WHERE ARE THE LESSON FILES? Purchasing this Classroom in a Book gives you access to the lesson files you'll need to complete the exercises in the book
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[PDF] Adobe Premiere Pro CC Classroom in a Book® (2015 release)
WHERE ARE THE LESSON FILES? Purchasing this Classroom in a Book gives you access to the lesson files you'll need to complete the exercises in the book
[PDF] Digital Video using Adobe Premiere Pro CC - Study Guide - Webflow
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be Premiere Pro project and it cannot find a media file, the Link Media dialog may open and Creative Cloud for some of the extra exercises in the book
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2015 Adobe Systems Incorporated and its licensors All rights reserved lesson files that you'll need to complete the exercises in this book, as well as other content to help you learn more about Adobe Premiere Pro CC and use it with
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4 1c Demonstrate knowledge of how to import Photoshop PSD files Page 38 38 Session 2 Premiere Pro CC Project Workbook Understanding the
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Final Spine = 0.8125"
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@adobepress @peachpit e Classroom in a Book
series is by far the best training material on the market. Everything you need to master the so ware is included: clear explanations of each lesson, step-by- step instructions, and the project les for the students."Barbara Binder,
Adobe Certifi ed Instructor
Rocky Mountain Training
Adobe Premiere Pro CC (2015 release)
workbooks, o ers what no other book or training program doesan o cial training series from Adobe Systems Incorporated, developed with the support of Adobe product experts. contains 18 lessons that cover the basics and beyond, providing countless tips and techniques to help you become more productive with the program. Purchasing this book includes valuable online extras. Follow the instructions in the book"s Ge ing Started" section to access the freeWeb Edition, which includes:
the complete text of the book interactive quizzes videos that walk you through the lessons step by step and more updated material covering new features released by AdobeWhat you need to use this book:
Adobe Premiere Pro CC (2015 release)
Note: Classroom in a Book does not replace the documentation, support, updates,Includes DVD-ROM with lesson fi les.CATEGORY:
VIDEO EDITING / DIGITAL VIDEO
COVER ILLUSTRATION:
Jeremy Collins (USA), behance.net/jercollins
Adobe Press books are published by Peachpit, San Francisco, CAPrinted and made in the USA
US $59.99
CANADA $74.99Learn to edit video in Adobe Premiere Pro CC (2015 release) and get the most out of your work ow. Take a project from beginning to end and learn to organize media, add audio, create transitions, produce titles, and add e ects. Take your projects further by sweetening and mixing sound, compositing footage, adjusting color, using advanced editing techniques, managing projects, exporting, and much more.Adobe Premiere Pro CC 2015 release
CLASSROOM IN A BOOK
CLASSROOM IN A BOOK
®Adobe Premiere Pro CC
2015 release
JAGOPremiere Pro CC
Adobe2015 release
CLASSROOM IN A BOOK
e of cial training workbook from AdobeMaxim Jago
Jeremy Collins9780134309989_APremiereProCC2015CIB_Cvr.indd 18/14/15 12:47 PMCLASSROOM IN A BOOK
fie of?cial training workbook from AdobePremiere Pro CC
Adobe2015 release
Jeremy Collins
9780134309989_APremiereProCC2015CIB_Title.indd 18/12/15 3:24 PM
WHERE ARE THE LESSON FILES?
Purchasing this Classroom in a Book gives you access to the lesson les you"ll need to complete the exercises in the book.You"ll nd the les you need on your
Account page at peachpit.com on the
Lesson & Update Files
tab. For complete instructions, see the last two pages of this ebook, How to Get YourLesson Files".
Adobe Premiere Pro CC Classroom in a Book® (2015 release) © 2016 Adobe Systems Incorporated and its licensors. All rights reserved.If this guide is distributed with software that includes an end user license agreement, this guide, as well as the
software described in it, is furnished under license and may be used or copied only in accordance with the terms
of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a
retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise,
without the prior written permission of Adobe Systems Incorporated. Please note that the content in this guide
is protected under copyright law even if it is not distributed with software that includes an end user license
agreement.e content of this guide is furnished for informational use only, is subject to change without notice, and should
not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no
responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in
this guide.Please remember that existing artwork or images that you may want to include in your project may be protected
under copyright law. e unauthorized incorporation of such material into your new work could be a violation of
the rights of the copyright owner. Please be sure to obtain any permission required from the copyright owner.
Any references to company names in sample les are for demonstration purposes only and are not intended to
refer to any actual organization. Adobe, the Adobe logo, After Eects, Adobe Audition, Adobe Camera Raw, CinemaDNG, Creative Cloud,Encore, Flash, Illustrator, Lumetri, Adobe Media Encoder, Photoshop, Prelude, Adobe Premiere Pro, SpeedGrade,
Adobe Story, and Classroom in a Book are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries.Apple, Mac OS, Macintosh, and Safari are trademarks of Apple, registered in the U.S. and other countries.
Microsoft, Windows, and Internet Explorer are either registered trademarks or trademarks of Microsoft
Corporation in the U.S. and/or other countries. All other trademarks are the property of their respective
owners. Adobe Systems Incorporated, 345 Park Avenue, San Jose, California 95110-2704, USANotice to U.S. Government End Users. e Software and Documentation are Commercial Items," as that term is
dened at 48 C.F.R. §2.101, consisting of Commercial Computer Software" and Commercial ComputerSoftware
Documentation," as such terms are used in 48 C.F.R. §12.212 or 48 C.F.R. §227.7202, as applicable. Consistent
with 48 C.F.R. §12.212 or 48 C.F.R. §§227.7202-1 through 227.7202-4, as applicable, the Commercial Computer
Software and Commercial Computer Software Documentation are being licensed to U.S. Government end users
(a) only as Commercial Items and (b) with only those rights as are granted to all other end users pursuant to the
terms and conditions herein. Unpublished-rights reserved under the copyright laws of the United States. Adobe
Systems Incorporated, 345 Park Avenue, San Jose, CA 95110-2704, USA. For U.S. Government End Users, Adobeagrees to comply with all applicable equal opportunity laws including, if appropriate, the provisions
of Executive Order 11246, as amended, Section 402 of the Vietnam Era Veterans Readjustment Assistance Act of 1974 (38USC 4212), and Section 503 of the Rehabilitation Act of 1973, as amended, and the regulations at 41 CFR
Parts 60-1 through 60-60, 60-250, and 60-741. e armative action clause and regulations contained in the
preceding sentence shall be incorporated by reference.Adobe Press books are published by Peachpit, a division of Pearson Education located in San Francisco,
California. For the latest on Adobe Press books, go to www.adobepress.com. To report errors, please send
a note to errata@peachpit.com. For information on getting permission for reprints and excerpts, contact permissions@peachpit.com.Writer: Maxim Jago
Project Editor: Karyn Johnson
Development Editor: Stephen Nathans-Kelly
Copyeditor: Kim Wimpsett
Proofreader: Scout Festa
Senior Production Editor: Lisa Brazieal
Compositor: Maureen Forys, Happenstance Type-O-Rama Technical Reviewers: Jarle Leirpol and Fa Lujan WaisbergIndexer: Valerie Haynes-Perry
Cover Designer: Eddie Yuen
Interior Designer: Mimi Heft
Printed and bound in the United States of America
ISBN-13:
978-0-134-30998-9
ISBN-10:
0-134-30998-7
9 8 7 6 5 4 3 2 1
iv CONTENT SCONTENTS
GETTING STARTED IX
1 TOURING ADOBE PREMIERE PRO CC
XIV 2 SETTING UP A PROJECT
1 8 3 IMPORTING MEDIA
4 2 4ORGANIZING
MEDIA 6 2 Working with bins .........................................69 M onitoring footage 76M odifying clips 5
Getting started
90U sing the Source Monitor 90
Na vigating the Timeline ....................................97
Essential editing commands
1046
Getting started
116U sing Program Monitor controls 116
P layback resolution 121
U sing markers 123
U sing Sync Lock and Track Lock 130
F inding gaps in the Timeline 132
S electing clips 132
M oving clips 135
Ex tracting and deleting segments 138
7
Getting started
144W hat are transitions? 144
U sing edit points and handles 146
A dding video transitions 147
U sing A/B mode to fine-tune a transition 153
A dding audio transitions 159
8
Getting started
166P erforming four-point editing 166
Chang ing playback speed 168
R eplacing clips and footage 175
Nesting sequenc
es 179P erforming regular trimming 180
P erforming advanced trimming 182
T rimming in the Program Monitor 186
9 PUTTING CLIPS IN MOTION 194
Getting started
196A djusting the Motion effect 196
Chang ing clip position, size, and rotation 201
W orking with keyframe interpolation 210
U sing other motion-related effects 213
10 MUL
TICAMERA EDITING
2 22Getting started
224F ollowing the multicamera process 225
C reating a multicamera sequence 225
S witching multiple cameras 230
F inalizing multicamera editing 232
11
EDITING
AND MIXING AUDIO
2 36Getting started
238S etting up the interface to work with audio 238
Examining audio char
acteristics 246C reating a voice-over "scratch track" 247
A djusting audio volume 248
C reating a split edit 253
A djusting audio levels for a clip 254
12 SWEE
TENING SOUND
2 60Getting started
262S weetening sound with audio effects 262
A djusting EQ 267
Cleaning up noisy audio
27213
ADDING
VIDEO EFFECTS
2 86Getting started
288W orking with effects 288
M aster clip effects 300
M asking and tracking visual effects 303
Keyfr aming effects 305
Eff ect presets 310
F requently used effects 312
14 C
OLOR CORRECTION AND GRADING
3 20Getting started
322F ollowing a color-oriented work?ow 323
A n overview of color-oriented effects 339
F ixing exposure problemsquotesdbs_dbs14.pdfusesText_20