[PDF] The Iliad, Force, and the Soundscapes of War

The Iliad, Force, and the Soundscapes of War

SIMONE WEIL AND “THE POEM OF FORCE” In December 1940 and January 1941, in two issues of the literary maga-zine Cahiers du Sud, the philosopher Simone Weil published, under the pseudonym “Emile Novis,” an extraordinary essay on the Iliad which had been written in the summer and fall of 1940 after the German Reich

THE SPACE OF TRANSCENDENCE: SIMONE WEIL AND HER ART OF

In the space of transcendence: Simone Weil and her art 95 – so many rhetorical devices and linguistic figures, only to express that, which cannot really be expressed literally This might be the reason why so many mys-tics express their faith and spiritual knowledge and experience using via negati-

A Meditation On Suffering

rience if I broke my ankle A myriad of research has linked physical pain to changes in mood and behavior For example, osteoarthritis pain — not unusual in an aging pop - ulation — was documented to create depressed mood because of the increased fatigue and dis-ability osteoarthritis brings to a senior 1 This com -

Imagination: The Forgotten Dimension

rience than as message or meaning The wavelength shared by theology and imagination lies in the whole adventure and joy of self-transcendence in its many forms (The Critical Spirit, p 207) It is not easy to define 'the Catholic imagination' It has to do with a wonderful capacity for seeing into, and beyond, the mystery of what happens

WOMEN JUDGES AND PROSECUTORS ON HUMAN TRAFFICKING AND

makes friendship the “unique good” defined by Simone Weil, inspired by Aristotle The humiliation of the victim, perceived as the withdrawal or rejection of that affirma-tion to exist, harms, first and foremost, at a pre-juridi-cal level, that “being with” others that characterizes any friendship The humiliated person feels looked down on

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with whom Huber felt a deep affinity in his ›involvement‹ phase, this turn was abrupt In returning to his meditative line, Huber has greatly enhanced the

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