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Figure 4 Patersons Furniture Warehouse in 1920 shown in a section of Melbourne 1920, showing Bourke Street, 1920, by Row (Source: SLV) Arthur W Purnell 

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barberadesign com Established in 1979 by Arthur Georgopoulos, Arthur Mortice and Tenon is a Melbourne-based bespoke furniture and joinery manufacturer 

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500 chairs from the Myer Emporium in Melbourne represented a furniture mass -produced in Australia after the Second Gift of Gloria and Arthur Bishop, 2000

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George Thwaites and the University of Melbourne Council's Gothic revival furniture Robert La Nauze Arthur Calwell, presiding over the first naturalisation  

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FURNITURE???OBJECTS

BATHROOM

FLOORING

WORKSPACE

KITCHEN

LIGHTING

MAKERS???SERVICES

OUTDOOR

SURFACES

TEXTILES

# 94 A MEZZANINE CURATED PROMOTION

At Sydney Road, our aim was to

create a series of highly re?ned spaces, each with its own unique features, in an apparently unassuming suburban in?ll apartment building.

SYDNEY 385WILLIAM SMARTSYDNEY

_

SMARTDESIGNSTUDIO.COM

Each part of the building was carefully considered, from the interiors, with their beautiful concrete walls and ceilings, to the two-storey voids opening up the façade to the sky and the view. Externally, we selected brick to clad the building; it's an authentic, natural material that ages well. Solid brick lintels and raked horizontal joints add a sense of quality, while a ?re-engine red number and looping balustrades add personality. Internally, bathrooms, kitchens and laundries are concealed within a centralised cream-coloured joinery box allowing concrete walls to remain unencumbered. Black lights and ?ttings look smart against concrete ceilings. The combined e?ect of each decision becomes apparent on closer examination; the ?nal building is calm and elegant, and feels highly valuable.

1 Track lights run along the length

of the apartments, allowing lighting to be changed to suit furnishings and art.

2 Bathrooms, laundries and storage, along with their

carefully coordinated plumbing and ventilation services, are all hidden behind full-height joinery panels.

3 Beneath the cream tiles of the

living spaces, a rubberised underlay enables concrete ceilings to remain exposed while maintaining acoustic separa tion between apartments. 1 2 3

PHOTOGRAPHY ? SHARRIN REES

CONSIDER

COMPLEMENTARY

COLOURS AND

TONES WHEN

SLECTING DINING

CHAIRS

FURNITURE???OBJECTS

Design of the ?uted concrete

bar upstand, rolled steel pelmets and a selection of sculptural lighting and chairs have been in spired by the artistry and forms of vintage cars. Striking steel tube pendants (echoing exhaust pipes) mark various seating options throughout. A deep steel portal insertion into the street façade directs patrons into the café and frames a large herb planter outside, and a street front view and timber banquette from the inside. Also blurring the threshold between the exterior and interior is a solid timber portal/bench with an integrated window - folding down to form the street front banquette when the window is open.

Shapes and patterns found in an

auto workshop - and the artistry of vintage cars in racing green - were the inspiration behind the craing and details of Mister + Miss, a café in a former mechanic shop.

MELBOURNE

_

MARIADANOS.COM.AU

1 2

A WELL CRAFTED

PIECE OF FURNITURE

WILL LAST A LIFE

TIME AND REMIND

YOU OF THE SPECIAL

MOMENTS IN LIFE

FURNITURE???OBJECTS

NOT EVEY PIECE

HAS TO MAKE A

STATEMENT

THINK FUNCTION

AS WELL AS FORM

TO ENSURE YOUR

INVESTMENT

PAYS OFF

# 98 A MEZZANINE CURATED PROMOTION

FURNITURE???OBJECTS

LIGHTING OF

YOUR HOME

WHEN SELECTING

FURNITURE.

Chamfer House revisits a post and

beam dwelling designed in 1977 by

Kevin Borland. It sits within an

established garden on Oliver's Hill, a crucible of late modernism overlooking Port Phillip Bay.

MELBOURNE

_

MIHALYSLOCOMBE.COM.AU

Our clients wanted to protect the timber structure and ceilings they loved, while also updating the house to suit their young family. Our intervention assumed a strategy of sensitive in?ltration. We touched every room, some more heavily than others, yet retained the house's core personality: the romantic rationalism that characterised much of Borland's later work. We unkinked the plan, pulled back a touch on the 1970s psychedelics, and recon?gured the living and sleeping areas to better connect with the garden. We sought to build on the juxtaposition of structural rationality and romanticism, layering a rational spatial sequence with an exploded interpretation of the chamfer. A device used regularly by Borland, we developed it into a three-dimensional form that operates from the macro scale to the micro. The faceted balcony so?t framing the view from the master bedroom is one example, as are the repetitive triangular motifs in our customised joinery hardware. 2 1

Throughout Chamfer House,

we've used warm, natural materials that sit well within its garden setting.

2 Cement sheeting is reserved for the faceted balcony so?t and

continues the natural palette of the project, but is deliberately di?erentiated from the original materials. It is here that we've evolved the chamfered form of the original house.

3 The shiplapped Silvertop ash timber lining boards are sus-

tainably sourced and match the original 1970s cladding.

4 The three bedrooms open onto the garden deck, the lawn com-

ing up to just the right height for dangling legs. 1 3 4

BATHROOM

BATHROOM

FLOORING

BE CONSCIOUS OF

HARSH ACOUSTICS

WHEN SELECTING

FINISHES TO

COMPLEMENT YOUR

FLOORING

WORKSPACE

www.workspace.com.au

Sydney | Melbourne | Adelaide | Canberra

Allure Chair

Designed by Lievore Altherr Molina

Developed by Forma 5

Exclusive to Workspace

"European Designmeets AustralianManufacturing."

ENVIRONMENTS CALL

FOR UPHOLSTERY

FABRICS THAT WILL

STAND THE TEST

OF TIME

# 104 A MEZZANINE CURATED PROMOTION

The brief for Bower came about

through a conversation between

Richard Munao, managing director

of furniture brand Cult, and an architect who was working on a project that required break out furniture for the oce environment with acoustic qualities and a less rigid aesthetic than normally found in large-scale commercial projects.

BOWER RANGEADAM GOODRUMSYDNEY

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CULTDESIGN.COM.AU

Bower is an acoustically-focused furniture collection with ?ne tailoring and craftsmanship, providing that strong point of di?erence. The undulating acoustic weave de?nes the aesthetic and provides noise absorption. Comprising a work-pod, armchairs, meeting lounges and a selection of adjustable acoustic screens, the modularity provides endless variation. Inspired by the woven nests created by the bowerbird, the Bower range is designed to bring some welcome relief to the working environment.

1 Friendly, so? aesthetic with

natural textures.

2 The range is designed to adapt to any environment through

?nishes and modularity.

3 High acoustic panel perfor-

mance due to undulating weave pattern hinting at occupancy of spaces without being revealing. + Each product stands alone as part of an interlinking family to create seamless environments. 1 2 3 PHOTOGRAPHY ? BROOKE HOLM ? STYLING ? MARSHA GOLEMAC

KITCHEN

S Y DN

E Y

CAN RESULT IN A

KITCHEN THAT WILL

FRUSTRATE YOU

FOR MANY YEARS

TO COME

A MEZZANINE CURATED PROMOTION

Our client wanted to update the

interior of their kitchen, laundry, dining and powder room. Built in the late 1950s, the house is a classic double-storey orange brick veneer complete with white steel ironwork and concrete balcony/verandah overlooking the bay.

BEACH ROAD

PROJECTTRAVIS DEAN + CHARLIE WILDEMELBOURNE

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CANTILEVERINTERIORS.COM

As a passionate mid-century enthusiast, our client wanted a design that was sympathetic to the vintage of the house, while incorporating a sophisticated, luxurious palette of materials. Cantilever Interiors directors Travis Dean and Charlie Wilde share a long-standing interest in the materials and qualities of mid-century design, in?uencing the palette and detail of our Cantilever Interior ranges, so we were happy to oblige this passion and opted for our K2 Kitchen ?nishes, with solid timber handles and a very luxurious marble. Working within the existing ?oorplan of the house, we aimed to increase connectivity between living zones, and maintain the ?nishes and detailing throughout the rooms.

1 The Calacatta Gold marble,

chosen by our client, de?nes the opulent 1960s look of the project, and is carefully laid throughout.

2 Blackbutt veneer and solid timber handles were designed by

Cantilever Interiors and made

speci?cally for this project, inspired by the slim, long-line handles of the era. + The sink and steel handles in this project were also designed by us and made locally, o?ering a high-quality, beautiful alter- native to imported products.

The Servery opening connects

the dining and living spaces, allowing joinery detailing to ?ow easily through the rooms. 1 2+

LIGHTING

TEMPERATURE

CAN HAVE A

MASSIVE IMPACT ON

YOUR MOOD OR

PRODUCTIVITY

A MEZZANINE CURATED PROMOTION

The design of this home in

location aims to continue and develop our ideas of making architecture that is proudly

Australian.

ROSALIE HOUSEPAUL OWENBRISBANE

_

OWENARCHITECTURE.COM.AU

The origin of a suburban ideology is founded in ideas of landscape. In making this project, we were as much thinking about its suburban landscape as the building itself. We aimed to create the early beginnings of a meadow and a ?eld that stitch into the suburban terrain, and to make a building that belongs. The client brief was for a robust and relaxed family home. Our clients' decisions always defaulted to simple family-based needs, such as sharing spaces with children. Decisions about room planning and materials were derived from utilitarian needs, including budget, and are inspired by beauty in the ordinary things we ?nd in our suburban ?eld.

1 The grey concrete ?oor paint

extends up the walls to create a datum line, making the ?oor feel like part of the external terrain.

2 The roof datum in this room extends very low to create a

sunken room quality.

3 Finishes such as brass and

marble are used next to concrete and brick for contrast, and to honour both re?ned and robust materials.

4 The entire ?replace is made from refractory bricks, not just

the ?re box, creating the feeling of a giant hearth. 3 4 1 2

MAKERS???SERVICES

FURNITURE CREATES

A BOND BETWEEN

THE OWNER AND

THE MAKER THAT

IS ENDURING

Victorian furniture designer and director of Tide Design, George Harper is passionate about the importance of simplicity, attention to detail, quality and individuality. Tide"s furniture is simply stunning. It"s made-to-order, with a design philosophy that embodies longevity, sustainability and a commitment to quality. From dining tables and chairs, to sideboards, shelving, desks and storage,

Tide furniture is designed and handmade locally.

Workshopped proudly represents Tide Design exclusively in New South

Wales and welcomes trade and retail enquiries.

Workshopped - bringing Australian design to local and international attention.The new Workshopped showroom showcases beautiful and functional

Australian design. South Australian furniture designer Max Hunt is driven by creating beautiful design - locally manufactured and competitively priced. Hunt Furniture focuses on making design simple, elegant, accessible and, most of all, a?ordable. In a market that at times feels swamped with fakes, Hunt Furniture proudly espouses the importance of respecting the intellectual property rights of designers. We couldn"t agree more! Workshopped is very excited to be repre- senting the Hunt Furniture range exclusively in New South Wales and welcomes trade and retail enquiries. Workshopped - nurturing Australian design excellence.Workshopped has opened its new show- room in Rosebery, in south Sydney"s emerg ing design precinct. The beautiful 1920s Her- itage-listed art deco building was originally used as a furniture, light store and warehouse - it"s back to the future! Workshopped brings great Australian design to both retail and commercial markets, locally and internationally. Starting out as a small Australian design exhibition in 2001, Workshopped has presented the work of over 400 designers, through 16 exhibitions, viewed by over

600,000 people. Workshopped services

both retail and commercial markets.WORKSHOPPED AND MAYU, BY COCO FLIP WORKSHOPPED AND HUNT FURNITUREWORKSHOPPED AND TIDE DESIGNWORKSHOPPED SHOWROOM workshopped.com.au

WORKSHOPPED OPEN IN ROSEBERY

OUTDOOR

OUTDOOR FURNITURE WILL SAVE YOU MONEY IN THE LONG RUN _

EATAS.COM.AU

The ow of the house is interconnected

and layered, spaces can be opened up or closed o with large sliding doors as required, so no open-plan living, dining and kitchen here.

Connecting the old to the new is

a 6.5-metre high long, narrow void, it is the central, visual spine and the circulation of the house. Externally, this spine is expressed as a slice or an incision to a brick-based building - it provides sun, shade, air and privacy, all at the same time. The result is a bright and airy space that serves both levels.

The house is ?nished on a tight,

modest budget. The end result is a sustainable family home that can grow with the family.

1 The perforated metal window

shroud acts as both sun-shading device and servery countertop, the small holes allow light to pass through the top and spillage to drip through the bench.

2 A column-free corner allows for better ow from indoor to out-

door, extending the living spaces to the northern courtyard.

3 Timber frame windows and doors humanise a domestic

dwelling, the warmth and the crasmanship juxtapose the scale of the doors and the vertiquotesdbs_dbs9.pdfusesText_15