Piet Mondrian, early Neo-Plastic compositions, and six
Figure 1: Piet Mondrian Circa 1901-1908 Passion flower Watercolor and black crayon on paper, 72 5 x 47 5 cm Reproduced with the permission of Gemeentemuseum, The Hague Figure 2: Piet Mondrian 1911 Evolution Oil on canvas, triptych, 178 x 85, 183 x 87 5, 178 x 85 cm Reproduced with the permission of
piet - MoMA
Mondrian’s key move toward Neo-Plasticism happened around 1914, when he returned to Holland for the summer There he revisited some of the motifs he had investigated • fig 2 Piet Mondrian Composition with Grid 8: Checkerboard Composi-tion with Dark Colors 1919 Oil on canvas, 33 × 40 in (84 × 102 cm) Haags Gemeentemuseum,
Piet Mondrian: Natural Reality and Abstract Reality (1919)
Piet Mondrian: Natural Reality and Abstract Reality (1919) The cultivated man of today is gradually turning away from natural things, and his life is becoming more and more abstract Natural (external) things become more and more automatic, and we observe that our vital attention fastens more and more on internal things
Piet Mondrian 1872-1944 - Fred Martin
Piet Mondrian was born in 1872 His father was principal of a Dutch Calvinist primary school His uncle was a painter Piet wanted to be an artist, but his family insisted that he be able to support himself and art was too risky And so he got a teaching certificate to teach drawling
Kindergarten Mondrian - Readington Township Public Schools
Piet Mondrian • Piet Mondrian was born in the Netherlands in 1872 • His most famous paintings are rectangles of white and primary colors, dissected by black lines • Escaping in 1940 from a Europe at war, Mondrian spends the last four years of his life in New York City
Mondrian - WordPresscom
Piet Mondrian Auteur : Piet MONDRIAN ( 1872 - 1944) Epoque : contemporaine Nationalité : hollandaise Profession : peintre Mon avis T k m j i Nous avons observé une composition en rouge, bleu, jaune et noir de Mondrian, constituée de lignes qui se croisent et forment des rectangles Nous avons dessiné des toiles
“Always Further:” The Effects of Conviction and the Art of
an integral part of Mondrian’s early years, and it is likely that aspects of this worldview influenced his later interest in and identification with Theosophy 2 1 Hans L C Jaffé, Piet Mondrian (New York: H N Abrams, 1970), 11 2 Virginia Pitts Rembert, Piet Mondrian in the USA : The Artist's Life and Work (Dulles, Va: Parkstone Press
De Stijl, 1917-1928 - MoMA
Plate 4 Piet Mondrian: Composition 1915 Oil on canvas, 34 x 42 " Rijksmuseum Kroller-Miiller, Otterlo, Holland I ' I— I I I , 1 I I Plate 5 Bart van der Leek: Composition No 3 1917 Oil on canvas, 37'/2 x 39 " Rijksmuseum Kroller-Muller, Otterlo, Hollond plus-and-minus style of the same year
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