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ÉTRANGÈRES
ÉTRANGÈRESLIVRE DU PROFESSEUR
Formateur Lycée Jean-Jacques Rousseau, Sarcelles (95) Formatrice Lycée Fustel de Coulanges, Massy (91) Lycée Descartes, Rabat (Maroc) Université Paris-Saclay, Université d" vry (91) Lycée Henri IV, Paris (75) cole Navale, Lanvéoc (29) Lycée Toper, Genève Lycée Montgrand, Marseille (13) Formateur LGT Montalembert, Courbevoie (92) Lycée international Victor Hugo, Colomiers (31) Formatrice Lycée Polyvalent Montmajour, Arles (13)
Grammaire et phonologie :
Maître de conférences à l"Université de Tours (37) B2- C1
Langues
Littératures
Cultures
Africa: the danger of a single story
1
Axe d'étude : Art et contestation
r
Project 1
You are a writer.
You have been asked
to write the preface of the biography of an African artist to present his/her life and art work.
Project 2
You are a curator.
Create a podcast to
promote the new trends in arts in Africa for the Zeitz Museum of Contemporary Art
Africa (MOCAA) in
Cape Town, South
Africa.
GRAMMAIRE
Le pluperfect simple Le superlatif de supériorité
PHONOLOGIE
Les deux consonnes l de l"anglais L"accentuation en anglais
TRADUCTION
Utiliser le dictionnaire unilingue
POUR L'ÉCRIT DU BAC
A colonial vision of Africa
One King, One Flag, One Fleet,
One Empire
Heart of Darkness,
Joseph Conrad, 1899
fiings Fall Apart,
Chinua Achebe, 1958
fie Mad Scramble for Africa
How can Africa retell its own story?
Installation by Andrew Gilbert Black Panther
Visions of Africa,
Mike Philipps, 2006
Out in Africa
Looking for Transwonderland: Travels in Nigeria,
Noo Saro-Wiwa, 2012
• Embrace the Unknown fie danger of a single story, Chimamanda Ngozi Adichie
Reasserting Africanness
Afrochella
Decolonising the Mind,
Ngugi Wa iong"o, 1986
Swan Lake meets Africa
Sparking debates with modern art
2
Axe d'étude : L"art qui fait débat
r
Project 1
You are a journalist.
Write an opinion
article about a controversial artistic project.
Project 2
You work in a museum
of modern art.
Debate about
exhibiting a controversial artist.
GRAMMAIRE
Les verbes de perception La forme du verbe après un modal
PHONOLOGIE
La voyelle longue \A...\ La
TRADUCTION
Les noms composés
POUR L'ÉCRIT DU BAC
, Jeff Koons, 2016
Challenging the aesthetic canon
E.E. Cummings, 1983
e EY Exhibition: Late Turner
Guggenheim Museum: photos and reviews
So shocking! Art and moral controversy
J.D. Salinger, 1945-46
Damien Hirst and Marc Quinn
When female artists create a buzz!
Two pictures of Lady Gaga
Art and money: the everlasting debate
Je Koons Rabbit" sculpture goes for $91.1 million , 2019 , Keith Haring, 1986
Up for debate!
3
Axe d'étude : L"art qui fait débat
r
Project 1
You are a lawyer.
Defend the producer of
a horror ?lm accused of inciting violence.
Project 2
You are a drama
student.
Write the script of a
great debate and turn it into a ?lm.
GRAMMAIRE
• L'expression de l'opposition et de la concession• Le subjonctif
PHONOLOGIE
• Les diphtongues \EÁ\ et \aÁ\• L'accentuation des mots en et
TRADUCTION
• Le dialogue
POUR L"ÉCRIT DU BAC
Debating: when talking is winning
et ,
William Shakespeare, 1596 et
1591
Denzel Washington, 2007
www.bbc.co.uk
The art of rhetoric: debating at its best
Obama's immigration reform speech, 2013
The greatest debaters: courtroom orators
Delia Owens, 2018
• Scene in an American courtroom
Modern forms of debates
• Cabinet Battle #2, • Let's debate , 2016
Censorship, an American art?
4
Vers le Bac : synthèse
r
Banning books
Quotes Poster Banned Books Week Do we still really need Banned Books Week?, ?e Washington Post, 2018
The art of controlling
Timebends: A Life, Arthur Miller, 1987
?e warning sign was just outside the theatre door, ?e New York Times, 2018 ?e Aviator,
Martin Scorsese, 2004
Couverture de comic magazine
Hays Code
Questioning censorship
Museum of Censored Art As Hide/Seek" ends, a Step Back to Look for Lessons Censorship is not all bad", ?e Hungton Post, 2016 Behind the photos: Why violent new images matter", Time, 2014 Freedom of Speech P O U R PR PAR E R LE GRA N D ORA L
I feel, therefore I am.
5
Axe d'étude : Expression des émotions
r
Project 1
You are an American
journalist.
Write an article about
Britishness and
emotional restraint.
Project 2
You are a scriptwriter.
Adapt a passage from
a novel, drama or ?lm into a moving movie scene.
GRAMMAIRE
• La phrase exclamative• While, during et for
PHONOLOGIE
• Les voyelles et • Prononciation et accentuation des mots en -ate
TRADUCTION
• La transposition
POUR L"ÉCRIT DU BAC
Andrea Arnold, 2011
When you cannot speak out
Sense and Sensibility, Jane
Austen, 1811
• Sti Upper Lip Hellelil and Hildebrand, the Meeting on the Turret Stairs,
Frederic William Burton, 1864
When feelings and social expectations clash
Wonder Woman,
Charles Moulton, 1942
• Boys Don't Cry, ?e Cure, 1979 Sigourney Weaver talks about what drew her to the character of Ellen Ripley in the Alien lms
When you're almost destroyed
Grief is the fiing with Feathers, Max Porter, 2015 fie Young Widow, Edward
Killingworth Johnson, 1877
fie Descendants,
Alexander Payne, 2011
When your heart takes over
Wuthering Heights,
Emily Brontë, 1847
fie Meeting Place,
Paul Day, 2007
Fleabag, the wedding speech
Portraits of ction
6
Axe d'étude : Mise en scène de soi
r
Project 1
You are a writer.
You have been invited
to contribute to a project of a collection of short stories entitled
Crossing the Fourth
Wall . You must use the mise en abyme technique.
Project 2
You are an artist
invited to do a masterclass.
You are one of the
artists studied in this unit. You are invited to do a masterclass to talk about your work and what ?ction means to you.
GRAMMAIRE
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