studied in Vienna and Paris and toured Europe as a child prodigy (Germany, France, Austria, Belgium, Italy, and Great Britain) From 1871, he travelled regularly between Rome, Weimar, and Budapest teaching piano; it was estimated that Liszt travelled about 4000 miles a year by train and carriage Between 1859 and 1862, Liszt lost two of his
Musical Culture and Society in Paris, 1830-1900 G46 2530 Dr Katharine Ellis, Visiting Professor This course explores the diversity of musical life in Paris from the end of the Restoration through the turn of the
Liszt’s gifts: Gypsy “opium” and the national rhapsody [135] 7 Exotic operas and two Spanish Gypsies [150] Regions on the nineteenth-century musical stage [150]
nights with a program of water-themed works by Debussy, Ravel, Liszt, and others, creating a confluence of live music and visual art that allows audiences to experience this celebrated music and the concert experience in new ways “Here at the Armory, we encourage artists to envision and create new works of art that would not be possible to
in Paris There in a coup de foudre he fell in love with the English Irish-born actress playing Ophelia Her name was Harriet Smithson All his attempts to meet or contact her met with no success Berlioz even rented an apartment from where he could see her return home and watch until she went to sleep
See Émile Haraszti, 'Liszt à Paris', La revue musicale, 17/165 (April 1936), 253 his nonsense in Italian opera: where we always encounter the same approach to the most It compromises the image of his creative potency, and its elaboration during admirateurs – de près ou de loin, comptez sur moi et disposez de moi
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