957 From the Editor’s Desk C - The French Review
1930s Desnos returns to fixed verse and reflects increasingly on mortality, so that, by the 1940s, poems like the foreboding sonnet “Crépuscule d’été” anticipate his death as part of everyday reality in a politically fraught time In his final writings Rrose Sélavy returns as the ghostly, uncannily embodied figure of
Ion desnos I - JSTOR
erist aphorisms of Rrose Selavy (1923) demonstrate Untransla table?like the title itself: "Eros, c'est la vie"?they virtually exhaust the possibilities of punning in French To read them is like listening to an hour of Groucho Marx playing on "ice water" and "eyes water" or Groucho and Chico doing the " viaduct-vy-a-chicken" routine or, maybe
La poétique de Robert Desnos : « un chapitre des
titre équationnel: «Rrose Sélavy» dont la copule (c'est) reste active tout au long, en plus de générer d'autres règles, comme ces faux pluriels : 71 Rrose Sélavy au seuil des deux porte le deuil des dieux Cette lecture de gauche à droite et de droite à gauche ne se réduit pas à un pétrissement ludique du langage Les règles
Introduction to Philosophy Through Art, Design, and Film
Duchamp: Belle Haleine; Man Ray: Photograph of Rrose Sélavy; Robert Desnos: "Rrose Sélavy"; Dorothea Tanning: Rêve T H E P O L I T I C S O F A E S T H E T I C S ( P A R T I ) Readings: Walter Benjamin: "The Work of Art in the Era of its Technical Reproducibility," The Selected Writings of Walter Banjamin (Vol II): Harvard Belknap
Preliminary Inventory Susan Fetherston Frazer Papers
Desnos’ life and artistic endeavors, Wesleyan memorand a, several typewritten French and English Frazer essays on Desnos’ Rrose Selavy, further writing on Desnos and Marcel Duchamp, newspaper clippings, and a Xeroxed copy of Desnos’ Corps et biens (including Rrose Selavy) Sonya Sternlieb, Nov 4, 2016
Robert Desnos - med
pokusil ztvárnit a nazval ji Rrose Sélavy (smyšlený přepis „c’est la vie“, česky „to je život“) Cyklus básní pod pseudonymem Rrose Sélavy publikoval Desnos v revue Littérature Vyšly zde prózy Pénalités d’Enfer (Tresty pekla), Rèves (Sny), Comptes rendus des séances d’hypnotisme (Zpráva o hypnotických seancích)
Extrait de la publication
textes « automatiques» de Rrose Sélavy à la Complainte de Fantomas et aux Chan-tefables, en passant par les grands poèmes lyriques épars dans tous ses recueils, on peut dire que l'ceuvrede Desnos représente et résume toutes les tendances de la poésie contemporaine
October 2009 From the Editor - The French Review
Finally, in April, there is a moving and sensitive article “Rrose Selavy’s Ghosts: Life, Death, and Desnos ” Desnos uses images of the commonplace and advertising in his early one-line poems to display the very logic the Surrealists were trying out to undermine con-ventional notions of reality
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