Arts & Culture at KCI
Scroll down to “Public Art Opportunities” near the bottom of the page and enter your email address The KCMO One Percent for Art process Celina Curry Gathering, 2015 3rd and Grand Robert Graham Bird Lives, 1999 17th Terrace and Vine
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Case studies: Art, culture and community-engaged design help
example, Dance Place hosted an “art exhibition-style” presentation of the developer’s plans, using the Dance Place personnel as trusted liaisons between a wary neighborhood and the developers Additionally, other stakeholders – like Artspace Projects, the Minneapolis-based nonprofit arts developer that built
Indian Education for All
Chevalier de l’Ordre des Arts et des Lettres by the French government in 1995 In addition to numerous workshops and conferences, Welch taught at both the University of Washington and Cornell University He died of lung cancer in 2003 at his home in Missoula
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pare White Stock on page 512 ) The main dif-ference is that for brown stocks, the bones and mirepoix are browned by roasting Follow these steps for brown stock: 1 Cut the beef or veal bones into 3- to 4-inch pieces 2 Browning is slowed down by moisture, so do not wash or blanch the bones 3 Place the bones one layer deep in a roasting pan 4
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June 29, 2017
For Immediate Release
Contact:
Hugh McDiarmid:
hcmdiarmid@kresge.org 248.660.4300Case studies: Art, culture and
community-engaged design help invigorate neighborhoods in Cleveland, Washington D.C. Pair of reports show how Creative Placemaking can be catalyst for equitable, community-driven developmentThe integration of arts, culture, and community-engaged design into community development has injected
new life into post-industrial neighborhoods in Cleveland, Ohio and Washington, D.C. and thosesuccesses are chronicled in depth in a pair of case studies and companion videos released today by The
Kresge Foundation and Point Forward.
The studies describe how key stakeholders residents, nonprofits, developers, and local government worked together to help invigorate neighborhoods using local creative assets as drivers of positive change. The results are compelling examples of Creative Placemaking the integration of arts, culture and resident-engaged design into community development. The process has helped the neighborhoods address systemic barriers facing low-income residents, and been a bulwark against the displacement thatsometimes occurs when rising property values in rebounding neighborhoods price out longtime residents.
These case studies illustrate how diverse stakeholders in two cities have included Creative Placemaking
in a suite of solutions to foster equitable, community development that reflects the authentic characters
and histories of urban neighborhoods &Culture Program.
Lessons from the case studies can help planners, citizens and developers embrace policies and practices
that foster equitable and sustained development in cities across the U.S. --- more ---The case studies:
North Collinwood neighborhood, where a community development corporation (Northeast Shores) worked with a local arts intermediary (Community Partnership for Arts and Culture CPAC) to inject arts and culture into comprehensive community development with residents, merchants, local artists, and nonprofits. The collaboration recognized and incorporated indigenous cultural assets; integrated artists into the community through property ownership; and initiated small, artist-led community projects. These activities and others helped reverse population decline, rebuild a central commercial corridor including arts businesses and restored positive identity to the neighborhood.Placing local creative assets at the center of the community development activities in North Collinwood,
Northeast Shores and CPAC partnered with local artists and residents in a deliberate process to stabilize
the neighborhood. That included financing mechanisms to help artists buy a home or building for their
business, filling neighborhood vacancies and building a local creative economy. It also included a myriad
of efforts to engage the community in local decision-making using nontraditional engagement tools. Those included supplementing with arts-based activities for families where input and feedback was gathered in non-intimidating ways. -Edgewood neighborhood, where a multi-sector network of partners included a government agency (District of Columbia Office of Planning), a longtime neighborhood nonprofit (Dance Place), a developer (Bozzuto Development Inc.) and local residents. The collaboration helped welcome new businesses and residents while preserving the culture and authenticity valued by longtime residents. The Brookland-Edgewood case study illustrates how the D.C. Planning Odeliberate attention to theimportance of arts and culture in its local policies helped leverage cultural amenities funded by developer
Bozzuto in exchange for zoning amendments needed for construction of new retail spaces and residential
housing. In addition, the cooperative relationship between Bozzuto and the nonprofit Dance Place helped
engage the community and create a project embraced by both newcomers and longtime residents. For example, Dance Place -Dance Place personnel as trusted liaisons between a wary neighborhood and the developers. Additionally,
other stakeholders like Artspace Projects, the Minneapolis-based nonprofit arts developer that built
artist live/work spaces in Brookland-Edgewood were key contributors to the stabilization activities in
the neighborhood. Both case studies highlight four essential components in the Creative Placemaking projects: urban planning, residents and merchants, community development, and the arts. are critical catalysts increating development solutions that incorporate all the social, economic and racial constituents of the
a principal at work with local needs, customs and histories, instead of squeezing them out as has happened in many & Culture program to helpilluminate creative approaches to community development that influence the built environment, enhance
civic engagement, give residents a sense of agency and contribute to authentic narratives of place.