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In this issue:

Elizabeth R. Austin

Cécile Chaminade

Tasoulla Christou

Ariane Delaunois

Deborah Hayes

Asako Hirabayashi

Cat Hope

Heidi Jacob

Susan Cohn Lackman

M. Steele Moegle

Marion von Tilzer

Helen Walker-Hill

Jing Wang

Dolores White

Judith Lang Zaimont

Reviews

Reports

IAWM News

Members" News

Table of Contents

Volume 19, Number 2 (2013)

Front Cover:

Wizards - Three Magic Masters

by Judith Lang Zaimont

Copyright © 2005 by Subito Music Publishing (ASCAP). All Rights Reserved. International Copyright Secured.

Articles

.......................Susan Cohn Lackman ......................1

Jing Wang

4 8 ...............................11 14 18 19 21
22
24

Book Reviews

The Musical Work of Nadia Boulanger: Performing Past and

Future Between the Wars

24

American Art Song and American Poetry

‘Rock On": Women, Ageing, and Popular Music

Art Song: Linking Poetry & Music

28
Queer Tracks: Subversive Strategies in Rock and Pop Music 29
Lutyens, Maconchy, Williams and Twentieth Century British Music:

A Blest Trio of Sirens

Compact Disc and Concert Reviews

Chamber Works .............................................................................. ...............

Forgetmenot

The Box of Late Opuses

Concerto for Oneness

Here, The Cliffs: Orchestral Music of Hilary Tann

Reports

IAWM News

Dirge for the Earth Elements

Sang Mi Ahn

Clara 41

UNLESS

42

Journey to the West

The Siege

Shuying Li

Elsewhere

Whisper City

48

Shahida

49

Post-Industrial Broadcast #1

Members" News ........................................................................

IAWM MEMBERSHIP INFORMATION

Journal of the IAWM

BACK ISSUES

IAWM ADMINISTRATIVE OFFICE

GUIDELINES FOR CONTRIBUTORS

Articles

com

Chicago Manual of Style. Authors

Reviews

Members" News

Journal of the IAWM

Staff

EDITOR IN CHIEF

PRODUCTION MANAGER

MEMBERS" NEWS EDITOR

REVIEW EDITOR

EDITORIAL BOARD

Reports and Announcements

com.

Deadlines

IAWM WEBSITE

PUBLICATION

Journal of the IAWM

Board of Directors

PRESIDENT

TREASURER

SECRETARY

BOARD MEMBERS

PAST PRESIDENTS

1

ARTICLES

SUSAN COHN LACKMAN

1

Carnival of the Animals

Mitch Mill-

er Show

Concert for Two Pianos

The Musical Woman

2 Even if they weren"t commissioned!

Lawrence Welk Show

ZONES

Beasts

Parallel Play

Wizards - Three Magic Masters

Zaimont playing Zaimont:

Chansons nobles et sentimentales

The Joy of Dance

Serenade

IAWM Journal Volume 19, No. 2 20132

4

SONATA

trio, ZONES El- egy

Growler,

Hidden Heritage

Par- able - A Tale of Abram and Isaac

Pure, Cool (Wa-

ter)

SONATA

Of Beauty

Strangeness

Stillness

Example 1. String Quartet “The Figure," movement 1, “In Shadow" 3

Nocturne: La Fin de

Siècle

Nocturne

Calendar

Collection

The Musical Woman: An In-

ternational Perspective

Click, Flip,

RUSH - Reclaiming Clarity in the Hyper-

link Age. You

New Music Box

Susan Cohn Lackman, Ph.D., M.B.A., is Profes

sor of Theory and Composition at Rollins Col lege, Winter Park, Florida. Audiences from Bos ton to Beijing have heard her music in concert, and her essays about music have been enrich ing and delighting concert-goers for years. She served as treasurer and board member of the

IAWM, and is now Director of the Sigma Alpha

IAWM Journal Volume 19, No. 2 20134

as uniqueness and originality

Music Education in China and the USA

1

My Life as a Performer

Jing Wang playing the erhu

JING WANG

5

IAWM Journal Volume 19, No. 2 20136

2

Crouching Tiger Erhu Concerto

My Life as a Composer

Brahmanda

Brah- manda Brah- manda

Artistic and Technical Perspectives of

Brahmanda

Brah- manda

Brahmanda

Brahmanda

Brah- manda

Brahmanda

Figure 2. Internal formal structure of Brahmanda

Figure 1. Formal articulations of Brahmanda

7 co- herence

Brahmanda

San Cha Kou

Brahmanda.

Brahmanda

silence in Brahmanda

Brahmanda

Synchronization

Brahmanda in

leit- motif

Brahmanda

Figure 3. Sound sources and their developmental methods in Brahmanda

Wang: My Musical Journey

IAWM Journal Volume 19, No. 2 20138

Brahmanda

Conclusion

Brahmanda

Addendum

Brahmanda:

Brahmanda

Best

Animated Short

Film

ASAKO HIRABAYASHI

My decision to become a harp

sichordist

Asako Hirabayashi

9

Differences between the harpsichord

and the piano

Contemporary harpsichord music and

the revival of harpsichord Hirabayashi: The Harpsichord in the New Millennium

IAWM Journal Volume 19, No. 2 201310

Sonatina No. 1

Sonatina No. 2

The Harpsichord in the New Millennium

Minneapolis Star

Tribune

My music and style

Problems with writing for and per-forming on the harpsichord my Concerto for Four Harpsichords

Combining a career as a performer

and motherhood sain- ou

Asako Hirabayashi has appeared as a featured

guest soloist in international festivals and con cert series worldwide. She has won numerous grants and awards including the 2009-10 McK night Fellowship for Performing Musicians and the 2012 Artist Initiative grant as a soloist and composer. In addition to the Alienor Interna tional Harpsichord Composition Competition (winner of the 6th, 7th and 8th, consecutively), she won the NHK International Song Writing

Competition in Japan. She was recently award

ed the 2012 Jerome Fund for New Music by the

American Composers Forum to write an opera

entitled (Snow Witch), based on an old Japanese folk tale. 11

I'm one and

double too

The Marquise of O-

Ginkgo Biloba

The story

DEBORAH HAYES

From novella to opera

I'm one and double too

Elizabeth R. Austin

Hayes: Elizabeth R. Austin Turns 75

IAWM Journal Volume 19, No. 2 201312

The composer

in Contemporary Music

Zodiac Suite

Wilderness Symphony

Wilderness

Example 1. I"m one and double too, scene 12, mm. 23-33 13

Ginkgo Biloba

Ginkgo

Nova

Puzzle Preludes

Example 2. I"m one and double too, scene 1

Example 3. I"m one and double too, scene 5

Hayes: Elizabeth R. Austin Turns 75

IAWM Journal Volume 19, No. 2 201314

In I"m one and double too Austin

Mondnacht

Swan Lake

The Marquise of

O- in Contemporary Music: Nine American

Composers

Deborah Hayes is a musicologist and professor

emerita at the University of Colorado at

Boulder. Her publications include new editions

of music composed by eighteenth-century

European women, and studies of the lives and

works of the twentieth-century composers Peggy Glanville-Hicks and Ruth Shaw Wylie.Drei Rilke Lieder, Five

Sonnets from the Portuguese

Prayer for a Christian Burial

An die Nachgeborene

and

Frauenliebe und -leben

Sources

1 2

Romances sans pa-

roles , Arabesque, Tristesse, and Expansion

Orientale

M. STEELE MOEGLE

Cécile Chaminade

15

Callirhoë

4

Callirhoë

such as

Scarf Dance

and

Amphora Dance

Finding that publishers could sell piano

solos and songs most readily, Chaminade began to compose in these genres almost exclusively starting in the 1890s.

Despit

e her shyness, her preference for family activities, and her general dislike of traveling, she toured France,

Switzerland, Belgium, and Holland,

performing her own pieces. 5

Beginning

in 1892, she made annual tours of Eng land. Though she spoke no English, she was very popular there. Queen Victoria was a devoted supporter, inviting Cham inade to Windsor Castle and to the Dia mond Jubilee in 1897, where she wasquotesdbs_dbs25.pdfusesText_31

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