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Language through Art: An ESL Enrichment Curriculum (Beginning

Reproduction of A Calm at a Mediterranean Port, Claude-Joseph Vernet Reproduction of A Storm on a Mediterranean Coast, Claude-Joseph Vernet Information for Teaching about A Calm at a Mediterranean Port, Claude-Joseph Vernet Information for Teaching about A Storm on a Mediterranean Coast, Claude-Joseph Vernet



Declarative Sentences 71 Declarative Sentences

Declarative Sentences 71 STUDENT HANDOUT Fill in each speech bubble below with the appropriate sentence: A Calm at a Mediterranean Port by Claude-Joseph Vernet LANg



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Claude-Joseph Vernet, Avignon 1714 – Paris 1789 A View of Avignon from the right bank of the Rhône Signed and dated lower left: Joseph Vernet f / 1757 Oil on canvas, 99 x 182 7 cm Condition: good Provenance Commissioned by Louis-Gabriel Peilhon (1770-1763), sécretaire du roi, rue



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Port of Marseille by Claude-Joseph Vernet, 1754 Vernet was commissioned by the French king to paint the military and commercial seaports of France What characteristic activities of a com-mercial port are included here? What information about the past could histo-rians learn from this painting?



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Claude Joseph Vernet, Port de Bordeaux du côté des Salinières, 1758, Musée national de la Marine Les lignes de fuite La Place royale Elle est la première brèche dans les remparts du Moyen Âge et est destinée à servir de somptueux écrin à la statue équestre, détruite à la Révolution, du roi de France Louis XV



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Séance 4 : HDA, Claude Joseph Vernet, Port de Bordeaux Compétences : • Je mets en perspective une œuve d’at Consignes : A partir de tes connaissances, reprends l’analysede l’œuvede Claude-Joseph Vernet et réponds à la question indiquée QUIZ DE CONNAISSANCES : Je réalise le Execices d’app ofondissement QCM DE CONNAISSANCES »



Exercices 1) Relisez le cours et observez le tableau pour

63 par 1 m 65), réalisé par Claude Joseph Vernet en 1758 et actuellement conservé au musée de la Marine à Paris b) Quel port est représenté ? Le port représenté est une partie du port de Bordeaux dans le Sud-Ouest de la France, au bord de l'Océan Atlantique c) Quel type de commerce exerce-t-il ?

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Language through Art: An ESL Enrichment Curriculum (Beginning) Information for Teaching

A Calm at a Mediterranean Port

© 2012 J. Paul Getty Trust

Claude-Joseph Vernet (French, 171489)

1770

Oil on canvas

44 1/2 x 57 3/8 in.

2002.9.2

Background Information

He has stolen Nature's secret; whatever

she produces, Vernet can re-create.

Denis Diderot, reviewing the Salon of 1763

In brilliant detail, Claude-Joseph Vernet captured in this painting the gorgeous weather and leisurely activities of a day by the sea. Fishermen clean the day's catch on a stone pier while several people chat nearby, one of them pointing toward the large ship in the bay. Meanwhile, a man sits and smokes his pipe, the tobacco glowing a bright red. A cumulus cloud, perhaps the remnant of a distant storm, towers to the left of the setting sun. Warm tones of red, orange, and yellow predominate, suggesting a hazy sunset after a bright day. I n A Calm, Vernet portrayed a completely peaceful scene in striking contrast to its pendant, A Storm on a Mediterranean Coast. Taken together, the two works show, on the one hand, nature's benevolence, and, on the other, nature's fury.

About the Artist

Claude-Joseph Vernet (French, 171489)

A coach painter's son, Vernet first studied with his father, then with a painter in Aix-en-Provence in France. Supported by some of the region's art patrons, the young artist went to Rome in

1734. From 1746 until his death, he regularly sent pictures to the Salon, where they were

enthusiastically received. Returning to France in 1753, Vernet became a full member of the Académie Royale. His fame was assured when Louis XV commissioned him to paint a series of ports of France. Assisted by Pierre-Jacques Voltaire, Vernet traveled around France for nine years. After 1762 , he settled in Paris and painted highly successful storm scenes, shipwrecks, and moonlit night pieces.

© 2012 J. Paul Getty Trust.

Language through Art: An ESL Enrichment Curriculum (Beginning) Lesson Plan

Places: OutdoorsThe Sea

© 2012 J. Paul Getty Trust

Grades: K-12, Adult Learners

Subjects: Visual Arts, English-Language Arts, ESL

Time Required: Single Class Lesson

1-hour class period

Author: J. Paul Getty Museum Education Staff

Lesson Overview

This lesson focuses on different exterior spaces depicted in works of art. Students practice using vocabulary associated with the weather and how people react to the sea. Activities in this section teach students about some of the elements of art (color and line), adjectives, and two kinds of sentences (declarative and imperative).

Learning Objectives

Students will be able to:

write declarative sentences related to what figures are doing in a work of art. write imperative sentences related to what figures are doing in a work of art.

Featured Getty Artworks

A Calm at a Mediterranean Port by Claude-Joseph Vernet

A Storm on a Mediterranean Coast

by Claude-Joseph Vernet

Materials

Reproduction of A Calm at a Mediterranean Port, Claude-Joseph Vernet Reproduction of A Storm on a Mediterranean Coast, Claude-Joseph Vernet Information for Teaching about A Calm at a Mediterranean Port, Claude-Joseph Vernet Information for Teaching about A Storm on a Mediterranean Coast, Claude-Joseph

Vernet

Teacher Resource: "Art Vocabulary"

Paper and pencils

One sheet of transparency film

Dry-erase marker

Student Handout: "Declarative Sentences/Imperative Sentences"

© 2012 J. Paul Getty Trust.

Language through Art: An ESL Enrichment Curriculum (Beginning) Lesson Plan

Places: OutdoorsThe Sea

© 2012 J. Paul Getty Trust 2

1. Introduce students to different types of lines by illustrating them on the board:

thin lines, thick lines, squiggly lines, straight lines, curved lines, vertical lines, horizontal lines, diagonal lines, long lines, dotted lines. For example: 炒 As you introduce the word, you can have students draw the line in the air with their finger.

2. Remind students about directional phrases (right and left, as well as top, bottom, center,

etc.). Pass out paper and pencils and instruct students to draw different types of lines on their paper in response to your directional phrases. Examples: Draw a vertical line in the center of the paper. Draw a horizontal line to the left of this line.

3. Show students an image of A Calm at a Mediterranean Port. Ask students to share what

they see in the painting. Ask students to discuss what they think is happening on a calm day by the Mediterranean Sea. If necessary, discuss the definition of a sea. If possible, locate the Mediterranean Sea on a map. (See the Information for Teaching about A Calm at a Mediterranean Port by Claude-Joseph Vernet.)

4. Show students an image of A Storm on a Mediterranean Coast. Ask students to share

what they see. Ask students to discuss what they think is happening on a stormy day by the Mediterranean Sea. Tell students that the artist meant for the two paintings to be shown together. They are the same size and depict two views along the Mediterranean Sea. (See the Information for Teaching about A Storm on a Mediterranean Coast by

Claude-Joseph Vernet.)

5. Ask students to think about how the people are responding to one another in each of the

two paintings. Ask students also to think about how the sea is causing the people's reactions in each painting. Point out the lines in both paintings and describe how they help "tell" the story of the painting. For example: A Calm has a lot of horizontal and vertical lines (and the people are calmly interacting with each other), while the sharp diagonals of A Storm help to illustrate the chaos of the scene (where the people are excitedly gesturing to each other). You can place a transparency over the image and use a dry-erase marker to demonstrate this point, as illustrated in the following examples:

© 2012 J. Paul Getty Trust.

Language through art

John, Fourteenth Lord Willoughby de Broke, and His Family his, her, its, their)

John Peyto looks at

his son George.

StuDent hanDout

Language through Art: An ESL Enrichment Curriculum (Beginning) Lesson Plan

Places: OutdoorsThe Sea

© 2012 J. Paul Getty Trust 2

Lesson Steps

1. Introduce students to different types of lines by illustrating them on the board:

thin lines, thick lines, squiggly lines, straight lines, curved lines, vertical lines, horizontal lines, diagonal lines, long lines, dotted lines. For example: 炒 As you introduce the word, you can have students draw the line in the air with their finger.

2. Remind students about directional phrases (right and left, as well as top, bottom, center,

etc.). Pass out paper and pencils and instruct students to draw different types of lines on their paper in response to your directional phrases. Examples: Draw a vertical line in the center of the paper. Draw a horizontal line to the left of this line.

3. Show students an image of A Calm at a Mediterranean Port. Ask students to share what

they see in the painting. Ask students to discuss what they think is happening on a calm day by the Mediterranean Sea. If necessary, discuss the definition of a sea. If possible, locate the Mediterranean Sea on a map. (See the Information for Teaching about A Calm at a Mediterranean Port by Claude-Joseph Vernet.)

4. Show students an image of A Storm on a Mediterranean Coast. Ask students to share

what they see. Ask students to discuss what they think is happening on a stormy day by the Mediterranean Sea. Tell students that the artist meant for the two paintings to be shown together. They are the same size and depict two views along the Mediterranean Sea. (See the Information for Teaching about A Storm on a Mediterranean Coast by

Claude-Joseph Vernet.)

5. Ask students to think about how the people are responding to one another in each of the

two paintings. Ask students also to think about how the sea is causing the people's reactions in each painting. Point out the lines in both paintings and describe how they help "tell" the story of the painting. For example: A Calm has a lot of horizontal and vertical lines (and the people are calmly interacting with each other), while the sharp diagonals of A Storm help to illustrate the chaos of the scene (where the people are excitedly gesturing to each other). You can place a transparency over the image and use a dry-erase marker to demonstrate this point, as illustrated in the following examples: Language through Art: An ESL Enrichment Curriculum (Beginning) Lesson Plan

Places: OutdoorsThe Sea

© 2012 J. Paul Getty Trust 3

A Calm at a Mediterranean Port by Claude-Joseph Vernet A Storm on a Mediterranean Coast by Claude-Joseph Vernet

© 2012 J. Paul Getty Trust.

Language through art

John, Fourteenth Lord Willoughby de Broke, and His Family his, her, its, their)

John Peyto looks at

his son George.

StuDent hanDout

Language through Art: An ESL Enrichment Curriculum (Beginning) Lesson Plan

Places: OutdoorsThe Sea

© 2012 J. Paul Getty Trust 4

6. Tell students that a declarative sentence is one that declares something (makes a

statement). Review the present progressive by forming declarative sentences using the following sentence frame: I am _______________. You can demonstrate by using physical motions. Examples: I am thinking

7. Distribute the student handout "Declarative Sentences/Imperative Sentences" and have

students fill in the speech bubbles on the front of the handout with the appropriate declarative sentences.

8. Tell students that an imperative sentence is one that orders someone to do something (gives a command). You can demonstrate this kind of sentence by having students

respond to ordinary classroom commands. Examples: Open your books. Sign your name. Imperative sentences can be followed by an exclamation mark if they are expressing strong emotions. Examples: Sit down! Be quiet!

9. Have students turn the handout over and fill in each of the speech bubbles with the appropriate imperative sentence. This exercise will reinforce the chaos of A Storm

versus the tranquillity of A Calm.

Extensions

Have students recall a time when they were in a storm and describe the experience to a partner. Have student volunteers stand in front of the class and take the pose of the characters speaking in one of the paintings. Invite each student to speak aloud the sentence he or she wrote for his or her character.

Standards Addressed

Common Core Standards for English Language Arts

Grades K5

SPEAKING AND LISTENING

K.1 Participate in collaborative conversations with diverse partners about kindergarten topics and text with peers and adults in small and larger groups. K.6 Speak audibly and express thoughts, feelings, and ideas clearly.

1.3 Ask and answer questions about what a speaker says in order to gather additional

information or clarify something that is not understood.

1.4 Describe familiar people places, things, and events, with relative details expressing ideas

and feelings more clearly.

2.3 Ask and answer questions about what a speaker says in order to clarify comprehension,

gather information, or deepen understanding of a topic or issue.

2.4 Tell a story or recount an experience with appropriate facts and relevant, descriptive details,

© 2012 J. Paul Getty Trust.

Language through art

John, Fourteenth Lord Willoughby de Broke, and His Family his, her, its, their)

John Peyto looks at

his son George.

StuDent hanDout

Language through Art: An ESL Enrichment Curriculum (Beginning) Lesson Plan

Places: OutdoorsThe Sea

© 2012 J. Paul Getty Trust 5 speaking audible in coherent sentences.

3.3 Ask and answer questions about information from a speaker, offering appropriate

elaboration and detail.

3.6 Speak in complete sentences when appropriate to task and situation in order to provide

requested detail or clarification. (See grade 3 Language standards 1 and 3 for specific expectations.)

4.3 Identify the reasons and evidence a speaker or media source provides to support particular

points.

4.6 Differentiate between contexts that call for formal English (e.g., presenting ideas) and

situations where informal discourse is appropriate (e.g., small-group discussion); use formal English when appropriate to task and situation. (See grade 4 Language standards 1 and 3 for specific expectations.)

5.1 Engage effectively in a range of collaborative discussions (one-on-one, in groups, and

teacher-led) with diverse partners on grade 5 topics and texts, building on others' ideas and expressing their own clearly.

5.3 Summarize the points a speaker or media source makes and explain how each claim is

supported by reasons and evidence, and identify and analyze any logical fallacies.

LANGUAGE

3.1 Demonstrate command of the conventions of standard English grammar and usage when

writing or speaking.

3.6 Acquire and use accurately grade-appropriate conversational, general academic, and

domain-specific words and phrases, including those that signal spatial and temporal relationships (e.g., After dinner that night we went looking for them).

4.6 Acquire and use accurately grade-appropriate general academic and domain-specific words

and phrases, including those that signal precise actions, emotions, or states of being (e.g., quizzed, whined, stammered) and that are basic to a particular topic (e.g., wildlife, conservation, and endangered when discussing animal preservation).

5.2 Demonstrate command of the conventions of standard English capitalization, punctuation,

and spelling when writing.

5.6 Acquire and use accurately grade-appropriate general academic and domain-specific words

and phrases, including those that signal contrast, addition, and other logical relationships (e.g., however, although, nevertheless, similarly, moreover, in addition).

© 2012 J. Paul Getty Trust.

Language through art

John, Fourteenth Lord Willoughby de Broke, and His Family his, her, its, their)

John Peyto looks at

his son George.

StuDent hanDout

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