed a dislike for Bach's piano music because of an ungratifying initial experience. There is little material written in English dealing with the Two Part Inventions. Those studies of the Inventions which do exist consist mainly of brief articles in periodicals and limited discussions in piano literature books. Therefore, there seemed to be a need for a systematic collection of pedagogical ideas concerning the Two Part Inventions. In addition, it was felt that an analysis of the problems in each piece and a subsequent graded list of the Inventions would be a step toward a more intelligent and more knowledge- able approach in the teaching of these compositions. iii

TABLE OF CONTENTS

Page

LIST OF TABLES .....................vii

LIST OF ILLUSTRATIONS .................x

Chapter

I. STATEMENT OF THE PROBLEM ............1

The Purpose

Sub-Problems

Definition of Terms

Delimitations

Basic Hypothesis

Basic Assumptions

Background for the Study J. S. Bach:

Two Part Inventions Related Research

Methodology

Plan of This Report

II. A STYLISTIC ANALYSIS OF THE BACH

TWO PART INVENTIONS .............28

Introduction

Invention No. I

Invention No. II

Invention No. III

Invention No. IV

Invention No. V

Invention No. VI

Invention No. VII

Invention No. VIII

Invention No. IX

Invention No. X

Invention No. XI

Invention No. XII

Invention No. XIII

Invention No. XIV

Invention No. XV

Summary

iv

TABLE OF CONTENTS--Continued

Page

Chapter

III. IDENTIFICATION OF PERFORMANCE PROBLEMS AND

RANKING OF THE TWO PART INVENTIONS.. ..... 142

Performance Problems Related to

Linear Characteristics

Performance Problems Related to

Textural Characteristics

Performance Problems Related to

Rhythmic Characteristics

Performance Problems Related to

Formal Design

Ranking of the Two Part Inventions

Requirements for Performance of Bach

When to Begin the Study of the

Inventions

Editions

Summary

IV. SUMMARY, CONCLUSIONS, AND RECOMMENDATIONS. ...171

Summary and Conclusions

Recommendations

APPENDIX....*.. ......... .............179

Appendix A:

Appendix B:

Appendix C:

Appendix D:

Appendix E:

Appendix F:

Appendix G:

Frequencies of Parallel, Similar,

Oblique, and Contrary Motion, and

Melodic Indices in the Two Part

Inventions

Frequencies of Relatively Accented

Dissonant Intervals in the Two

Part Inventions

Per Cent of Rough and Smooth Measures

According to Melodic Accents

Per Cent of Rough and-Smooth Measures

According to Durational Accents

Piano Pedagogues

Rating Sheet

Tempos for the Two Part Inventions

Suggested by Five Authorities

V

TABLE OF CONTENTS--Continued

Page

BIBLIOGRAPHY0.0.0...............

vi

LIST OF TABLES

Page 36
43
45
51

I. Frequency of Counterpoint Species in

Invention No. I .........

II. Frequency of Note Values in Invention

No. I ...0.0. .0 .d ..0. 4. .

III. Frequency of Counterpoint Species in

Invention No. II........ .

IV. Frequency of Note Values in Invention

No. II .*.*.*.0.0.*.0.0.0.*.0.0.t.

V. Frequency of Counterpoint Species in

Invention No. III .... .. ..

VI. Frequency of Note Values in

Invention No. III ....... .

VII. Frequency of Counterpoint Species in

Invention No. IV... .% ........

VIII. Frequency of Note Values in Invention

No. IV .........0.0 ....

IX. Frequency of Counterpoint Species in

Invention No. V .... .....

X. Frequency of Note Values in Invention

No. V .....*.. .........

XI. Frequency of Counterpoint Species in

Invention No. VI .......

XII. Frequency of Note Values in Invention

No. VI............ .. ......

XIII. Frequency of Counterpoint Species in

Invention No. VII ......

59
61
66
67
73
74
79
Table .53 vii ..0. .0 . ..0 ..0 .

LIST OF TABLES--Continued

Page Table

XIV. Frequency of Note Values in Invention

No. VII .............

XV. Frequency of Counterpoint Species in

Invention No. VIII ........

XVI. Frequency of Note Values in Invention

No. VIII 1.0.0.0.0.-. .......

XVII. Frequency of Counterpoint Species in

Invention No. IX .........

XVIII. Frequency of Note Values in Invention

No. IX ..............

XIX. Frequency of Counterpoint Species in

Invention No. X ........

XX. Frequency of Note Values in Invention

No. X ..............

XXI. Frequency of Counterpoint Species in

Invention No. XI .........

XXII. Frequency of Note Values in Invention

No. XI ..............

XXIII. Frequency of Counterpoint Species in

Invention No. XII ........

XXIV. Frequency of Note Values in Invention

No. XII .............

XXV. Frequency of Counterpoint Species in

Invention No. XIII ........

XXVI. Frequency of Note Values in Invention

No. XIII. .............

XXVII. Frequency of Counterpoint Species in

Invention No. XIV ......

.0. 91 .....93 .t ..* 98 ....99 104
.....106 .111 ....112 ..*.119 .....124 viii

LIST OF TABLES--Continued

Table Page

XXVIII. Frequency of Note Values in Invention

No. XIV .....................126

XXIX. Frequency of Counterpoint Species in

Invention No. XV ... ... ...... ..132

XXX. Frequency of Note Values in Invention

No. XV.......... .....................133

XXXI. Numerical values of the Factors Relating to

Difficulty in the Two Part Inventions. ..153

XXXII. Ranking of the Two Part Inventions in

Order of Decreasing Difficulty

According to Composite Scores

Relating to Difficulty ............. .155

XXXIII. Levels of Difficulty of Performance of

the Inventions as Rated by Six

College Piano Instructors ........... 157

XXXIV. Ranking of the Two Part Inventions According to Technique, Memorization, Interpretation and Composite Scores in order of

Decreasing Difficulty ............... 160

XXXV. A Comparison of the Ranking of the Two Part

Inventions Based on the Evaluations of

Six Pedagogues and the Ranking Based

on the Factors Relating to Difficulty 161 ix

LIST OF ILLUSTRATIONS

Figure

Page

1. Invention No. VII, Melodic Pattern, Measure 21 13

2. Invention No. I, Melodic Pattern, Measure 21 ...14

3. Invention No. XI, Melodic Pattern, Measure 4 ...14

4. Invention No. I, Motive, Measure 1 ........31

5. Legend Explaining Symbols Used in Graphic Analysis 32

6. Invention No. I, Countermotive, Measures 1-2 ...33

7. Invention No. I, Graphic Analysis ........34

8. Invention No. I, Episodic Pattern, Measure 3 ...35

9. Invention No. I, Episodic Pattern, Measures 9-10 .35

10. Invention No. II, Graphic Analysis ........40

11. Invention No. II, Motive, Measures 1-3 ......41

12. Invention No. II, Countermotive, Measures 3-5. ..42

13. Invention No. II, Episodic Pattern, Measures 5-10. 42

14. Invention No. II, Formal Plan ..........46

15. Invention No. III, Motive A, Measures 1-2 ..46

16. Invention No. III, Graphic Analysis. .......47

17. Invention No. III, Motive B, Measures 12-14. ..49

18. Invention No. III, Episodic Pattern, Measures 5-11 50

19. Invention No. IV, Motive, Measures 1-3 ......54

20. Invention No. IV, Graphic Analysis ........55

x

LIST OF ILLUSTRATIONS--Continued

Figure

21. Invention No.

22. Invention No.

23. Invention No.

24. Invention No.

25. Invention No.

26. Invention No.

27. Invention No.

28. Invention No.

29. Invention No.

30. Invention No.

31. Invention No.

32. Invention No.

33. Invention No.

34. Invention No.

35. Invention No.

36. Invention No.

37. Invention No.

38. Invention No.

39. Invention No.

40. Invention No.

IV, Countermotive,

Measures 3-5.

IV, Episodic Pattern, Measure 8.

IV, Episodic Pattern, Measure 11

IV, Episodic Pattern, Measures 7-8

V, Graphic Analysis .......

V, Motive Measures 1-5 ......

V, Countermotive,

Measures 1-5

VI, Motive A, Measures 1-4 .. .

VI, Motive B, Measures 1-5 ....

VI, Graphic Analysis .......

VII, Graphic Analysis .......

VII, Motive, Measure 1 ......

VIII, Motive, Measures 1-2 ....

VIII, Graphic Analysis ......

VIII, Countermotive, Measures 2-3.

VIII, Episodic Pattern, Measure 4.

VIII, Episodic Pattern, Measure 15

IX, Motive A, Measures 1-4 ...

IX, Motive B, Measures 1-4 ...

IX, Graphic Analysis .......

xi Page .57 .58 0 58 .59 .63 .64 .64 .69 .69 .70 77
.78 .82 .83 .84 .85 .85 .89 .89 .90

LIST OF ILLUSTRATIONS--Continued

FigurE

41.
42.
43.
44.
45.
46.
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