John Craig Freeman
(Volume 41 Number 4)
Le Forum Vol. 41 No. 4
Feb 25 2020 Forum
in-harms-way-serious-occurrences-report-vol-2.pdf
Serious Occurrences Report Volume 2. 41. DISTINGUISHING SELF-HARMING AND SUICIDAL BEHAVIOURS. 41 ... these reports in one case ingesting bleach.
Experimental Systems Future Knowledge in Artistic Research
41. Material Experiments: “Phenomeno-Technology” in the Art publications and Edward Crooks
The DARKROOM COOKBOOK Third Edition
Dassonville T-56 Bleach & Redevelop Selenium Toner 296 of the book a completely accurate conversion of weight to volume is not possible. This is.
Approaches to Painting
Warhol's colour chemistry has the opposite effect: it destroys volume space and modelling; the cosmetic is everywhere and everywhere evenly applied: to lips
THE LONGITUDINAL RELATIONSHIP BETWEEN EMOTION
41. Table 7. Descriptive statistics for Emotion Regulation Index for Children and Adolescents youthwellbeingstudy.wordpress.com. ... Bleach on skin.
Dyer White 1997.pdf
2 Coloured white not coloured 41 41. 2.1 Sandy Huffaker 'White is a flesh colored band aid' (1970) ... 3.8 Bleach and Glow skin tone cream.
Le Forum Vol. 41 No. 4
Feb 25 2020 Forum
Drilled Shafts: Construction Procedures and Design Methods
MEASURING THE VOLUME OF THE EXCAVATION UNDER DRILLING 41. Possible sliding surface when a drilled shaft is pushed downward .
ORPHEUS
Experimental
Systems
Future Knowledge
in Artistic ResearchSERIES
INSTITUTEMichael Schwab (ed.)
Experimental
Systems
Future Knowledge
in Artistic ResearchLeuven University Press
Edited by Michael Schwab
Table of Contents
5Michael Schwab
15Stefanie Stallschus
26Hannes Rickli
41Susanne Witzgall
55Virginia Anderson
68Darla M. Crispin
87Peter Peters
102Gabriele Gramelsberger
112Henk Borgdorff
122Elke Bippus
136Stephen A. R. Scrivener
152Paulo de Assis
167Paolo Giudici
189Neal White
199221Personalia
227Index
5Michael Schwab
Royal College of Art, London, Zurich University of the Arts, and Orpheus Institute, GhentMichael Schwab
6Introduction
7Michael Schwab
8Introduction
9Michael Schwab
10Introduction
11Michael Schwab
12Introduction
13Michael Schwab
14 15Stefanie Stallschus
Berlin Institute of Technology
Stefanie Stallschus
16A Theory of Experimentation in Art?
17Stefanie Stallschus
18A Theory of Experimentation in Art?
19Stefanie Stallschus
20A Theory of Experimentation in Art?
21Stefanie Stallschus
22A Theory of Experimentation in Art?
23Stefanie Stallschus
24A Theory of Experimentation in Art?
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28Electrical Images: Snapshots of an Exploration
29Hannes Rickli
30Fig. 1
Fig. 3
Fig. 5
Figure 1. A view of the main casing of , including a stereo camera and a computer (lower centre), fiash unit (upper centre), webcam casing (centre left). Top left, a hydro- phone and a power supply and data cable. © Hannes Rickli. Figure 2. The equipment, as seen at the diving centre workshop of the BiologicalInstitute Helgoland. © Hannes Rickli.
Figure 3. Power consumption sensor and pre-amplier. © Hannes Rickli. Figure 4. Electromagnetic sensor camera. © Hannes Rickli.Figure 5. and sound cards. © Hannes Rickli.
Figure 6. Installing in casing; electromagnetic sensor of the onboard computer (front left, cable tie installation). © Hannes Rickli.Fig. 2
Fig. 4
Fig. 6
Hannes Rickli
3233
Fig. 10
Figure 9.
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