[PDF] SoW for Component 3 (AoS A) and Component 1 (Composition WCT

Minuet Oxford Reference Online

Pas de menuet always begin with the right foot Both Rameau and Tomlinson describe the two most commonly used steps: the pas de menuet à deux mouvements and the pas de menuet à trois mouvements Each pas de menuet takes two measures of 3/4 time The

Structure & Style: the Study and Analysis of Musical Forms

-20th Century use of antecedent-consequent phrase structure-at 2’ 29” on Spotify Monday, August 27, 12 Chapter 5 Menuet-Ex 98 Brahms Symphony No 1, III

Influences of the Early Eighteenth-Century Social Minuet on

Sep 18, 2014 · version of the menuet, the menuet ordinaire An examination of eighteenth- century dance treatises reveals that the practical necessity of the minuet is not a particular type of phrase structure, as is commonly believed, but rather the presence of consistently maintained metrical levels above the notated metre in

SoW for Component 3 (AoS A) and Component 1 (Composition WCT

- Structure in Haydn 104 (third movement) Start with at basic minuet structure (compare to simple Minuet) and relate to Haydn 104 (discuss closely related keys) Comparing A section iterations in Minuet Rounded binary in Trio Tonal relationship to Trio (flat submediant) Motivic structure

Classical Part 1 - DANIEL NISTICO

The Minuet and Trio creates a ternary form structure: Minuet - Trio - Minuet - The Minuet is an elegant and graceful dance in triple time - The Trio gets its name because it traditionally used three instruments

GCSE Music AOS 1 –Musical Forms and Devices

The structure for the Minuet and Trio can be loosely classed as ternary form, with each section (minuet and trio) in binary form The texture is melody and accompaniment = Homophonic

QUICK SHIP BROADLOOM - J+J Flooring Group

STRUCTURE 1806 spandrel 1801 pilaster 1800 camber 1804 truss (above) Impulse III Speak Your Mind (top right) Structure Pilaster (bottom right) Tone Pitch TONE 1756 prelude 1757 minuet 1752 pitch 1758 finale QUICK SHIP BROADLOOM 7

[PDF] forme scherzo

[PDF] forme sonate

[PDF] forme aba

[PDF] forme strophique

[PDF] forme menuet trio

[PDF] nos gestes au quotidien pour protéger notre environnement l'eau

[PDF] texte argumentatif sur la protection de l'environnement

[PDF] trouver l'infinitif d'un verbe conjugué cm1

[PDF] exercice verbe infinitif ou conjugué

[PDF] trouver l'infinitif d'un verbe ce1

[PDF] comment trouver l'infinitif d'un verbe ce1

[PDF] trouver l'infinitif d'un verbe ce2

[PDF] l'infinitif du verbe

[PDF] donner l'infinitif d'un verbe

[PDF] not definition

SoW for Component 3 (AoS A) and Component 1 (Composition - WCT pastiche) (4 weeks - 3 lessons a week)

Component 3

Area of Study A (Q12 Haydn 104, third movement / Q14 Development of orchestra Essay) Component 1

Composition 1 (WCT pastiche)

- Brief Intro to symphony - Listen to Minuets and discuss changes to Minuet and to orchestration x Corelli (publ. 1712); Stamitz Op 3/2 (1750); Haydn 104 (1794); Beethoven III (1804);

Tchaik V (from 0'58) (1888)

- Structure in Haydn 104 (third movement) x Start with at basic minuet structure (compare to simple Minuet) and relate to Haydn

104 (discuss closely related keys)

x Comparing A section iterations in Minuet x Rounded binary in Trio x Tonal relationship to Trio (flat submediant) x Motivic structure x Hemiola and other rhythmic

Chromatic Chords

- Diminished sevenths and secondary dominants x Lots of whiteboard work x Haydn 104 17-20 tonic to rel. via dim 7, x 104 Trio - tonic to dominant via s.d. onto ii of F x Haydn Surprise p. 22 G-D via secondary dominant x Schubert (from Minuet book?) p. 32 dim 7 in same key - Augmented sixths and Neapolitans x Look at link back to minuet - Dominant Pedals in Minuet and Trio

Essay Preparation

- Prepare for Dev. Of Orch (Essay Topic F) x LVB 3, 6 & 9, Berlioz SF, Strauss Don Juan, Mahler 2 x Haydn and Stamitz and Wagenseil writing for brass. - Third movements (Essay Topic D) x Stamitz, Haydn 47 & 94, LVB 3, Berlioz SF, Tchaik 5 & 6, Mahler 2 - Haydn and Humour (narrative) x Haydn 33/2 (listen with eyes closed to spot end start 2.19) x Haydn Minuet from Symph 47. (also locate a V6/5 and what two notes are horn in G playing in first bar) x Op. 20/1 - look at false recap (where would we expect go at this point versus where we do go) x Rests in Minuet and Trio (and beginning of trio tonal feint to D minor)

Orchestration Exercise

Arrange Minuet Haydn IX20n8 (keyboard) copying the orchestration of minuets, which first need careful analysis and description:

1. Stamitz Op. 5

2. Filtz Symphonie Periodique

3. Haydn 104.

Minuet for String Quartet (extension - add horns/woodwind) Write a minuet A section. It should be an 8-bar period in 3/4 and in a major key. In the antecedent it must modulate to the dominant via a secondary dominant onto ii (like the first part of the trio) Write a minuet B section. Start the B section with a brief circle of fifths and then proceed to a dominant pedal (use harmonies from www.alevelmusic.com notes on dominant pedal) Re-write A section as a reprise without the modulation.quotesdbs_dbs6.pdfusesText_12