[PDF] La Jetée en Spirale: Robert Smithson’s Stratigraphic Cinema



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The Spiral Jetty and the Palm Jumeirah: Robert Smithsons Art

It is the objective of this essay to compare an interpretation of Islamic conceptions of time, space and artifact, too the work and writings, particularly the Spiral Jetty, by Robert Smithson and his conceptions of: time, space and artifact I want to make apparent here the use of “interpretation” simply because any discussion of Islam like



La Jetée en Spirale: Robert Smithson’s Stratigraphic Cinema

which he built Spiral Jetty as a kind of anti-monument 1 Persisting, beyond any function, into an incompatible present, these structures do not allow the site to “cohere” into a single time or place The experience of the Spiral Jetty is constituted by an analogous layering or stratification of time: the present is palpably covered



ap09 art history q4 - College Board

possibility of the Spiral Jetty ”2 Smithson began to shape the Jetty using two dump trucks, a tractor, and a large front loader The completed Spiral Jetty is a 1,500-foot coil made of black basalt and earth taken from the site; at the time it was created, it extended 400 feet into the Great Salt Lake It is approximately 15 feet wide and slowly



A Study of the Semiotic Understanding of Land Art

being conveyed (Ghal'eh, 2009; Parker, 2010) The spiral shape of Spiral Jetty is an ecstatic symbol of life in the world of man-made death and beyond which moves relentlessly, yet it is tightly coiled like a snake about to spring (Nadalian, 2011) Semiotic of land art works is the main keyword of the discussion developed in the present study



Table of Contents - UMFA

Spiral Jetty, Gianfranco Gorgoni27 Lesson Plan: Perspectives of Spiral Jetty, Andrea Heidinger 28 Great Salt Lake Landscan, Center for Land Use Interpretation 35 Lesson Plan: The Wave, Nancy Peterson36 Lesson Plan: Sink or Float? Patricia Anderson 38



Robert Smithson and the Anglo-American Picturesque

sculptures and for Spiral Jetty (fig 2) He held the view that an artist must first prove to be an adequate philosopher, must wander the furthest reaches of con-Figure 2 Robert Smithson (American, 1938–1973), Spiral Jetty, 1970 Mud, salt crystals, rocks, water, 457 2 × 4 6 m (1500 × 15 ft ) New York,



Field School on the Frame Itineraries, Interpretation, and

Spiral Jetty by Robert Smithson, Sun Tunnels by Nancy Holt While the extremities of the American West provide a useful and alluring subject and setting to study and crystalize practices, the approaches covered in this course are not specific to any site or region; they can be applied to any landscape, urban or rural THE COURSE



Sun Tunnels, Nancy Holt - UMFA

Another very important artwork, Spiral Jetty, is located on the north shore of Great Salt Lake at Rozel Point It is maybe a better-known example of the genre and probably more-often visited, because its location is not quite as remote as Sun Tunnels Spiral Jetty creator Robert Smithson and Nancy Holt were married until

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