Roy Lichtenstein: Pop Art 5 Comic Book Style Self-Portraits
Specifically, in 1961, Lichtenstein created Look Mickey, his first cartoon work using Ben-Day dots, a commercial printing style for comic books or illustrations where small, closely spaced, colored dots are combined to create contrasting colors He later exaggerated these dots in his paintings, a technique that came to define his style The
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Rothko Foundation, Inc Roy Lichtenstein, Look Mickey, 1961, oil on canvas, Dorothy and Roy Lichtenstein, Gift of the Artist, in Honor of the 50th Anniversary of the National Gallery of Art Eva Hesse, Test Piece for “Contingent” (detail), 1969, latex over cheesecloth, Gift of the Collectors Committee
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Roy Lichtenstein:
Pop Art
Comic Book Style Self-Portraits
How does a cartoon express a self portrait?
How does the dramatic and colorful nature of pop art express emotion?Lesson
LESSON OVERVIEW/OBJECTIVESStudents will learn about the artist and work of Roy Lichtenstein. Lich tenstein (1923-1997) was an American painter who is well known for his pop art depictions of everyday objects . His paintings are instantly recognizable as he often simulated the Ben-Day dot patterns present in the commercial pr inting of comic books, newspapers, andand the comic inspired subject matter. After learning about comics and cartoon faces, in the style of Lichtenst
ein, students will create a comic self portrait.KEY IDEAS THAT CONNECT TO VISUAL ARTS CORE CURRICULUM: Based on Utah State Visual Arts Core Curriculum Requirements (3rd Grade) Strand: CREATE (3.V.CR.) Students will generate artistic work by conceptualizing, organizi ng, and completing Standard 3.V.CR.1: Elaborate on an imaginative idea and apply knowledge of available resour ces, tools, and technologies to investigate personal ideas through the art-making proces s. Standard 3.V.CR.2: Create a personally satisfying artwork using a variety of artistic proce sses and materials.Standard 3.V.CR.3:
equipment for a variety of artistic processes. Standard 3.V.CR.5: Elaborate visual information by adding details in an artwork to enahnce meaning.IRUWKHREVHUYHUDVZHOODVWKHFUHDWRU Standard 3.V.R.1: Contemplate about the processes an artist uses to create a work of art,
and determine messages communicated by an image.Standard 3.V.R.2: Analyze use of media to create subject matter, characteristics of form and mood. Standard 3.V.R.3: Evaluate an artwork based on given criteria.
Strand: CONNECT (3.V.CO.) Students will relate artistic skills, ideas and work with persona l meaning and external context. Standard 3.V.C0.2: Recognize that responses to art change, depending on knowledge of the ti me and place in which it was made. LESSON 5 → Page 1Lichtenstein - Pop Art - ComicKimball Art Center & Park City Ed. Foundation
INSTRUCTIONAL OBJECTIVES:
Students will:
Learn about the artist Roy Lichtenstein, his work, and his mature a rt style that was inspired by comic strips. Learn about cartoon portrait drawing.
Understand facial proportions and create a comic self portrait in t he style of Lichtenstein. use of Ben-Day dots.SUPPLIES
• Images and art samples of the work of Roy Lichtenstein. Images and samples of comic books and cartoon faces. Art pencils and markers (red, black, yellow, blue). White paper to sketch out ideas.
Dotted paper and/or dot stamping pens.
VOCABULARY
Benday Dots - Technique. The Ben-Day Dots printing process, named after illustrator and printer B enjamin Day, issimilar to Pointillism. Depending on the effect, color and optical illusion needed, small colored dots are closely-
spaced, widely-spaced or overlapping.Abstract -
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Abstract Expressionism - A development of abstract art that originated in New York in the 1940s and 1950s and
Pop Art - Art based on modern popular culture and the mass media, especially as a critical or ironic comment on Dramatic - Arresting or forceful in appearance or effect.Expressionism
Comics
INSTRUCTIONAL PLAN
Introduction
Before beginning the lesson, introduce students to the idea of cartoon p ortraits and comic strips. Talk about how facial proportions are represented but may be abstracted to create a comic book look while still representing the intended Then move to the work of Roy Lichtenstein and introduce it by showing im ages of his varied artwork including the Girlwith Hair Ribbon, Look Mickey, Drowning Girl amongst others. Highlight the subject matter, size and style of the works.
Give them a few minutes to respond to the images. Encourage comparisons and contrasting statements as well as descriptions of what they see. LESSON 5 → Page 2Lichtenstein - Pop Art - ComicKimball Art Center & Park City Ed. Foundation
INSTRUCTIONAL PLAN CONTINUED
creations. Show students photgraphic images of faces and ask them how t hey might manipulate them to make it moreof a comic rendition in the style of Lichtenstein. Tell students that you will be discussing Roy Lichtenstein, his artwork,
his inspiration for his art and his methods of creating his art. They will be creating their own cartoon self portrait in the
style of Lichtenstein.About the Artist
Roy Lichtenstein (1923-1997) was a American painter who is well known for his pop art depictions of everyda
y objects. His paintings are instantly recognizable as he often simulated the Ben-Day dot patterns present in the approachable because of the minimal primary palette, and the comic inspi red subject matter. rod for criticism of the movement. His early work ranged widely in style and subject matter, and displayed considerable understanding of modernist painting: Lichtenstein would often maintain t hat he was as interested in the abstractqualities of his images as he was in their subject matter. However, the mature Pop style he arrived at in 1961, which
was inspired by comic strips, was greeted by accusations of banality, lack of originality, and, later, even copying. His
high-impact, iconic images have since become synonymous with Pop art, an d his method of creating images, which