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19th century Paris: Shifting Norms and Ironic Storytelling in

My analysis of “Bel-ami” will start with a discussion of the important role of description in the novel. The sensorial quality of Maupassant's prose leads.



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19th century Paris:

Shifting Norms and Ironic

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Abstract

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novel in which the reader is drawn by the visual appeal of the colourful descriptions. Although the novel can be read as the story about the advance of a mediocre man to social and political prominence, this article will show that

Maupassant uses a dual-voiced discourse and

juxtaposes a recognizable 19th century Paris and OLV SURPMJRQLVP·V VH[XMO H[SORLPV LQ RUGHU PR ŃMOO our attention to the duplicity of the Parisian society during Belle-époque. In spite of his carefully assumed impartiality, we shall see that

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comments where apparently insignificant remarks reveal their implications as the narrative unfolds.

Copyright © Marie-Anne Visoi

HQ ´Bel-MPLµ, Maupassant challenges the modern reader to reconstruct various aspects of 19th century Paris as they are revealed through descriptive scenes. As I propose to show, the consistent shift between an ironic narrator and the represented speech of the main character in this novel creates a dual-voiced discourse that enables us to have a clear view of the Parisian

VRŃLHP\ RI 0MXSMVVMQP·V PLPHB The uniform simplicity and clarit\ RI 0MXSMVVMQP·V VP\OH

succeed LQ ŃRQYH\LQJ OLV SURPMJRQLVP·V thoughts and feelings without breaking the illusion of fiction. As the reader gradually finds out through carefully sequenced descriptive detail, GXUR\·V VHGXŃPLYH SRRHU MQG SURYRŃMPLYH sensuality will enable him to change his destiny from a modest clerk working at Northern Railway to a millionaire who has learnt how to manipulate women in order to climb the social ladder. Throughout the novel, Maupassant grounds his ironic presentation of the private lives of his characters on the discrepancy between appearance and reality that acutely reflects the shifting norms and the double standard of morality of his time. Drawing IURP HVHU·V theory of reading MQG %MNPOLQ·V GXMO-voiced discourse concept, I

RLOO MUJXH POMP RXU XQGHUVPMQGLQJ RI ´%HO-MPLµ UHOLHV RQ M ŃULPLŃMO Mssessment of the narrative

devices employed by Maupassant. My analysis RI ´%HO-MPLµ will start with a discussion of the important role of description in the novel. 7OH VHQVRULMO TXMOLP\ RI 0MXSMVVMQP·V SURVH OHMGV

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internal speech. Short paragraphs, lively and picturesque sentences and a realistic character portrayal exert an unmistakable influence on our reading as they set up our expectations and arouse our interest in the story. The observations on the role of description will lead to my

IRŃXV RQ POH ´LQPHUSOM\µ NHPRHHQ POH ŃRQVPUXŃPHG RRUOG RI POH text and our reading activity.

Although the novel can be read as the story about the advance of a mediocre man to social and political prominence, this paper will show that Maupassant uses a dual-voiced discourse and juxtaposes a recognizable 19th century Paris and the sexual exploits of his protagonist in order to call our attention to the duplicity of the Parisian society during Belle époque. As we will see from the examples provided, our ability to understand the effect produced by descriptive scenes and narrative devices will provide us with new critical values in terms of our reading experience and will GHPHUPLQH RXU LQPHUSUHPMPLRQ RI 0MXSMVVMQP·V QRYHOB Having chosen a reader-response approach for my analysis RI ´Bel-MPLµ JROIJMQJ Iser·V contributions to our understanding of a complex literary PH[P VXŃO MV 0MXSMVVMQP·V novel seem quite pertinent. According to Iser, the relationship between text and reader is a process of communication where there is a constant feedback of information, from text to

reader, from reader to text. HQ ´%HO-MPLµ POH PHPORG RI GHVŃULNLQJ MQG POH P\SH RI QMUUMPLRQ

will lead us to a process RI ´self-correctionµ VLQŃH RH are constantly making adjustments to

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