Home territory Insecurity (see Liars and Object lessons

Sophie Calle, The Sleepers (Les Dormeurs) 1979 Sophie Calle, The Sleepers (Les Dormeurs) 1979 Jeff Wall, Double Self-Portrait, 1979, Durachrome on Lightbox

Sophie Calle Autoritratto allo specchio: abbi cura di te

Sophie Calle Autoritratto allo specchio: abbi cura di te Abstract Nel 2007 il Padiglione della Francia ai Giardini della Biennale di Venezia era occupato da Prenez soin de vous di Sophie Calle L‟opera è basata su un‟e-mail ricevuta dall‟artista dal suo compagno (in cui l‟uomo

La scène du crime (2) - WordPresscom

Sophie Calle : Suite vénitienne INCITATION 1 : 1 Présenter le travail de Sophie Calle 2 Choisissez un personnage fictif : dans votre carnet de détective, dessinez son portrait-robot, essayez plusieurs croquis très rapides de ce personnage 2

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Self-Portraits 50 Gavin Turk -Samuel Fosso -Tim Noble and Sue Webster Michael Landy-Sophie Calle -Gillian Wearing 3, Commissioned and Celebrity Portraits 76 Pierre Bismuth -Dawn Mellor -Candice Breitz -Juergen Teller Steven Klein -Tacita Dean -Annie Leibovitz -Julian Opie -Thomas Struth 4 Social Portraits 114

INTRODUCTION Literature and Art: Conversations and Collaborations

theory The work of installation and concept artist Sophie Calle – a mixture of photography, text, and event – offers responses to such concerns: the constant query of what defines ‘art’, the late twentieth century post-structuralist death of the author, and contemporary identity-related approaches to art and criticism

YARA FLORES - Princeton University

Graham Burnett (the “Love Letter for Émile Javal” series, 2015 forward; “Self-Portrait by a Friend,” 2018) can be read as attempting to stage theatrical dynamics of desire and self-loss The debt to Sophie Calle is obvious enough to be distracting in some cases, and Flores’s weakest efforts get caught in a no-

A STUDY ON THE RELATIONSHIP BETWEEN PHOTOGRAPHY AND BLINDNESS

group of blind people, in which Sophie Calle asked the participants to describe their concept of beauty Following this, Calle photographed these ideas, turning them into images, although on some occasions, the blind participants themselves created these images The photographs, together with the descriptions of the concept of