Stalingrad re-imagined as mythical chronotope: Fedor
In this article, I maintain that IMAX 3D Stalingrad (2013) by Fedor Bondarchuk takes the mythologization of Stalingrad to an entirely new level in order to create an innovative national myth for contemporary Russia The film not only incorporates the traditional Soviet Stalingrad myth of ‘a sacred battle’, but also shapes the city
REPRESENTATION OF THE NAZI ENEMY IN FYODOR BONDARCHUK S 2013
representation of the Nazi figure in Stalingrad generated the divided discourse it did by conducting a thematic analysis of a corpus of film reviews published online between September and November 2013 In doing so, this thesis identifies a memory war, in which
MA Thesis - ut
Example of Film Stalingrad (2013) Laura Roop According to cultural memory theory, cultural tools such as texts and symbols transmit the knowledge of meaningful historical events to groups These cultural tools reproduce history by cultivating narratives that are relevant in a given time, and thus reflect the ongoing concerns over memory
national idea in popular culture surrounding
Stalingrad (Stalingradskaia bitva, 1949), Iurii Ozerov’s Stalingrad (1989), and, more recently, Sergei Ursuliak’s 2012-2013 television adaptation of Vasilii Grossman’s novel Life and Fate (Zhizn' i sud'ba, 1950-59) These works help buffer a national idea in popular culture surrounding Stalingrad, reenacting the historical battle like a
The Myth of Stalingrad in Soviet Literature, 1942-1963
Fedor Bondarchuk’s 2013 blockbuster film Stalingrad, for example, smashed box office record, while the public had mostly ignored other state-sponsored World War Two blockbusters The film’s release prompted a wide and visceral public debate about the film’s “truthfulness ” 4
Bitva u Stalingradu
Klíčová slova: Bitva u Stalingradu, Stalingrad, Film Annotation The Battle of Stalingrad in Film The Battle of Stalingrad is presented in this bachelor thesis from a historical, literary and cinematographic perspective There are discussed several movies about the battle in this thesis These movies were made in different times
Lesson Plans and Resources for Twelve Years A Slave
Stalingrad as the Soviet insistence that that battle be fought Without it, the world, not just the Russian citizen, would have asked, “Why did we not fight?” And so as we come away from 12 Years a Slave, one persistent question is: why has this film not been made before? Why have we been waiting? And what were we waiting for,
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