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Errata for Historical Painting Techniques PDF
COVER ILLUSTRATION and PLATE 8
Gherardo Cibo, Colchico, folio 17r of Herbarium, ca. 1570. © British Library Board (ADD MS 22333).
PLATES 7a, 7b and PAGE 50, Figure 1
Valerio Mariani de Pesaro, Battaglia di San Fabiano, 1618-1620, GDSU. Images provided by permission of the Ministero per i Beni e le Attivita Culturali, Florence, Italy.PLATE 12
Plate printed upside down in relation to Plate 11.PLATE 17: (c. 50 x 246.5 x 2.5 cm)
PLATE 18: (c. 50 x 212 x 2.5 cm)
PLATE 29e
Plate printed upside down in relation to Plates 29a-d,f.PAGE 52
Herbarium, ca. 1570. © British Library Board (ADDMS 22333).
PAGE 53
Figure 4. Gherardo Cibo, Fusaina [. . .] nocella qui chiamata a Roccha C[ontrada], folio 183v of Herbarium, ca. 1570. © British Library Board (ADD MS 22332).PAGE 53, CONT.
Figure 5. Gherardo Cibo, several proofs of colors and FusainaHerbarium, ca. 1570. © British Library Board (ADD MS 22332).PAGE 85
Paragraph 2. Alfred Butler assessed the beams in 1880, not the 1870s.PAGE 86
Paragraph 4. The first icon, The Virgin Mary and Child enthroned between Archangels, Prophets and Egyptian, Greek and Syrian Holy Bishops and Monks, measures c. 50 x 246.5 x 2.5 cm, and is shown inPlate 17 and Figures 3 (left) and 4a, b. The second icon, Six Equestrian Saints (originally ten saints),
measures c. 50 x 212 x 2.5 cm, is shown in Plate 18 and in Figures 2a,b; 3 (right); and 4c-e.PAGE 89
Acknowledgments. T-
, not as the Field Director of the Coptic Museum in Cairo as originally published. Note 3. The correct reference: Butler, A. J. 1884.PAGE 90
Note 13. The correct reference: MacCoull, L.S.B. 1993. The Apa Apollos Monastery at Pharoou. In LeMuséon (106), note 11.
Note 20. Abu al-Makarim, a Coptic priest from the church of the Holy Virgin at Harat Zuwayla, Cairo,
left folios in a manuscript dating from around 1200 known as History of the Churches and Monasteries in
Lower Egypt in the 13th Century. See Père Samuel du Monastère des Syriens. 1990. Icônes et en 1984. Le Monde Copte, No. 18. Limoges, 78.PAGE 115
Figure 3. Mantegna, Andrea (1431-1506). The Presentation in the Temple. Original strainer with panel inserts seen from front. 68.9 x 86.3 cm. Gemaeldegalerie, Staatliche Museen, Berlin, Germany. Photo credit: bpk, Berlin/Art Resource, NY.PAGE 135
Mander should read van Mander
PAGE 137
o ground is used should read no grounPAGE 158
Figure 1. Image source: Period photo reproduced in O. von Schleinitz, William Holman Hunt (Bielefeld and Leipzig: Verlag von Velhagen & Klasing, 1907).PAGE 159
Figure 2. Image source: Period photo reproduced in O. von Schleinitz, William Holman Hunt (Bielefeld and Leipzig: Verlag von Velhagen & Klasing, 1907).PAGE 160
Figure 5. William Holman Hunt, Autoritratto, Galleria degli Uffizi. Image provided by permission of the
Ministero per i Beni e le Attivita Culturali, Florence, Italy. Figure 6. Unknown Artist. Paint Bladder, 19th century. Oil paint contained in an animal bladder with three ivory plugs; 4.45 x 2.54 cm (1 3/4 x 1 in.) Harvard Art Museums/Fogg Museum, Straus Center for Conservation. Gift of C. Roberson and Co., London, FINV2155. Photo: Imaging Department © President and Fellows of Harvard College Brass paint tube, (not assigned). Harvard Art Museums/Fogg Museum, Straus.698 Photo: Imaging Department © President and Fellows of Harvard College Empty paint tube, (not assigned). Harvard Art Museums/Fogg Museum, Straus.696 Photo: Imaging Department © President and Fellows of Harvard College Figure 8. William Holman Hunt. The Miracle of the Sacred Fire, Church of the Holy Sepulchre, 1892-1899. Mixture of oil and resin on canvas; 92.1 x 125.7 cm (36 1/4 x 49 1/2 in.) Framed: 114.5 x 148.3 x 7
cm (45 1/16 x 58 3/8 x 2 3/4 in.) Harvard Art Museums/Fogg Museum, Gift of Grenville L. Winthrop,Class of 1886, 1942.198.
Photo: Imaging Department © President and Fellows of Harvard CollegePAGE 169
Figure 3. The Execution of Lady Jane Grey. Pencil drawing for the central group, 18 X 16.5 cm. © The
Trustees of the British Museum.
PAGE 178
Figure 2. J. M. W. Turner, Dolbadern Castle, North Wales, 1802. Oil on canvas, 1190 x 889 mm. Courtesy of the Royal Academy of Arts, London, www.racollection.org.uk.PAGE 182
Figure 6. Detail of Anna's veil, painted over clouds and sky, from Joshua Reynolds's The Death of Dido, ca. 1781. Oil on canvas, 1473 X 2407. Supplied by Royal Collection Trust / © HM QueenElizabeth II 2012.
PAGE 187
Figure 3. Brushes, paints, palettes, and other painting materials. © The Hunterian, University of Glasgow
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