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Tous droits r€serv€s Universit€ du Qu€bec ' Montr€al, 2020 (including reproduction) is subject to its terms and conditions, which can be viewed online. Universit€ Laval, and the Universit€ du Qu€bec ' Montr€al. Its mission is to promote and disseminate research.

Pour une po'tique du genre policier

"CONNAISSEZ-VOUS CET HOMME?...

FOR A POETICS OF THE CRIME NOVEL IN THE WORK OF

JACQUES POULIN

PARA UNA PO‡TICA DEL G‡NERO POLICˆACO EN LA OBRA DE

JACQUES POULIN

Stefania Cubeddu-Proux

Volume 45, Number 2 (134), Winter 2020Jacques PoulinURI: https://id.erudit.org/iderudit/1069511arDOI: https://doi.org/10.7202/1069511arSee table of contentsPublisher(s)Universit€ du Qu€bec ' Montr€alISSN0318-9201 (print)1705-933X (digital)Explore this journalCite this article

Cubeddu-Proux, S. (2020). " CONNAISSEZ-VOUS CET HOMME ? ... : pour une po€tique du genre policier dans l†oeuvre de Jacques Poulin.

Voix et Images

45
(2), 69‡81. https://doi.org/10.7202/1069511ar

Article abstract

ˆConnaissez-vous cet homme?‰ is the question Jack Waterman asks

Ferlinghetti, photo in hand, in

Volkswagen Blues

(1984). Although Poulin†s novels cannot properly be described as crime novels, they are always playing with this genre. Investigations, chases, detectives, and dialogues referring to noir literary and film classics are frequent. The relationship is even stronger if we consider the playfulness that Poulin†s work constantly solicits, drawing the reader into the game. A poetics of the in-between characterizes the special atmosphere that surrounds the writing: a blurred, fog-like quality shared by countless movies as well as scenes in Poulin†s work. The urban setting that is a recurring feature of the crime genre is a necessary feature, providing the writing with a shifting set of objects and situations. The city, of course, is Qu€bec, a key element of the work: more than a mere backdrop, it is a powerful force affecting the novel†s action and its characters† movement. In this article, the author herself becomes an investigator, questioning the presence of the crime novel register in

Volkswagen Blues

and seeking to elucidateŠor perhaps roughly interrogateŠthe enigma of Poulin as a crime novelist.

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