In the left-hand descent, the thumb turns under 3 on B and 4 on E However, if the left-hand adopts the approach of B-flat major, its symmetrical counterpart, the thumb will then turn under C-sharp and F-sharp as shown in figure 7 The following left-hand scales could benefit from this approach: G, D, A, f, c, and g
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[PDF] Piano chords collective pdf - Squarespace
To play the Bb chord, the left pinkie (1st finger) should be placed on A #, the middle finger (3rd finger) on D(2) and the thumb (5th finger) on F(4)
[PDF] Fingering For All Twelve Major Scales - Two Octaves
Note: B, D flat and G flat have enharmonic equivalents Jazz Piano class – RH only up and down one octave Private Students – Both hands up and down two
[PDF] Symmetrical Fingerings
In the left-hand descent, the thumb turns under 3 on B and 4 on E However, if the left-hand adopts the approach of B-flat major, its symmetrical counterpart, the thumb will then turn under C-sharp and F-sharp as shown in figure 7 The following left-hand scales could benefit from this approach: G, D, A, f, c, and g
[PDF] 22 Mozart Piano Sonata Sonata in B flat, K 333
Simple two part textures abound, as at the beginning of the piece, where a melodic line in the right hand is accompanied by a broken chord texture in the left hand
[PDF] 135 Piano Proficiency Test Packet
Major and minor triads, in root position and inversions, 2 octaves, hands step above and below the original key (block chord, left hand accompaniment required) For F sharp Major A flat Major B flat Major I sharp) t wit} C t 4 identical 2l
[PDF] 235 Piano Proficiency Test Packet
Major and minor (harmonic and melodic) scales, 4 octaves, hands together, correct (Improvised left hand accompaniment required; block chord accompaniment F sharp Major A flat Major B flat Major 1 sharp) t with C l 4 identical 2l
[PDF] FINGERINGS FOR ARPEGGIOS DR D P HORN
MAJOR AND MINOR TRIAD ARPEGGIOS, WITH INVERSIONS a also fingering for all broken and blocked triad chords) FINGERING FOR B (w-b-b pattern)
[PDF] MUS117 Class Piano II Proficiency IV • Scales and arpeggios: Play
Class Piano II Chord progression: Play the following progressions in C, D, F, G, A, B-flat, (a) Provide a left-hand accompaniment with an appropriate style
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