[PDF] An Uncrossable Rubicon: Liszts Sardanapalo Revisited

See Émile Haraszti, 'Liszt à Paris', La revue musicale, 17/165 (April 1936), 253 his nonsense in Italian opera: where we always encounter the same approach to the most It compromises the image of his creative potency, and its elaboration during admirateurs – de près ou de loin, comptez sur moi et disposez de moi



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