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The Collecting Impulse-PUBLIC

Domenico Remps Cabinet of Curiosities (1690s) FRIDAY, MARCH 8, 2013 Keynote Address 5:30PM Krannert Art Museum, Rm 62 Respondent: Prof Prof Bill Brown Karla Scherer Distinguished Service Professor in American Culture, University of Chicago “Redemptive Reification: Gathering” “Can’t See the Forest for the Xylothek:



Places where creation does a little work on itself

Domenico Remps, Cabinet of Curiosities 7 entire field of anatomy, before it split off to become a scientific discipline, was deeply im-bricated in artistic practice



Kepler’s Mysterium Cosmographicum: A Bridge Between Art and

Figure 3: Detail from the painting “Cabinet of Curiosities” by Domenico Remps, in the Opificio delle Pietre Dure, Florence Though painted in the 1690’s, it illustrates the style of renaissance Kunstkammers Art, Perspective, Geometry and Platonic Solids Throughout the 15th Century



a d T o S - Penguin Random House Verlagsgruppe

Domenico Remps (?), Art Cabinet, second half of the seventeenth century Opificio delle Pietre Dure, Florence 7 This was the judgment made by an Italian sculptor



and Creative Activity Symposium - Rhodes College

particularly admire Domenico Remps’, Cabinet of Curiosities for its “deceptive” qualities and use of the trompe l’oeil technique, yet it is always discussed in the same context as other Cabinet of Curiosities from the early eighteenth century Dutch genre If one tries to separate this work from its contemporaries, however, I believe



HISTORY - cacdocentsorg

Domenico Remps, Cabinet of Curiosities, c 1689 Ole Worm, “Musei Wormiani Historia”, frontispiece from Museum Wormianum, 1655 Peale Museum, c 1813 Charles Willson Peale, The Artist in His Museum, self-portrait, 1822



Art and Illusions

The Scarabartolo attributed to Domenico Remps JAN MUYLLE An itinerary throuoh architectural illusionism in the 17th and 18th centuries 11 21 33 47 75 99 111 119 137 181 201 219 241 259 273 285 299 307 317 FAUZIA FARNETI True masters: trompe l'œil in America MARK D MITCHELL Catalogue I In the footsteps of Zeuxis and Parrhasius ll



inside front cover

26 Domenico Remps 27 Hubert Robert 28 Johannes Rosenhagen 29 Cornelis Schut 30 Aernout Smit 31 Pieter Willemsz van der Stock & Willem Cornelisz Duyster 32 Herman van Swanevelt 33 Pieter Tillemans 34 Jacob Toorenvliet 35 Jacob van der Ulft 36 Lucas van Valkenborch 37 Pieter Cornelisz Verbeeck 38 Jacob Johann Verreyt 39 Gaspare

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