C Press Release Frei Otto Thinking in Models
The innovative potential in Frei Otto’s oeuvre is based on the dramatic inter-disciplinary nature of his thinking that straddles architecture, technology, science and society He consistently addressed the example provided by nature, and throughout his life, tried to make use of it for architecture and engineering
Présentation de l’œuvre
2) Tout au long de sa carrière, Otto Dix a peint des sujets religieux et cette œuvre est précisément présentée sous forme de triptyque Traditionnellement les triptyques avaient une fonction religieuse On les plaçait dans les églises, au-dessus des autels Les peintures ou les sculptures qui y prenaient place avaient des sujets religieux
Œuvre principale : La guerre Otto DIX
Naissance : Otto Dix est né en 1891 en Allemagne Il fait ses études à l'école des Arts décoratifs de Dresde de 1909 à 1914 Quand la guerre éclate, il s'engage comme volontaire dans l'artillerie de campagne L'année suivante, il reçoit une formation de mitrailleur et participe à de nombreuses
OTTO DIX : LA GUERRE (1929-1932)
Otto Dix s’inspire en particulier de l’un des retables les plus célèbres : le retable d’Issenheim (Alsace) peint par Matthias Grünewald (XVIème) Le nom retable vient du latin retro tabula altaris : en arrière d'autel Le retable appartient donc à l’art religieux puisqu’on trouve les retables dans les églises
133 - Monmouth University
Otto has located previously missing works (Brandt’s entire oeuvre is exhibited and published together here for the fi rst time) and pieced together a much more detailed and com-plete biography of Brandt than was previously known Just as noteworthy is the painstaking research Otto undertook in identifying many of the
Otto Dix – le Retable d’Issenheim
Otto Dix – le Retable d’Issenheim Autour de l’exposition consacrée au peintre allemand - Musée Unterlinden de Colmar - 8 10 17 - 30 1 17 Otto Dix, Annonciation, 1950, Technique mixte sur toile, 112 x 122 cm, Collection Particulière Dossier pédagogique réalisé par le service éducatif du Musée Unterlinden
Otto Dix - WordPresscom
Otto Dix est né en 1891 à Géra (Allemagne) et mort en 1969 C'est un peintre allemand de la Nouvelle Objectivité et de l'Expressionnisme Après des études artistiques dans sa jeunesse, Dix, issu d'un milieu ouvrier reçoit une bourse qui lui permet d'entrer à l'École des arts appliqués de Dresde de 1909 à 1914
Correction fiche dactivités Otto DIX
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WAGNER (Otto) 1841-1918 - WordPresscom
WAGNER (Otto) 1841-1918 Article écrit par Harald R STÜHLINGER Prise de vue Témoin des dernières années très agitées de l'empire austro-hongrois, architecte à la croisée de l'historicisme et de la modernité, Otto Wagner fut une force de proposition architecturale qui modela Vienne
DIRIGER À PARTIR DU FUTUR ÉMERGENT : DE L’ÉGO-SYSTÈME À L
Otto Scharmer et Katrin Kaufer Résumé de lecture en français par Solange St-Pierre Pour le hub Rencontres au cœu du Ui (octobre 2016) INTRODUCTION (P 1-27) Le temps est venu pour notre système perturbé de mourir et de renaitre Le système du «moi» et de la onsommation se meut
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Page 1 / 6 C Press Release October 2016 Frei Otto. Thinking in Models Exhibition Duration of the exhibition Sat, 11/05/2016 Sun, 03/12/2017 Location ZKM_Lichthof 8+9 Press release Dominika Szope Manager, Press and Public Relations Tel: 0721 / 8100 - 1220 Regina Hock Consultant, Press and Public Relations Tel: 0721 / 8100 - 1821 Email: presse@zkm.de www.zkm.de/presse ZKM | Zentrum für Kunst und Medien Karlsruhe Lorenzstraße 19 76135 Karlsruhe Project initiators of the exhibition Supported by Sponsors of the ZKM Partners of the ZKM Mobility partners Sat, 11/05/2016 - Sun, 03/12/2017 Frei Otto. Thinking in Models ZKM_Lichthof 8+9 -- The exhib ition will open on Friday, 04/11/2016 at 7.00 pm. The pres s conference will take place on Thursday 11/03/2016 at 11.00 am. -- Frei Otto (1925-2015) is one of the best known and most innovative international German architects of the 20th century and is a key figure in the architectural culture of the federal s tate of Baden -Württemberg. In 2015 he was awarded the Nobel Prize for Architecture for his work, also known as the Pritzker Prize, and is the highes t honor for architecture in the world. The bi ggest exhibition on the oeuvre of Frei Otto is a shared project between the Archive of South West Germany fo r Archite cture and Engineering (saai) of the KIT and the Wüstenrot Foundation in cooperation with ZKM | Karlsru he. Projects that ar e both known and completely unknown are presented. The material encompasses over 200 models, approximately 1,000 photos, drawings, sketches, plans and films as well as a large-scale media projection. In the 1950s Frei Otto was a major presence at garden shows with his marquee designs, offering the emerging West Germany a diversion from its post-war reconstruction. In 1964 he founded the Institute for Lightweight Structures at Stuttgart Technical University, which he made into one of the leading research ins titutes for environmentally aw are architecture and engineering sciences in the world. The newly open Germany With the German Pavilion at the Expo 1967 in Montreal, which he realized with architec t Rolf Gutb rod, he created a symbol fo r the new ly open Germany. This impression was further strengthened by the roof-scape for the 1972 Olympic Games in Munich, which he created together with the architects Behnisch & Partne rs. Over the following d ecades O tto participated in the completion of numerous buildings such as the Multihalle in Mannheim, which was designed by the architects Carlfried Mutschler + Partner in 1975. The Multihalle remains the biggest free-standing wooden lattice construction in the world, and was awarded heritage status due to its sophist icated, materials-minimizing construction in 19 98. Several surveys plan to subj ect the "wonder of Mannhe im" to a general refurbishment. The partial upkeep of the hall and its dismantling are presently being discussed. In 1997, together with Frei Otto, the architects Ingenhoven, Overdiek, Kahlen and Partners won the competition for the refurbishment of Stutt gart Central Railway Statio n. Otto designed the
Page 2 / 6 C Press Release October 2016 Frei Otto. Thinking in Models Exhibition Duration of the exhibition Sat, 11/05/2016 Sun, 03/12/2017 Location ZKM_Lichthof 8+9 Press release Dominika Szope Manager, Press and Public Relations Tel: 0721 / 8100 - 1220 Regina Hock Consultant, Press and Public Relations Tel: 0721 / 8100 - 1821 Email: presse@zkm.de www.zkm.de/presse ZKM | Zentrum für Kunst und Medien Karlsruhe Lorenzstraße 19 76135 Karlsruhe Project initiators of the exhibition Supported by Sponsors of the ZKM Partners of the ZKM Mobility partners chalice-shaped pillars whic h characterize the ove rall appearanc e of the station. Otto developed the optimum design of the pillars using numerous models. Otto distanced himself from the project in 2009. In the year 2000, Otto designed the Japanese Expo Pavilion in Hanover with the architect Shigeru Ban. Thinking in Models Frei Otto's approac h expresses itself in its wil lingness to experiment, in which methods that straddle architecture, science and art can be found. He developed instrument s for researching self-organizing processes, measurement tables for determining force flows, equipment for researching pneumatic design forms and tools for the analysis of sophisticated network models. His tireless experimentati on with models served the p urpose of researching causal contexts and w as simultaneously part of the form-generating design process. In this way Frei Otto provided the foundation for a cul ture of experimentati on betwee n academic observation and artistic skill which remains relevant to this day - a form of technical-intellectual self-alignment in which design can represent the development of individual knowledge as well as a start ing poin t for a collective discourse on t he future of the built environment. With Frei Otto, the architectural models do not function as "static objects" but as "dynamic objects", or as process models for the entire environment. They embody an "operational aesthetic" (Geor g Vrachliotis) which alternates between the precision of scientific objects and the imagination of artistic instruments. The innovative potential in Frei Otto's oeuvre is based on the dramatic inter-disciplinary nature of his thinking that straddles architecture, technology, science and society. He consistently addressed the example provided by nature, and throughout his life, tried to make use of it for architecture and engineering. The goal of this exhibition is to convey new perspectives on the work of Frei Otto and to serve as a basis for new discussions on the future of the buil t envir onment betw een architecture , technology, sustainability and society. Four central positions The exhibition consists of four central positions which fill each atrium to spectacular effect and guide the visitors through the wide ranging archive material which the Archive of South West Germany for Architecture and Engineering (saai) has prepared especially for this exhibition. 1. "Frei Otto's Model Landscape" All of the models are organized to scale, placed in their content-related and historic context, and presented on an approx. 50-meter-long table construction. The technical and design context of the individual models and
Page 3 / 6 C Press Release October 2016 Frei Otto. Thinking in Models Exhibition Duration of the exhibition Sat, 11/05/2016 Sun, 03/12/2017 Location ZKM_Lichthof 8+9 Press release Dominika Szope Manager, Press and Public Relations Tel: 0721 / 8100 - 1220 Regina Hock Consultant, Press and Public Relations Tel: 0721 / 8100 - 1821 Email: presse@zkm.de www.zkm.de/presse ZKM | Zentrum für Kunst und Medien Karlsruhe Lorenzstraße 19 76135 Karlsruhe Project initiators of the exhibition Supported by Sponsors of the ZKM Partners of the ZKM Mobility partners projects is supplemented by the original plans and detailed picture material. In this way, the researching character and aesthetic continuity in Frei Otto's thinking becomes evident. The visitors gain the impression that they are exploring a "horizontal cabinet of curiosities". 2. "Frei Otto's open archive" A key component of the exhibition is the "open archive". This consists of 18 over-sized archive shelves which are constructed in a circular form around both courty ards and therefore provide the exhibition with spec tacular cohesion. With the use of s elected original plans, photos , books and reproductions, the users are guided through the key events in the life of Frei Otto - the Development Institute for Lightwe ight Building in Berlin , the world-famous Institute for Lightweight Structures in Stuttgart and his studio in Warmbronn, to ground breaking projects like the German Pavilion for the Expo 67, the Multihalle in Mannheim and his initial research into Stuttgart 21. The shelves of the archive function as a freely accessible storage area and a place of knowledge that straddles presentation and storage. 3. "Frei Otto's Cosmos" Throughout his life, Frei Otto collected and archived photographs o f structures from the natural world. They served as a source of inspiration and free association to him and were also definitive source of research. The key facto r in this respect is that F rei Otto consis tently addressed the example provided by nature and tried to make use of it for architecture and engineering. At 18 tables - which are inspired by the tables in Frei Otto's studio in Warmbronn - visitors are able to see lar ge-format photos of studies of nature, sp iders' web s, sand structures and soap bubb les. A sophisticated world of images is opened to them which provides insights into the poet ic and scientif ic cosmos of Frei O tto's though ts and imagination. 4. "Frei Otto's Projection" Frei Otto's innovative potential is based on the dramatic inter-disciplinary nature of his thinking that straddles architecture, technology, science and society. The image and technical media dimension play a major role in this respect. In a projection which is over 2 5 meters in size, this thinking is conveyed in terms of it s aesthetics and power of media-based visual expression. ///Publication A de tailed publication by Spec tor Books has also been published to coincide with the exhibition: Frei Otto. Denken in Modellen, approx. 450 pages, EUR 48. ///To accompany the exhibition SAVE THE DATE
Page 5 / 6 C Press Release October 2016 Frei Otto. Thinking in Models Exhibition Duration of the exhibition Sat, 11/05/2016 Sun, 03/12/2017 Location ZKM_Lichthof 8+9 Press release Dominika Szope Manager, Press and Public Relations Tel: 0721 / 8100 - 1220 Regina Hock Consultant, Press and Public Relations Tel: 0721 / 8100 - 1821 Email: presse@zkm.de www.zkm.de/presse ZKM | Zentrum für Kunst und Medien Karlsruhe Lorenzstraße 19 76135 Karlsruhe Project initiators of the exhibition Supported by Sponsors of the ZKM Partners of the ZKM Mobility partners ANNEXE Archive of South West Germany for Architecture and Engineering (saai) The Archive of West Germany for Architecture and Engineering (saai) was founded in 1989 as an institute o f the University o f Karlsru he (TH) - Karlsruhe Institute for Technology. Over the course of the last 26 years, it has become one of the most important and biggest architectural collections in Germ any. It has been managed by Georg V rachliotis , Professor for Architectural Theory at KIT since 2014. The collecti on currently features over 500,000 plans, drawings and sketches, 600,000 photos, slides, negatives, film an d sound recordings, approx. 900 models, individual items of furniture and a large collection of periodicals and books. The work of over 230 architects, engineers, building historians, architectural photographers and landscape archi tects i s documented who primar ily originated from south west Germany and have worked all over the world. The collections range from the 18th century until the present day. The key focus of the collection, however, is the second half of the 20th century. The collection is home to the archi ves of wo rk by Egon Eierman n, Fritz Leonhardt, Rolf Gutbrodt, Günter Behnisch and Frei Otto. The Wüstenrot Foundation Since 1990, the Wüstenrot Foundation ha s been wor king on a charitable basis, exclusively an d directly in the p reservation of monuments, science, research, education, art and culture. As an active foundation it initiates, conceptu alizes and realizes projects a nd also supports the implementation of outstanding ideas and projects by other institutions through the provision of financial assistance. All the work of the Wüstenrot Foundation is based on two principles: on the one hand, the search for the right way of approaching our cultural heritage, and on the other, the search for ways in which our community can succes sfully rise to the challenges of the future. On e of its key points of thematic focus is the preservation and maintenance of tangible and intangible cultural assets and the securing and anchoring of cultural achievements in the folk memory. In this respect, it is keen to focus on the cultural assets of the second h alf of the 20th century, as their preservation is often still in ques tion, which m akes such as sets particularly vulnerable. The Wüstenrot Foundation therefore assists with the maintenance of outstanding historical buildings in its monuments program and researches historic construction materials and
Page 6 / 6 C Press Release October 2016 Frei Otto. Thinking in Models Exhibition Duration of the exhibition Sat, 11/05/2016 Sun, 03/12/2017 Location ZKM_Lichthof 8+9 Press release Dominika Szope Manager, Press and Public Relations Tel: 0721 / 8100 - 1220 Regina Hock Consultant, Press and Public Relations Tel: 0721 / 8100 - 1821 Email: presse@zkm.de www.zkm.de/presse ZKM | Zentrum für Kunst und Medien Karlsruhe Lorenzstraße 19 76135 Karlsruhe Project initiators of the exhibition Supported by Sponsors of the ZKM Partners of the ZKM Mobility partners constructions, preservation and restoration possibilities, as well as historical trends in architecture. It also supp orts museums and collections with the collection, development, researching, conservation and restoration of their collections, encouraging them to remove them from their archives and make them accessible to the genera l public. Cultural heritage therefore serves as a point of reference and frequently provides orientation for future developments.
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