KIRCHNER - Art Pane
Ernst Ludwig Kirchner (1880–1938) is widely acknowledged as the greatest artist of German Expressionism Energetic and emotive, Kirchner’s work is characterised by a bold use of colour, dynamic, often angular forms and a primitive vitality In paintings, sculptures, prints and drawings, Kirchner
CHAPTER TWO KIRCHNER’S WORKING PROCESS
Kirchner’s creative evolution can be determined by the reversal of its imagery If Kirchner used one work as a guide (a painting, for example) as he drew his image on a lithographic stone, a woodblock, or a copperplate, the imagery of the composition would be reversed when inked and printed onto paper from one of those matrices
Biography Ernst Ludwig Kirchner 1880-1905
Biography Ernst Ludwig Kirchner 1880-1905 Ernst Ludwig Kirchner was born on 6 may 1880 in Aschaffenburg, where his father, Ernst Kirchner, was working as a chemical engineer in the paper industry His parents had met and married in Gransee in Brandenburg, about 40 miles north of Berlin His mother, a merchant’s daughter, was
E L Kirchner, Czech Cubism and the Representation of the
E L Kirchner, Czech Cubism and the Representation of the Spirit in Portraiture, 1915-1918 Eleanor F Moseman Colorado State University The German Expressionist Ernst Ludwig Kirchner painted the nightmarish vision Self-Portrait as a Soldier in Berlin in 1915 while on leave from artillery training in Halle (Figure 1)
QUICK VIEW - Saylor Academy
Marzella, Ernst Ludwig Kirchner, 1909-1910 Oil on canvas Around the time this picture was painted Kirchner was spending time around the Moritzberg lakes, and the girl depicted was the daughter of a circus artiste's widow that he met there Emblematic of the Die Brücke phase, Marzella is a provocative depiction of a young, pre-pubescent girl
Ernst Ludwig Kirchner, Brücke Program (1906) Ernst Ludwig
Ernst Ludwig Kirchner, "Chronicle of the Brücke" (1913) In 1902 the painters Bleyl and Kirchner got to know each other in Dresden In addition, through a brother, who was a friend of Kirchner's, Heckel joined them Heckel brought along Schmidt-Rottluff, whom he had known back in Chemnitz They all worked together in Kirchner s studio
TITLE: Das Stiftsfräulein und der Tod (The Canoness and Death
ARTIST: Ernst Ludwig Kirchner DATE: Created 1912, Published 1913 SIZE: 9 ¼ x 7 1/16” MEDIUM: Woodcuts on cream hammered laid paper, part of a novella with five pages of illustrations ARTIST’S BIOGRAPHY Ernst Ludwig Kirchner was born in Aschaffenburg, Germany in 1880 He studied architecture at Dresden Technical University from 1901 to 1905 and
MoMA
Ernst Ludwig Kirchner, Gustav Schiefler, Briefwechsel, 1910−1935/1938: Mit Briefen von und an Luise Schiefler und Erna Kirchner sowie weiteren Dokumenten aus Schieflers Korrespondenz-Ablage Stuttgart and Zurich: Belser, 1990 Ketterer, Roman Norbert, ed , with Wolfgang Henze and Claus Zoege von Manteuffel Ernst Ludwig Kirchner: Drawings and
Module 6: Media for Two-Dimensional Art dimensional 1 Drawing
Ernst Ludwig Kirchner, Self Portrait Under the Influence of Morphine, around 1916 Ink on paper This image is in the public domain Graphite media includes pencils, powder or compressed sticks Each one creates a range of values depending on the hardness or softness inherent in the material Hard
31175 LE SelasLinde Brochure US
secondly with the 1948 acquisition of the Ernst Kirchner company based in Hamburg, Germany, and finally with the 1973 signing of a license agreement between Selas Corporation of America and Linde AG Process Engineering and Contracting Division (LPEC) for planning, manufacturing and erection of olefins pyrolysis furnaces This
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