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What's New1...................................................................................................................................................What's New in Premiere Pro CC December 2013 (version 7.2)................................................................................2What's new in Premiere Pro CC October 2013 (version 7.1)....................................................................................7What's new in Premiere Pro CC July 2013 (version 7.0.1)......................................................................................17What's New in Premiere Pro CC June 2013 (version 7.0)...........................................................................24

What's new in Adobe Media Encoder CC 7.1 and CC 7.235...................................................................................................

Workspace and workflow45............................................................................................................................

Sync settings52........................................................................................................................................................................

Direct-Link workflow between Premiere Pro and SpeedGrade55............................................................................................

Using the Source Monitor and Program Monitor60..................................................................................................................

Multi-Camera editing workflow68..............................................................................................................................................

Control surface support74........................................................................................................................................................

Keyboard shortcuts in Premiere Pro CC76...............................................................................................................................

Cross-application workflows89.................................................................................................................................................

Setting up your system97.........................................................................................................................................................

Working with Panels111...........................................................................................................................................................

Adobe Dynamic Link115...........................................................................................................................................................

Cross-platform workflow119.....................................................................................................................................................

Basic workflow120....................................................................................................................................................................

Project setup124.............................................................................................................................................

Trim or copy your project125....................................................................................................................................................

Creating and changing projects127..........................................................................................................................................

Archiving projects131...............................................................................................................................................................

Importing footage132......................................................................................................................................

Transferring and importing files133..........................................................................................................................................

Importing assets from tapeless formats140..............................................................................................................................

Importing still images143..........................................................................................................................................................

Support for growing files146.....................................................................................................................................................

Working with timecode147........................................................................................................................................................

Importing XML project files fromFinal Cut Pro153....................................................................................................................

Importing sequences, clip lists,libraries, and compositions156................................................................................................

Importing digital audio159.........................................................................................................................................................

Digitizing analog video161........................................................................................................................................................

Create clips for offline editing163.............................................................................................................................................

Capturing and digitizing165......................................................................................................................................................

Capturing HD video176............................................................................................................................................................

Capturing DV or HDV video177................................................................................................................................................

Capturing content for DVD178..................................................................................................................................................

Batch capturing and recapturing179.........................................................................................................................................

Managing assets185.......................................................................................................................................

Customizing the Project panel186............................................................................................................................................

Organizing assets in the Project panel192...............................................................................................................................

Monitor overlays201.................................................................................................................................................................

Managing metadata205............................................................................................................................................................

Working with markers211.........................................................................................................................................................

Working with aspect ratios218..................................................................................................................................................

Monitoring assets223......................................................................................................................................

Using the Source Monitor and Program Monitor224................................................................................................................

Using the Waveform monitors and vectorscope232.................................................................................................................

Using the Reference Monitor236..............................................................................................................................................

Playing assets238.....................................................................................................................................................................

Editing sequences and clips242.....................................................................................................................

Relinking offline media243........................................................................................................................................................

Trimming clips246.....................................................................................................................................................................

Source patching and track targeting267...................................................................................................................................

Multi-Camera editing workflow268............................................................................................................................................

Edit from sequences loaded into the Source monitor274.........................................................................................................

Closed Captioning276..............................................................................................................................................................

Synchronizing audio and video with Merge Clips281...............................................................................................................

Rendering and previewing sequences285................................................................................................................................

Remove alerts with the Events panel290.................................................................................................................................

Rearranging clips in a sequence291........................................................................................................................................

Working with offline clips297....................................................................................................................................................

Modifying clip properties withInterpret Footage300..................................................................................................................

Creating and changing sequences301.....................................................................................................................................

Creating special clips (synthetics)322......................................................................................................................................

Creating and playing clips325...................................................................................................................................................

Adding clips to sequences329..................................................................................................................................................

Correcting mistakes338............................................................................................................................................................

Working with clips in a sequence340........................................................................................................................................

Trimming clips (CS5 and CS5.5)345........................................................................................................................................

Editing audio358.............................................................................................................................................

Overview of audio and the Audio Track Mixer359....................................................................................................................

Working with clips, channels, and tracks367............................................................................................................................

Editing audio in a Timeline panel374........................................................................................................................................

Recording audio378..................................................................................................................................................................

Recording audio mixes381.......................................................................................................................................................

Panning and balancing384.......................................................................................................................................................

Multiple stereo assignments for tracks to multichannel masters387........................................................................................

Monitor clip volume and pan using Audio Clip Mixer388..........................................................................................................

Editing audio in Adobe Audition390..........................................................................................................................................

Advanced mixing391................................................................................................................................................................

Adjusting volume levels395......................................................................................................................................................

Titling and the Titler400..................................................................................................................................

Titler text styles401...................................................................................................................................................................

Working with text and objects intitles404..................................................................................................................................

Rolling and crawling titles408...................................................................................................................................................

Fills, strokes, and shadows intitles410.....................................................................................................................................

Drawing shapes in titles415......................................................................................................................................................

Creating and formatting text intitles420....................................................................................................................................

Creating and editing titles426...................................................................................................................................................

Add images to titles431............................................................................................................................................................

Effects and transitions432..............................................................................................................................

Motion: position, scale, and rotatea clip433..............................................................................................................................

Viewing and adjusting effects and keyframes439.....................................................................................................................

Transition overview: applying transitions442............................................................................................................................

Three-way Color Corrector effect448.......................................................................................................................................

Stabilize motion with the Warp Stabilizer effect450..................................................................................................................

The rolling shutter repair effect454...........................................................................................................................................

Modifying and customizing transitions455................................................................................................................................

Interlacing and field order460...................................................................................................................................................

Adjustment Layers463..............................................................................................................................................................

About effects465.......................................................................................................................................................................

Eliminate flicker470...................................................................................................................................................................

Effect presets471......................................................................................................................................................................

Duration and speed475............................................................................................................................................................

Creating common results484....................................................................................................................................................

Color correction and adjustment486.........................................................................................................................................

Working with audio transitions505............................................................................................................................................

Audio effects and transitions507...............................................................................................................................................

Applying, removing, finding, and organizingeffects517............................................................................................................

Applying effects to audio521.....................................................................................................................................................

Animation and keyframes526.........................................................................................................................

Optimize keyframe automation527...........................................................................................................................................

Moving and copying keyframes528..........................................................................................................................................

Controlling effect changes using keyframeinterpolation531.....................................................................................................

Animating effects535................................................................................................................................................................

Adding, navigating, and setting keyframes537.........................................................................................................................

Compositing, alpha channels, and adjustingclip opacity546....................................................................................................

Blending modes549..................................................................................................................................................................

Workflow and overview for exporting553..................................................................................................................................

Exporting to DVD or Blu-ray Disc556.......................................................................................................................................

Smart rendering558..................................................................................................................................................................

Working with Adobe SpeedGrade559......................................................................................................................................

Working with Adobe Prelude561..............................................................................................................................................

Export a still image562.............................................................................................................................................................

Formats exported directly fromPremiere Pro563......................................................................................................................

Export to Panasonic P2 format564...........................................................................................................................................

Exporting for the Web and mobile devices566.........................................................................................................................

Exporting to videotape570........................................................................................................................................................

Exporting projects for other applications573.............................................................................................................................

Exporting OMF files for Pro Tools576.......................................................................................................................................

What's New1

What's New in Premiere Pro CC December 2013 (versionTo the top

For information on what's new in the earlier Creative Cloud releases of Premiere Pro, see:What's New in Premiere Pro CC October 2013 (7.1)

What's New in Premiere Pro CC July 2013 (7.0.1)

What's New in Premiere Pro CC June 2013 (7.0)

This document describes the new and changed features in the Premiere Pro CC December 2013 release (version 7.2):

Editing Finesse enhancements

Improved media management

Multi-Camera workflow enhancements

Audio enhancements

Performance enhancements

Support for new graphics cards

Other changes

Editing Finesse enhancements

Descriptive text in empty Project panel or Timeline panel

When the

Project panel is empty, Premiere Pro shows descriptive text that says "Import Media To Start".

When the

Timeline panel is empty, Premiere Pro displays the text "Drop Media Here To Create Sequence".

When you drag-and-drop any files to the

Project panel or Timeline panel, or import files into the Project panel, the text disappears.

Auto-save enhancements

When you specify auto-save to occur at regular intervals, Premiere Pro auto-saves a project on detecting changes to the project file.

The auto-save occurs irrespective of whether you manually save the changes to the project or not. Earlier, Premiere Pro would not execute auto-

save if you manually saved within the interval setting. If the system goes idle for a period beyond the interval setting, Premiere Pro forces an auto-save.

Create sequence by dragging clip to Timeline2

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You can quickly create a sequence by dragging media and dropping it to the empty Timeline window. Premiere pro creates a new sequence from the media file that you dragged to the

Timeline.

Export markers as a list

Premiere Pro lets you export markers from a single media asset or sequence to a CSV or HTML file. The Export Markers feature works with the

asset whose markers are loaded in the Markers panel.

1. Load the markers of the required clip or sequence into the Markers panel. To do so, select the clip or sequence in the Project panel, or setfocus on the Source Monitor, Program Monitor, or Timeline.

2. Select File > Export > Markers.

3. In the Export Markers dialog, specify the file type, output destination, and filename. Then, click OK.

The markers are exported as a list to a comma-separated CSV file or a web page in HTML file format.

Duplicate frame marker enhancements

Premiere Pro now displays duplicate frame markers for media created from the same file, or from files with identical timecode and tape name

metadata. Premiere Pro displays duplicate frame markers in the Timeline when track items are duplicated in the following scenarios:

The same master clip is used

The master clips are created from projects that use the same media on disk

The master clips are created from media with matching tape name and timecode metadata, where the tape name is not blank and timecode

is not 00:00:00:00

Add a clip marker based on clip selection

You no longer use multiple keyboard shortcuts to set a clip marker on a selected clip. You simply select the clip in the

Timeline

and press the M keyboard shortcut. A clip marker is applied to the selected clip.

Use Ripple-Delete command for In/Out range

When you select a clip, a gap, or an In/Out range, and use the Ripple-Delete command, the selected clip, gap, or In/Out range is ripple-deleted.

When using the

Ripple-Delete command, the priority of selection is as follows:

1. Clip

2. Gap

3. In/Out range

That is, when using the Ripple-Delete command, a clip or gap selection has priority over selecting an In/Out range selection. The keyboard

shortcut for the Ripple-Delete command is Shift+Delete (Win) or Shift+Forward Delete (Mac).

Warning to prevent project overwriting

When you work on Premiere Pro projects stored on a network drive, a warning dialog protects you from overwriting someone else's changes.

Say, you open a project from a network drive and make changes, and a second person opens the same project and makes changes. Then, a

warning appears when trying to save the project.

In the warning dialog, click

OK to overwrite changes to the project on the network, or click Cancel to save a copy of the project.3

Note:

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Improved media management

Open multiple Media Browser panels

To easily access multiple projects and media locations, Premiere Pro lets you open multiple Media Browser panels simultaneously.

Select New Media Browser Panel from the Media Browser's context menu.

Bypass automatic relinking of offline media

Premiere Pro automatically finds and links offline media where possible. However, there are times, when you want to quickly open a project

without automatically relinking the offline media. Premiere Pro now lets you do that by providing a

Cancel button in the Progress dialog. When you

click Cancel, Premiere Pro bypasses the automatic relinking workflow, and opens the Link And Locate dialog only if it detects offline clips.

Create a new Premiere Pro project from a sequence

You can now create a Premiere Pro project from a selected clip sequence.

1. Select the clip sequence in the Project panel.

2. Select File > Export > Selection As Premiere Project.

3. Select a project name and location, and click Save.

Premiere Pro creates the project (.prproj filename extension) in the specified directory.

When Premiere Pro creates the new project, the required project files are copied to the specified directory without moving the source files.

Any media not associated with the sequence is excluded from the new project.

Multi-Camera workflow enhancements

Single source multi-camera sequence shows full-frame clip When there is only a single video stream in a multi-camera source sequence, the Source monitor displays that video clip as a full-frame clip.

Earlier, the clip would be displayed in a quarter frame; that is, a single angle displayed in the multi-camera 2 x 2 grid.

Show multi-camera clip names in

Timeline

The multi-camera source sequence clips in the

Timeline display the source clip names. This feature helps you quickly determine which camera angle is switched to the output.

The source clip names are appended to the multi-camera source sequence name. For example, [MC1] Camera 1.mov, [MC2] Camera 2.mov.

Sequence Preset option for switch audio

Earlier, sequence presets could be used only in Custom Sequence settings. That restriction is now removed. You can now select a custom or a4

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previously saved sequence preset for camera 1, all cameras, or switch audio.

Audio enhancements

New voice-over recording workflow

Premiere Pro now lets you set up and record voiceovers on audio tracks directly from the Timeline, without using the Audio Track Mixer workflow.

Display the Voice-over

Record button

The voice-over

Record button

lets you record a voice-over directly from the Timeline on to an audio track. To display the voice-over Record button in the

Timeline header, do the following:

1. Select the track in the Timeline to which you want to add the voice-over

2. Click the Settings button in the Timeline and select Customize Audio Header.

3. From the Button Editor dialog that appears, drag-and-drop the Microphone button

to the required audio track, and click OK.

Start the voice-over recording workflow

Start a voice-over recording workflow by doing one of the following: Mark a specific In/Out range to insert the audio recording, or Position the playhead at the starting point of inserting the voice-over

Display pre-roll countdown

As soon as you mark the In/Out range or position the playhead, the voice-over recording workflow starts. A pre-roll countdown appears as an

overlay on the Program Monitor. Pre-roll countdown displayed as an overlay on the Program Monitor

The pre-roll countdown is a visual cue to give you time to prepare and begin the recording. Recording begins after the countdown reaches zero.

You can specify the duration of the pre-roll countdown in the

Preferences dialog.

Begin recording

Click

in the audio track's header to begin recording. A status message "Recording..." appears in the Program Monitor to indicate that recording

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When using a predefined In/Out range, you don't have to click the Voice-over Record button . Recording automatically starts when the playhead reaches the In point in the

Timeline.

Finish Recording

When using a predefined In/Out range, recording ends when the playhead reaches the Out point in the

Timeline. The status message on the

Program Monitor then changes to "Finishing...". If you are not using a predefined In/Out range, stop the recording manually by clicking the Voice-

over Record button again, or by pressing the Spacebar key.

Once recording is complete, an audio file of the recording is created. The audio file is imported as a new project item into the

Project panel.

Performance enhancements

This release of Premiere Pro CC further leverages the power of third-party GPUs to increase speed of work with high-resolution formats:

OpenCL performance is faster and more stable than before

Performance improvements for UltraHD

Support for new graphics cards

Premiere Pro now supports the following NVIDIA graphics cards:

Windows

Quadro K1100

GeForce GTX Titan

Mac

GeForce GT 750M

For the complete list of supported graphics cards, see the

Tech Specs.

Other changes

Premiere Pro now uses the MXF Importer for importing P2 and Canon XF files You can natively import AVCI-100 .mov files and smart render the files to MXF-wrapped AVCI-100 files

When using third-party transmit tools for SDI display, Premiere Pro ensures that the audio and video are in sync at all times

Improved playback performance for Sony XAVC 60p media6 What's new in Premiere Pro CC October 2013 (version 7.1)To the top

To the top

This document describes the new and changed features in the Premiere Pro CC October 2013 release (version 7.1):

[PDF] [PDF] ADOBE® PREMIERE® PRO - Adobe Help Center

Help and tutorials

PREMIERE

Contents

What's New1

What's New in Premiere Pro CC July 2013 (7.0.1)

What's New in Premiere Pro CC June 2013 (7.0)

Editing Finesse enhancements

Improved media management

Multi-Camera workflow enhancements

Audio enhancements

Performance enhancements

Support for new graphics cards

Other changes

Editing Finesse enhancements

When the

When the

When you drag-and-drop any files to the

Auto-save enhancements

Create sequence by dragging clip to Timeline2

To the top

Timeline.

Export markers as a list

1. Load the markers of the required clip or sequence into the Markers panel. To do so, select the clip or sequence in the Project panel, or setfocus on the Source Monitor, Program Monitor, or Timeline.

2. Select File > Export > Markers.

3. In the Export Markers dialog, specify the file type, output destination, and filename. Then, click OK.

Duplicate frame marker enhancements

The same master clip is used

Add a clip marker based on clip selection

Timeline

Use Ripple-Delete command for In/Out range

When using the

1. Clip

2. Gap

3. In/Out range

Warning to prevent project overwriting

In the warning dialog, click

To the top

Improved media management

Open multiple Media Browser panels

Bypass automatic relinking of offline media

Cancel button in the Progress dialog. When you

Create a new Premiere Pro project from a sequence

1. Select the clip sequence in the Project panel.

2. Select File > Export > Selection As Premiere Project.

3. Select a project name and location, and click Save.

Multi-Camera workflow enhancements

Show multi-camera clip names in

Timeline

The multi-camera source sequence clips in the

Sequence Preset option for switch audio

To the top

Audio enhancements

New voice-over recording workflow

Display the Voice-over

Record button

The voice-over

Record button

Timeline header, do the following:

1. Select the track in the Timeline to which you want to add the voice-over

2. Click the Settings button in the Timeline and select Customize Audio Header.

3. From the Button Editor dialog that appears, drag-and-drop the Microphone button

Start the voice-over recording workflow

Display pre-roll countdown

Preferences dialog.

Begin recording

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To the top

To the top

Timeline.

Finish Recording

Timeline. The status message on the

Project panel.

Performance enhancements

Performance improvements for UltraHD

Support for new graphics cards

Windows

Quadro K1100

GeForce GTX Titan