COLOUR FUTURES 2017
COLOUR TRENDS 2017. LIFE IN A NEW LIGHT. COLOUR FUTURESTM INTERNATIONAL COLOUR TRENDS 2017. PRESENTS. COLOUR. FUTURES. 2017. AKZONOBEL. DECORATIVE PAINTS.
COLOUR FUTURES 2017
L'art de vivre revisité. COLOUR FUTURES 2017 la vie en 2017 et sa restitution dans la façon dont ... Center ou le Sikkens Color Studio via www.sikkens.
COLOUR TRENDS 2017
In dit trendboek. Colour Futures 17
COLOUR FUTURES 2017 COLOUR FUTURES 2016 COLOUR
The overall result is a truly accessible paint palette that can be easily translated into architecture and interior decorating. 09. RESEARCH. COLOURS. FUTURE.
COLOUR TRENDS 2018
to make paint colour choices for their homes with confidence. used as a richer alternative to turquoise. 2018. 2017 ... the future.
The Role of Temporal Distance on the Color of Future-Directed
7 oct. 2016 Because construal of the distant (vs. near) future generally focuses on ... focus on color decreases as temporal distance increases.
Obtaining Phytoplankton Diversity from Ocean Color: A Scientific
27 déc. 2021 Obtaining Phytoplankton Diversity from Ocean Color: A Scientific Roadmap for Future Development. Frontiers in Marine Science 2017
Beyond Colour-Blind Intercultural Education: Operationalising the
Beyond Colour-Blind Intercultural Education: Operationalising the Concept of Culture for. Future Preschool Teachers. Åsa Wahlström Smith
WELCOME TO THE FUTURE OF COLOR
July 2017. WELCOME TO THE FUTURE OF COLOR. The Nix Pro Color Sensor is the industry-grade colorimeter that anybody can use.
PRESENTS
GLOBAL
AESTHETIC
CENTER
GLOBAL
AESTHETIC
CENTER
GLOBAL
AESTHETIC
CENTER
CONTENTS
Special thanks to the professionals involved in bringing this book to life.CONTENTS
Special thanks to the professionals involved in bringing this book to life.HELEEN VAN GENT
CREATIVE DIRECTOR
FOREWORD BY
CREATIVE DIRECTOR
SOCIAL
TRENDSECONOMIC
TRENDSDESIGN
TRENDS
GLOBAL
DESIGN
TRENDSGLOBAL
COLOUR
TRENDS
FOREWORD BYCREATIVE DIRECTOR
Every year, AkzoNobel's Global Aesthetic Center brings together a group of international experts and trend watchers from across the globe and from various disciplines of design - architecture, textiles, product design, graphics and research. We invite them to discuss what they think will be the major global developments in the coming years, based on global social and design trends. This process allows us to nominate a number of trends, with one overriding idea that captures the IJthere, developed by the colour experts at AkzoNobel's Global Aesthetic Center, architects and interior designers, to consumers and decorators, our imagery communicates the latest trends and inspires the use of paint in interior design and architecture. It is a process that ensures our research and forecasting is ıterm, constantly evolving trends; translating theory into a future we all recognise.
FOREWORD BYCREATIVE DIRECTOR
Every year, AkzoNobel's Global Aesthetic Center brings together a group of international experts and trend watchers from across the globe and from various disciplines of design - architecture, textiles, product design, graphics and research. We invite them to discuss what they think will be the major global developments in the coming years, based on global social and design trends. This process allows us to nominate a number of trends, with one overriding idea that captures the IJthere, developed by the colour experts at AkzoNobel's Global Aesthetic Center, architects and interior designers, to consumers and decorators, our imagery communicates the latest trends and inspires the use of paint in interior design and architecture. It is a process that ensures our research and forecasting is ıterm, constantly evolving trends; translating theory into a future we all recognise.
THE 2016 PALETTE REVEALED
palette which centres on soft mid tone shades. The overall feeling have moved away from primary to something more interesting. Think coral, not orange; ochre not yellow and midnight, not blue. This is a friendly palette but with a dark, mysterious side.
THE 2016 PALETTE REVEALED
palette which centres on soft mid tone shades. The overall feeling have moved away from primary to something more interesting. Think coral, not orange; ochre not yellow and midnight, not blue. This is a friendly palette but with a dark, mysterious side.
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inviting people from the design industry mainly to help predict colour palettes that could be relevant in the future. However, on realising the value we could create for our customers and consumers by extending ourselves to focus on the design trends of the future as well, we decided to invest further and build the scale of our activity, and publish our predictions as a book for the ıcolours within the palettes for our trends, and nominate one Colour of the Year that we determine to be the most important one for the coming year. how these palettes have constantly evolved, influenced by a variety of factors, global trends and shifts in taste.
A HISTORY OF COLOUR ANALYSIS
The key colour in each colour family gives a clear direction as to where each hue is moving to and has travelled from. Gold, mustard or lemon: where will this year's yellow take us?
from strawberry to deep damson this is an ever popular colour family. we see a shift from more yellow oranges in the earlier years to a more we have seen yellows travel the full spectrum over the years from fresh citrus to burnt ochre and this year's favourite is a beautiful soft gold. the most diverse of all the colour stories, green has taken us from palest, almost yellow to deep teal and everything
colour of the year but since then we have seen deep blues with a green undertone and this year's is even darker.the violet key colour has been deep, dark and mysterious over the years, but for the family of cool neutrals has been "everywhere" in its spectrum. see a dramatic change this year.the domination of mid tone and light neutrals with a grey tone, but this year we return to a more traditional warm neutral.
indicates the colour of that year.inviting people from the design industry mainly to help predict colour palettes that could be relevant in the future. However, on realising the value we could create for our customers and consumers by extending ourselves to focus on the design trends of the future as well, we decided to invest further and build the scale of our activity, and publish our predictions as a book for the ıcolours within the palettes for our trends, and nominate one Colour of the Year that we determine to be the most important one for the coming year. how these palettes have constantly evolved, influenced by a variety of factors, global trends and shifts in taste.
A HISTORY OF COLOUR ANALYSIS
The key colour in each colour family gives a clear direction as to where each hue is moving to and has travelled from. Gold, mustard or lemon: where will this year's yellow take us?
from strawberry to deep damson this is an ever popular colour family. we see a shift from more yellow oranges in the earlier years to a more we have seen yellows travel the full spectrum over the years from fresh citrus to burnt ochre and this year's favourite is a beautiful soft gold. the most diverse of all the colour stories, green has taken us from palest, almost yellow to deep teal and everything
colour of the year but since then we have seen deep blues with a green undertone and this year's is even darker.the violet key colour has been deep, dark and mysterious over the years, but for the family of cool neutrals has been "everywhere" in its spectrum. see a dramatic change this year.the domination of mid tone and light neutrals with a grey tone, but this year we return to a more traditional warm neutral.
indicates the colour of that year.We are at a very interesting point where we can see the advantage both of tradition and also of modern innovation; where the importance of weighing up opposite opinions and views has never been stronger. Digital and modern techniques are here to stay but we look for inspiration from the past to be able to design for the future. This theme of duality is the IJareas where we lack darkness during the night, yet research shows that we need the dark. Similarly we live structured lives but need to escape the grid to remain ourselves, or for example technology is now so much a part of our lives that we enjoy a printed book or pencil and paper. ş
THEOVERRIDINGTREND FOR 2016
LOOK-ING BOTHWAYS
OOK-NG OTH AYS
We are at a very interesting point where we can see the advantage both of tradition and also of modern innovation; where the importance of weighing up opposite opinions and views has never been stronger. Digital and modern techniques are here to stay but we look for inspiration from the past to be able to design for the future. This theme of duality is the IJareas where we lack darkness during the night, yet research shows that we need the dark. Similarly we live structured lives but need to escape the grid to remain ourselves, or for example technology is now so much a part of our lives that we enjoy a printed book or pencil and paper. ş
THEOVERRIDINGTREND FOR 2016
LOOK-ING BOTHWAYS
OOK-NG OTH AYS
Getty Images
Brightly coloured houses
meet at a street corner in the area of Volta Galvani,Eindhoven.
In identifying a colour that would connect with the overall trend ŖŕŖŖşand also in modern design trends. Out of the broad palette of yellows we ıIJŖ Gold and gold tones are being used everywhere in the design world. It is a recurring colour and material at design fairs and in graphic design as well as in architecture, fashion, beauty and interior decorating. We feel that this is a beautiful next step, a natural evolution and transition from the coppery orange that was the colour of Ŗ ijcombination or something more surprising.
COLOUR OF THE YEAR 2016
In identifying a colour that would connect with the overall trend ŖŕŖŖşand also in modern design trends. Out of the broad palette of yellows we ıIJŖ Gold and gold tones are being used everywhere in the design world. It is a recurring colour and material at design fairs and in graphic design as well as in architecture, fashion, beauty and interior decorating. We feel that this is a beautiful next step, a natural evolution and transition from the coppery orange that was the colour of Ŗ ijcombination or something more surprising.
COLOUR OF THE YEAR 2016
Getty Images
The whitewashed walls
and blue door radiateSicilian charm and serenity.
90BG 30/073
DENIM DRIFT
COLOUR
OF THE YEARDENIMDRIFT
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&FUTURE&PICTURES&LIGHT&LETTING GO &FUTURE&PICTURES&LIGHT&LETTING GOThe starting point of our CF16 brainstorm was; You need to know about your past in order to design for your future.' Today's global brands place great value on exploring and displaying their past history. At the design fair in Milan for example, many of the companies were showing their timelines alongside their future products. Why? Because their heritage lends them an authenticity and credibility that cannot be faked, provides a sense of longevity and also helps to shape their future. By looking both ways, they are able to take inspiration from the past, to demonstrate the foundations of identity, and ımay be contrasted with - or support - the modern-day; and there is a sense that by appreciating one's history, both as a person or a company, we build value and become more fully shaped and prepared for designing the future. IJbut also have a bright contemporary feel that points to the future.
&Future &Future &FutureZODIAC NIGHT
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&Future Y &FutureD.DN..
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Enjoy a sense of perspective and peacefulness from a rooftop garden in Tokyo.HERITAGE
&FutureHERITAGE
&FutureGetty Images
The Il Bosco Verticale Skyscraper in the business district of Milan, Italy brings nature one-step closer.
We live in an age of visual saturation, where our every moment is recorded and posted on social media. As a result, we see quantity over quality, with imagery becoming devalued through its overuse. The old phrase a picture paints a thousand words' has now almost become reversed, since words - whether spoken or written - are forever being squeezed in our fast-paced lives. They are restricted and short-ened on social media, while we increasingly communicate using pictures alone. (Which of course can be photoshopped, so we don't always trust them.) As a consequence, there is a new found power in words, especially when used in the right context. In China, the art of traditional oral storytelling is back in fashion - and we are beginning to see clubs and societies devoted to this in the Western world as well. The trend for words can also be seen in the use of lettering in interior design and architecture; but rather than words and images being in opposition, one completes the other. The corresponding colour palette uses the blue of ink and grey of graphite in contrast to tones familiar with ı
PICTURES
HONEYSWEET
Words&
YY 9YY
Words&
ON...C..YN..9.
..G.N...S.The injection of bright
colours brings this multi-storey housing complex in Klagenfurt,Austria to life.
Words&
Words&
Nextarchitects
The student-friendly and lively outdoor public space at theUilenstede Campus
in Amsterdam.Words&
Words&
One of the key trends for 2016 is the importance of darkness. The introduction of Earth Hour - where millions of people around the globe all turn their lights off on the same ijproven how important it is that we have a restful sleep, to recharge and IJŖijactivity of plants and wildlife. Just as we need darkness in order to see the stars in the night sky more clearly, the Dutch masters of the 17th century showed how their techniques at capturing lustre and the play of light was best portrayed in contrast to dark hues. Many of the colours in this palette blend seamlessly together, recalling the tones of both dusk and dawn ŕŖ
&Light &Light YYYE9...C..T..9..
N.9W9..T9..S..
Golspie Street, Do Architecture, Andrew Lee PhotographyThe projecting pods in
a new housing project inGlasgow provide a unique
identity to each home. The in London has vibrantly coloured multi-storey open plan workspaces. We are increasingly ŕijŖıĴŖ ŖŖ IJ &Letting go &Letting go &Letting go <55%<511 *<<<11%%%* &Letting go YY 9 Y &Letting go SN. .D.9.D..XT.S.Q.G...
adds innovative and natural textures to the urban landscape in Finland.SRV / Stora Enso
THE GRID
&Letting goTHE GRID
&Letting go spowers.com.auThe RMIT, Academic Building in Ho Chi Minh City, Vietnam has an added layer of texture with a self-weathering façade.
&Letting go &Letting goTHE WORKING HOMENEW ROMANTICISM
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To reveal the dramatic effect of paint, we have a collection of before and after images.IMAGE LIBRARY
Here you will find an index of the pictures that have been used in this publication. For the online version, please go to
IMAGE LIBRARY
Here you will find an index of the pictures that have been used in this publication. For the online version, please go to
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