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Muwashah de tradition arabo-andalouse Muwashah of Arab-Andalusian chants Notation principalement ekphonétique, la notation byzantine a vu le jour




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Des deux théories « modernes » de l'échelle pour le chant byzantin A Quelques particularités présumées du chant byzantin arabe, et singulièrement au 

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Byzantine Chant, Second Tone Three Divine Liturgies In Music, Brooklyn (1950) Adapted by Alice Hughes and Anne Schoepp Al-masih qam Arabic Pronunciation 

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Byzantine Chant, Plagal First Tone Traditional Antiochian melody Transcribed by Fr David Barr Al-masih qam Arabic Pronunciation Guide: qam = “kahm,” 

[PDF] Byzantine Chant, Authenticity, and Identity - Aliosha Pittaka Bielenberg

openly admitted the assumption that “Byzantine music was diatonic before the Empire came under the overwhelm- ing influence of Arabic, and, even more, 




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Muwashah de tradition arabo-andalouse Muwashah of Arab-Andalusian chants Notation principalement ekphonétique, la notation byzantine a vu le jour

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