STELARC
STELARC Issues of identity and alternate, intimate and involuntary experiences of the body, as well as the telematic scaling of experience, are explored in recent performances Technology is inserted and attached The body is invaded, augmented and extended
Prosthetics, Robotics and Remote Existence: Postevolutionary
Stelarc ) physiology that is durable, flexible and capable of functioning in varying at- mospheric conditions, gravitational pres- sures and electromagnetic fields No BIRTH/NO DEATH- THE HUM OF THE HYBRID Technology transforms the nature of human existence, equalizing the physical potential of bodies and standardizing human sexuality
Stelarc
Stelarc never does things by halves The four-metre sculpture and accompanying performance was arguably the Stelarc $6+/(< &5$:)25' highlight of the Lorne Sculpture Biennale in 2011, and re-emerged as a central motif in Stelarc’s 2012 exhibition at Melbourne’s Scott Livesey Galleries last month With the intention to install the ear with a WiFi
Title: Case Study 02 Final Report: Performance Artist Stelarc
According to Stelarc, our long-standing reliance on tools and technology, extending back to the first use of hand tools by early hominids, has transformed the human body into an “increasingly automated and extended” prosthetic In fact, Stelarc argues that the body is an ‘obsolete’ and ‘absent’ entity that ‘performs in the world
Overview Case Study 02: Performance Artist Stelarc
Stelarc himself is responsible for the preservation of records remaining with him However, he does not preserve records related to the construction of technological devices (including all data produced by technologies that may be swallowed by him during performances) These records
STELARC: Posthuman Bodies installation, 2020, FUMA Gallery
STELARC: Posthuman Bodies 24 February – 9 April 2020 List of works Handswriting - Writing One Word Simultaneously with Three Hands Maki Gallery, Tokyo 1982 Keisuke Oki, photographer c-type photograph, printed 2020 52 x 80 cm Propel Lawrence Wilson Gallery, Perth 2016 Steven Alyian, photographer c-type photograph, printed 2020 49 x 80 cm
MEMORY AND IMMORTALITY: FROM PRINCE CHARMING TO STELARC
1882, Gertrude Stein’s Everybody’s Autobiography (1937) and Stelarc’s interactive and technologically-mediated performances They are brought together in the shared time of my cultural analysis to “talk” to each other about memory, mortality, identity and entity, and to highlight the challenges to memory and the body brought
Morphological freedom: what are the limits to transforming
Stelarc Stelarc is an Australian performance artist In the 70s he performed suspensions, where he hung himself from hooks through his skin above streets around the world, but by the 90s he had turned towards extending, invading and changing his body as art Works include (among others) a third arm
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