The Society of the Spectacle is a critique of contemporary consumer culture and commodity fetishism, dealing with issues such as class alienation, cultural homogenization, and mass media.
The Society of the Spectacle is a 1967 work of philosophy and Marxist critical theory by Guy Debord, in which the author develops and presents the concept Spectacle (critical theory)Guy DebordDétournement
Mass Media and Commodity Fetishism
The Society of the Spectacle is a critique of contemporary consumer culture and commodity fetishism, dealing with issues such as class alienation Comparison Between Religion and Marketing
Debord also draws an equivalence between the role of mass media marketing in the present and the role of religions in the past Critique of American Sociology
In Chapter 8, "Negation and Consumption Within Culture", Debord includes a critical analysis of the works of three American sociologists Authenticity, Plagiarism, and Lautréamont
Because the notion of the spectacle involves real life being replaced by representations of real life The Spectacle and Politics
A number of political theorists have argued that liberal democracy has been overtaken by spectacle. Douglas Kellner (2003 The spectacle is
a central notion in the Situationist theory, developed by Guy Debord in his 1967 book The Society of the Spectacle. In the general sense, the spectacle refers to "the autocratic reign of the market economy which had acceded to an irresponsible sovereignty, and the totality of new techniques of government ...The spectacle is
the inverted image of society in which relations between commodities have supplanted relations between people, in which "passive identification with the spectacle supplants genuine activity". "The spectacle is not a collection of images," Debord writes, "rather, it is a social relation among people, ...
A zeitgeist or periodizing term proposed by French Marxist critic and activist Guy Debord as the appropriate designation for the latter half of the 20th century in which the process of alienation had achieved its nadir. Whereas earlier Marxists had been concerned that the process of commodification had brought about a generalized ...
Guy Debord’s (1931–1994) best-known work,
La société du spectacle (The Society of the Spectacle) (1967), is a polemical and prescient indictment of our image-saturated consumer culture. The book examines the “Spectacle,” Debord’s term for the everyday manifestation of capitalist-driven phenomena; advertising, television, ...