2017. 1. 23. Three gunshots. SHERLOCK's letting fly at the wall with a revolver. He's drawn a 'smiley face' on the wall and it now has bullet holes ...
2013. 9. 9. Lady Smallwood's POV. Seated opposite at a table at the other side of the room
Three of them exactly the same. That's a bit funny
I came by the second yes you can have two. So sometimes it will be whether we can do something before it goes on the script. ??? ??? ??? ??? ??
supervision afforded by transcripts and subtitles we propose a new method Sherlock: All 3 episodes of the first season of the TV series “Sherlock”.
Your transcriber is already nearing page three of this transcript and is only two and a half minutes into the episode so let's leave out the text of the article
3. 3. SOO LIN alone in the gallery. Stoneware busts of Emperors and Guardians stare down. The SIKH WARRIOR kicks out and knocks SHERLOCK back on to the.
meaning. This movie script was purely from the Sherlock movie in season one. It is used in the movie script “The. Study in Pink”? 3. Aims of the Study.
meaning. This movie script was purely from the Sherlock movie in season one. It is used in the movie script “The. Study in Pink”? 3. Aims of the Study.
After analyzing Sherlock serial TV season 3 the writer found three types of 3 Yohana Sari
5 INT APPLEDORE/MAGNUSSEN’S OFFICE - NIGHT 5 Stylish minimalist modern A bowl of fruit is a burst of colour Magnussen’s shadow passing over the walls
SHERLOCK phone in hand stands on the roof of Bart’s Below him PASSERS-BY a red phone-box a parked laundry EPISODE 1 BY MARK GATISS - FINAL SHOOTING SCRIPT - 23 05 13 3 7 EXT HIGH
3 INT THERAPIST’S CONSULTING ROOM - DAY (11 00 AM) 3 Ella - a therapist - sitting opposite John Watson her notepad out John sits stiffly in his chair Out of place A little embarrassed JOHN Oh fine Good Very good Ella looks at him knowingly A STUDY IN PINK SHOOTING SCRIPT - GREEN AMENDED 18/04/10 2
SHERLOCK Bored JOHN What? SHERLOCK Bored -Bang! SHERLOCK (CONT’D) Bored-Bang! SHERLOCK (CONT’D) Bored I don’t know what’s got into the criminal classes It’s a good job I’m not one of them JOHN So you take it out on the wall? SHERLOCK The wall had it coming CUT TO: 3 INT LUCY’S HOUSE NIGHT 3 A very tidy slightly beige house
MARY JOHN SHERLOCK a few key relatives - all ready to greet the guests Lots of grip and grin First in the queue to say ‘Hello’ to them is a young man - ED Personable attractive 30s Shakes hands warmly with SHERLOCK USHER Ed SHERLOCK I know your name Mary’s Ex USHER (Laughs nervously) You were watching me in church I swear
1 INT GALLERY DAY 1 TIGHT IN on a painting A rich Romantic landscape - A cascading waterfall Camera pulls back - The painting on a easel in front of a (small) crowd
and Sherlock lunges straight into the traffic, cars swerving and braking round him, and races across the road. On John - a heartbeat, and he’s racing after him (although we don’t feature it, from now on he’s running without his stick.) Sherlock shoves past the man who is entering the apartment building, races into the hallway. John, pursuing -
SHERLOCK(From off)You’re a doctor. John startles, turn. Sherlock is back, leaning in the doorway, looking at him thoughtfully. In fact, you’re an army doctor. Yes. Sherlock is moving into the room, look hard at John, speculating. Any good? Very good.
Sherlock, wait. But he won’t wait. He dives over the fence fast and they’re left hanging there, one either side, face to face. We’re going to need to coordinate. They sink down in an alley, panting. A police car zooms past - searching for them. SHERLOCK(Whispers)Everyone wants to believe it.
63 Sherlock comes crashing out of a theatre, cannoningstraight into a man walking by the pavement. Just shoves past him races across the road. John’s now helping the man up. Sorry. The map: the red line, the black line.