[PDF] Bibliography Journal of the American Musical

View - Download Bibliography

Previous PDF

Next PDF

365
Abbate, Carolyn. In Search of Opera. Princeton: Princeton University Press, 2001. - - - . "Music - Drastic or Gnostic?" Critical Inquiry 30 (2004): 505-36. - - - . "Outside Ravel's Tomb." Journal of the American Musicological Society 52, no. 3 (1999): 465-530. Abela, Lucas. "Pinball Pianola." dualplover.com/pinballpianola/. Abert, Hermann. Mozart's "Don Giovanni." Translated by Peter Gellhorn. London:

Eulenberg, 1976.

- - - . W. A. Mozart. Translated by Stewart Spencer. Edited by Cli? Eisen. New Haven and

London: Yale University Press, 2007.

Adorno, Juan Nepomuceno. Mélographie, ou Nouvelle notation musicale. Paris: Firmin

Didot Frères, 1855.

Adorno, ?eodor W. Beethoven: Philosophie der Musik. Fragmente und Texte. Edited by Rolf

Tiedmann. Frankfurt: Suhrkamp, 1993.

1991.
- - - . "Drehorgel-Stücke." In Musikalische Schri?en V, edited by Rolf Tiedemann and

Klaus Schultz, 37-44. Frankfurt: Suhrkamp, 1984.

Suhrkamp, 1962.

- - - . "?e Form of the Phonograph Record." Translated by ?omas Y. Levin. In Essays on Music, edited by Richard Leppert, 277-83. Berkeley and Los Angeles: University of

California Press, 2002.

- - - . Philosophy of New Music. Translated by Robert Hullot-Kentor. Minneapolis and

London: University of Minnesota Press, 2006.

- - - . Towards a ?eory of Musical Reproduction: Notes, a Dra? and Two Schemata. Edited by Henri Lonitz. Translated by Wieland Hoban. Cambridge: Polity, 2006.

Bibliography

366 Bibliography

Agamben, Giorgio. Infancy and History: ?e Destruction of Experience. Translated by Liz

Heron. London and New York: Verso, 1993.

Agawu, [V.] Ko?. Playing with Signs: A Semiotic Interpretation of Classic Music. Princeton:

Princeton University Press, 1991.

Albright, Daniel. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago and London: University of Chicago Press, 2000. Allanbrook, Wye Jamison. "Comic Issues in Mozart's Piano Concertos." In Mozart's Piano Concertos: Text, Context, Interpretation, edited by Neal Zaslaw, 75-105. Ann Arbor: Uni- versity of Michigan Press, 1996. - - - . Rhythmic Gesture in Mozart: "Le nozze di Figaro" and "Don Giovanni." Chicago:

University of Chicago Press, 1983.

- - - . ?e Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music. Edited by Mary Ann Smart and Richard Taruskin. Oakland: University of California Press, 2014. - - - . "Two ?reads through the Labyrinth: Topic and Process in the First Movements of K. 332 and K. 333." In Convention in Eighteenth- and Nineteenth-Century Music: Essays in Honor of Leonard G. Ratner, edited by Allanbrook, Janet M. Levy, and William P. Mahrt,

125-71. Stuyvesant, NY: Pendragon Press, 1992.

Amiot, Joseph. Mémoire sur la musique des Chinois, tant anciens que modernes. Paris: Nyon, 1779.
Anderson, Emily, ed. ?e Letters of Mozart and His Family. 2 vols. London: Macmillan, 1966.
Andriopoulos, Stefan. Ghostly Apparitions: German Idealism, the Gothic Novel, and Optical

Media. New York: Zone, 2013.

Anonymous. "Annonces motivées." Le pianiste 1, no. 7 (1834): 107-8. - - - . "?e Caille Bros. Company: Coin Controlled Machines." Detroit: Caille Bros., n.d. - - - . "David E. Hughes." Telegrapher 1, no. 3 (1864): 24. - - - . "De l'étude (3 e article)." Le pianiste 2, no. 19 (1835): 150-51. - - - . "Recording the Soul of Piano Playing." Scienti?c American 137, no. 5 (1927): 422-23. Anthropy, Anna. "Level Design Lesson: To the Right, Hold On Tight." July 8, 2009. aun- tiepixelante.com/?p=465. - - - . Rise of the Videogame Zinesters: How Freaks, Normals, Amateurs, Artists, Dreamers, Dropouts, Queers, Housewives, and People Like You Are Taking Back an Art Form. New

York: Seven Stories Press, 2012.

Apollodorus of Damascus. "Les poliorcétiques d'Apollodore de Damas composées pour l'empereur Hadrien." Translated by Ernest Lacoste. Revue des études grècques 3 (1890):

234-81.

Apperley, Tom. Gaming Rhythms: Play and Counterplay from the Situated to the Global.

Amsterdam: Institute of Network Culture, 2010.

Aristides Quintilianus. On Music, in ?ree Books. Edited and translated by ?omas J. Ma- thiesen. New Haven and London: Yale University Press, 1983. Ashby, Arved. Absolute Music, Mechanical Reproduction. Berkeley and Los Angeles: Univer- sity of California Press, 2010. Auner, Joseph. "Weighing, Measuring, Embalming Tonality: How We Became Phonomet- rich Scheideler, and Philip Rupprecht, 25-46. Stuttgart: Franz Steiner Verlag, 2012.

Bibliography 367

Azuma, Hiroki. Otaku: Japan's Database Animals. Translated by Jonathan E. Abel and Shion Kono. Minneapolis and London: University of Minnesota Press, 2009. Babbitt, Milton. "Twelve-Tone Invariants as Compositional Determinants." Musical Quar- terly 46, no. 2 (1960): 246-59. Bach, Carl Philipp Emanuel, and Friedrich Wilhelm Marpurg. Einfall, einen doppelten Con- trapunct in der Octave von sechs Tacten zu machen, ohne die Regeln davon zu wissen. Marpurg, vol. 3, bk. 2, 167-81. 5 vols. Berlin: Gottlieb August Lange, 1757. - - - . Versuch über die wahre Art das Clavier zu spielen. 2 vols. Berlin: Christian Friedrich

Henning, 1753-62.

Bacon, Francis. Of the Advancement and Pro?cience of Learning or the Partitions of Sciences. Translated by Gilbert Wats. Oxford: Leon Lich?eld, 1640. Baena, Gonçalo de. Arte novamente inventada para aprender a tanger. Lisbon: German

Galhard, 1540.

Baker, Nancy Kovale?, and ?omas Christensen, eds. and trans. Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch. Cambridge: Cambridge University Press, 1995. Balzac, Honoré de. Gambara. In Études philosophiques: OEuvres complètes de H. de Balzac, vol. 15, bk. 2, 74-128. Paris: E. Martinet, 1855. Barbieri, Patrizio. Enharmonic Instruments and Music, 1470-1900: Revised and Translated Studies. Latina: Il Levante Libreria Editrice, 2008. Barker, Andrew, ed. Greek Musical Writings. Vol. 2, Harmonic and Acoustic ?eory.

Cambridge: Cambridge University Press, 1989.

Barrett, G. Douglas. "Between Noise and Language: ?e Sound Installations and Music of

Peter Ablinger." Mosaic 42, no. 4 (2009): 147-64.

Barry, Wilson. "Henri Arnaut de Zwolle's Clavicordium and the Origin of the Chekker." Journal of the American Musical Instrument Society 11 (1985): 5-13. Barth, Karl. Wolfgang Amadeus Mozart. Translated by Clarence K. Pott. Grand Rapids: Wm.

B. Eerdmans, 1986.

Barthes, Roland. "From Work to Text." In ?e Rustle of Language, translated by Richard

Howard, 56-64. New York: Hill and Wang, 1986.

- - - . "Musica Practica." In Image, Music, Text, edited and translated by Steven Heath,

149-54. London: Fontana, 1977.

Bassi, Karen. "?e Poetics of Exclusion in Callimachus' Hymn to Apollo." Transactions of the American Philological Association 119 (1989): 219-31. Bateman, Anthony. "Ludus Tonalis: Sport and Musical Modernisms, 1910-1938." In Sporting Sounds: Relationships between Sport and Music, edited by Anthony Bateman and John Bale, 145-63. London and New York: Routledge, 2009. Bates, Eliot. "?e Social Life of Musical Instruments." Ethnomusicology 56, no. 3 (2012): 363-95. Bateson, Gregory. "Form, Substance, and Di?erence." In Steps to an Ecology of Mind: Col- lected Essays in Anthropology, Psychiatry, Evolution, and Epistemology, 454-71. 1972;

Northvale, NJ: Jason Aronson, 1987.

- - - . "A ?eory of Play and Fantasy." In Steps to an Ecology of Mind: Collected Essays in Anthropology, Psychiatry, Evolution, and Epistemology, 138-48. 1972; Northvale, NJ: Jason

Aronson, 1987.

368 Bibliography

Baudot, Jean-Claude. Machines à sous: Collection Jean-Claude Baudot. [Brussels]: Crédit

Communal de Belgique, 1983.

Bauer, Günther G. Mozart: A Great Lover of Games. Translated by Ray Flanagan. Bad

Honnef: Karl Heinrich Bock, 2006.

ausgehenden ?9. Jahrhunderts, edited by Herbert Lachmeyer, 377-88. Ost?ldern: Hatje

Cantz Verlag, 2006.

Baumgartner, August. Kurz gefasste Anleitung zur musikalischen Stenographie oder

Tonzeichenkunst. Munich: G. Franz, 1853.

Beckles Willson, Rachel. Ligeti, Kurtág, and Hungarian Music during the Cold War.

Cambridge: Cambridge University Press, 2007.

Beeching, Wilfred A. Century of the Typewriter. Rev. ed. Bournemouth: British Typewriter

Museum Publishing, 1990.

Beghin, Tom. ?e Virtual Haydn: Paradox of a Twenty-First-Century Keyboardist. Chicago and London: University of Chicago Press, 2015. Bellotti, Edoardo. "Counterpoint and Improvisation in Italian Sources from Gabrieli to

Pasquini." Philomusica On-Line 12 (2012): 49-61.

Bemetzrieder, Anton. Nouvelles leçons de clavecin/New lessons for the harpsichord. 2nd ed.

London: Bemetzrieder, 1782.

Benjamin, Walter. ?e Arcades Project. Translated by Howard Eiland and Kevin McLaughlin. Cambridge, MA: Belknap Press of Harvard University Press, 1999. - - - . "?e Work of Art in the Age of Mechanical Reproduction." Translated by Harry Zohn. In Illuminations, edited by Hannah Arendt, 217-51. New York: Schocken, 1969. Bennett, Jane. Vibrant Matter: A Political Ecology of ?ings. Durham and London: Duke

University Press, 2010.

Benson, David J. Music: A Mathematical O?ering. Cambridge: Cambridge University Press, 2007.
Benson, Julian. "Music to My ?umbs: Transcribing Braid." June 20, 2012. rockpapershot- Bent, Ian. "Plato - Beethoven: A Hermeneutics for Nineteenth-Century Music?" In Music

3eory in the Age of Romanticism, edited by Ian Bent, 105-24. Cambridge: Cambridge

University Press, 1996.

Benveniste, Émile. "Le jeu comme structure." Deucalion 2 (1947): 161-67. Berger, Karol. Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. Berkeley and Los Angeles: University of California Press, 2007. Berkowitz, Aaron L. ?e Improvising Mind: Cognition and Creativity in the Musical Mo- ment. Oxford and New York: Oxford University Press, 2010. Berliner, Paul F. ?inking in Jazz: ?e In?nite Art of Improvisation. Chicago and London:

University of Chicago Press, 1994.

Berlioz, Hector. Les soirées de l'orchestre. 2nd ed. Paris: Michel Lévy Frères, 1854. Beverburg Reale, Steven. "Transcribing Musical Worlds; or, Is L.A. Noire a Music Game?" In Donnelly, Gibbons, and Lerner, Music in Video Games, 77-103. Bijsterveld, Karin, and Peter Frank Peters. "Composing Claims on Musical Instrument Development: A Science and Technology Studies' Contribution." Interdisciplinary

Science Revi ews 35, no. 2 (2010): 106-21.

Bibliography 369

Bing, Peter. "Impersonation of Voice in Callimachus' Hymn to Apollo." Transactions of the American Philological Association 123 (1993): 181-98. Binns, Alexander. "Looking and Listening: Music and Sound as Visual Trope in Ukiyo-e." In ?e Routledge Companion to Music and Visual Culture, edited by Tim Shephard and

Anne Leonard, 120-26. New York: Routledge, 2014.

Blasius, Leslie David. "?e Mechanics of Sensation and the Construction of the Romantic Musical Experience." In Music ?eory in the Age of Romanticism, edited by Ian Bent,

3-24. Cambridge: Cambridge University Press, 1996.

Boethius. De institutione arithmetica libri duo, De institutione musica libri quinque: Accedit Geometria quae fertur Boetii. Edited by Gottfried Friedlein. Frankfurt: Minerva, 1966. Bogost, Ian. Alien Phenomenology, or What It's Like to Be a ?ing. Minneapolis and London:

University of Minnesota Press, 2012.

- - - . How to Do ?ings with Videogames. Minneapolis and London: University of

Minnesota Press, 2011.

- - - . Persuasive Games: ?e Expressive Power of Videogames. Cambridge, MA, and

London: MIT Press, 2010.

- - - . Unit Operations: An Approach to Videogame Criticism. Cambridge, MA, and

London: MIT Press, 2009.

Bojinov, Hristo, Daniel Sanchez, Paul Reber, Dan Boneh, and Patrick Lincoln. "Neurosci- ence Meets Cryptography: Crypto Primitives Secure against Rubber Hose Attacks." Communications of the ACM 57, no. 5 (2014): 110-18. Bonds, Mark Evan. Absolute Music: ?e History of an Idea. Oxford and New York: Oxford

University Press, 2014.

- - - . "Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century." Journal of the American Musicological Society 50, nos. 2-3 (1997): 387-420. - - - . Music as ?ought: Listening to the Symphony in the Age of Beethoven. Princeton:

Princeton University Press, 2009.

Wien des ausgehenden ?9. Jahrhunderts, edited by Herbert Lachmeyer, 503-7. Ost?ldern:

Hatje Cantz Verlag, 2006.

Borges, Jorge Luis. "?e Library of Babel." Translated by Andrew Hurley. In Collected Fictions, 112-18. New York: Penguin, 1998. Story originally published in Spanish in 1941. Borgo, David. Sync or Swarm: Improvising Music in a Complex Age. New York and London:

Continuum, 2005.

Borthwick, E. Kerr. "?e Riddle of the Tortoise and the Lyre." Music and Letters 51, no. 4 (1970): 373-87. - - - . "'?e Wise Man and the Bow' in Aristides Quintilianus." Classical Quarterly 41, no. 1 (1991): 275-78. Bottini, Michele. "You Must Have Heard of Harlequin . . . " Translated by Samuel Angus McGehee and Michael J. Grady. In ?e Routledge Companion to Commedia dell'Arte, edited by Judith Cha?ee and Olly Crick, 55-61. London and New York:

Routledge, 2015.

Bourdieu, Pierre. "?e Practice of Re?exive Sociology (?e Paris Workshop)." In An Invita- tion to Retexive Sociology, by Pierre Bourdieu and Loïc J. D. Wacquant, 216-60. Chicago:

University of Chicago Press, 1992.

370 Bibliography

- - - . "Sport and Social Class." Translated by Richard Nice. Social Science Information 17, no. 6 (1978): 819-40. Bowie, E.L. "Early Greek Elegy, Symposium and Public Festival." Journal of Hellenic Studies

106 (1986): 13-35.

Bowles, Edmund A. "On the Origin of the Keyboard Mechanism in the Late Middle Ages."

Technology and Culture 7, no. 2 (1966): 152-62.

Brauchli, Bernard. ?e Clavichord. Cambridge: Cambridge University Press, 1998. Brauers, Jan. Von der Äolsharfe zum Digitalspieler: 2000 Jahre mechanische Musik, 100 Jahre Schallplatte. Munich: Klinkhardt & Biermann, 1984. Brecht, George. Notebooks I, II, III. Edited by Dieter Daniels with Hermann Braun. 3 vols. Breene, Samuel. "Mozart's Violin Sonatas and the Gestures of Embodiment: ?e Subjectivities of Performance Practice." PhD diss., Duke University, 2007. Brinsmead, Edgar. ?e History of the Pianoforte: With an Account of the ?eory of Sound and Also of the Music and Musical Instruments of the Ancients. London: Novello, Ewer, 1879. Brittan, Francesca. "On Microscopic Hearing: Fairy Magic, Natural Science, and the Scher- zo Fantastique." Journal of the American Musicological Society 64, no. 3 (2011): 527-600. Brown, Azby. "Portrait of the Artist as a Young Geek." Wired 5, no. 5 (1997): archive.wired. com/wired/archive/5.05/?_iwai.html. Brown, Bill. ?e Material Unconscious: American Amusement, Stephen Crane, and the Economies of Play. Cambridge, MA, and London: Harvard University Press, 1996. Brown, Matthew. "C.P.E. Bach, Schenker, Improvisation, and Composition."

Intégral 24

(2010): 3-27. Browning, Robert. Selected Poems. London: Penguin, 1989. Bruno, Dan. "Noteworthy: ?e Music ?at In?uenced ?e Legend of Zelda: Ocarina of

Time." Kill Screen 1, no. 5 (2011): 68-70.

Buck, George H., and Stephen M. Hunka. "W. Stanley Jevons, Allan Marquand, and the Origins of Digital Computing." IEEE Annals of the History of Computing 21, no. 4 (1999):

21-27.

Buckley, Jake. "Analog versus Digital." In ?e Johns Hopkins Guide to Digital Media, edited by Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson, 7-11. Baltimore: Johns

Hopkins University Press, 2014.

Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: University

Press of New England/ForeEdge, 2014.

Buelow, George J. "?e Italian In?uence in Heinichen's Der General-Bass in der Composi- tion." Basler Jahrbuch für historische Musikpraxis 18 (1994): 47-65. Bumgardner, Jim. "Variations of the Componium." jbum.com/papers/componium_ variations.pdf. Burford, Mark. "Hanslick's Idealist Materalism." 19th-Century Music 30, no. 2 (2006): 166-81. Burghardt, Gordon M. ?e Genesis of Animal Play: Testing the Limits. Cambridge, MA, and

London: MIT Press, 2005.

Burney, Charles. Dr. Burney's Musical Tours in Europe. Edited by Percy A. Scholes. 2 vols.

London: Oxford University Press, 1959.

- - - . A General History of Music, from the Earliest Ages to the Present Period. 4 vols. London: Becket, Robson & Clark, Payne & Son, 1776-89.

Bibliography 371

- - - . ?e Present State of Music in Germany, the Netherlands, and the United Provinces, Or, the Journal of a Tour through 3ose Countries, undertaken to Collect Materials for a General History of Music. 2nd ed. London: Becket, Robson, and Robinson, 1775. Burnham, Scott. Mozart's Grace. Princeton: Princeton University Press, 2012. - - - . "Reading between the Lines: Hugo Riemann and Beethoven's Op. 31 Piano

Sonatas."

In ?e Oxford Handbook of Neo-Riemannian ?eories, edited by Edward Gollin and Alexander Rehding, 440-61. Oxford: Oxford University Press, 2011. Burns, James. "Inside Electroplankton." July 24, 2005. n-sider.com/contentview.php?contentid=317. Busoni, Ferruccio. ?e Essence of Music, and Other Papers. Translated by Rosamond Ley.

London: Rockli?, 1957.

- - - . Sketch of a New Esthetic of Music. Translated by ?eodore Baker. New York:

Schirmer, 1911.

Butler, Mark J. Playing with Something ?at Runs: Technology, Improvisation, and Composi- tion in DJ and Laptop Performance. Oxford and New York: Oxford University Press, 2014.
Butler, Shane. ?e Ancient Phonograph. New York: Zone, 2015. Butt, John. Playing with History: ?e Historical Approach to Musical Performance.

Cambridge: Cambridge University Press, 2002.

- - - . "Towards a Genealogy of the Keyboard Concerto." In ?e Keyboard in Baroque Europe, edited by Christopher Hogwood, 93-110. Cambridge: Cambridge University

Press, 2003.

Byros, Vasili. "Prelude on a Partimento: Invention in the Compositional Pedagogy of the German States in the Time of J. S. Bach." Music ?eory Online 21, no. 3 (2015). - - - . "Trazom's Wit: Communicative Strategies in a 'Popular' Yet 'Di?cult' Sonata." Eighteenth-Century Music 10, no. 2 (2013): 213-52. Caesar, Michael. "Poetic Improvisation and the Challenge of Transcription." In ?eatre, Opera, and Performance in Italy from the Fikeenth Century to the Present: Essays in Honour of Richard Andrews, edited by Brian Richardson, Simon Gilson, and Catherine Keen, 173-84. Egham: Society for Italian Studies, 2004. Ca?ero, Rosa. "?e Early Reception of Partimento ?eory in France: A Survey." Journal of

Music 3eory 51, no. 1 (2007): 137-59.

Caillois, Roger. Les jeux et les hommes (Le masque et le vertige). Paris: Gallimard, 1958. - - - . Man, Play and Games. Translated by Meyer Barash. 1961; Urbana and Chicago:

University of Illinois Press, 2001.

Calleja, Gordon. "Erasing the Magic Circle." In ?e Philosophy of Computer Games, edited by John Richard Sageng, Hallvard Fossheim, and Tarjei Mandt Larsen, 77-91. Dordrecht:

Springer, 2012.

Callimachus. Hymns and Epigrams. Translated by A.W. Mair and G.R. Mair. Loeb Classical Library 129. Cambridge, MA: Harvard University Press, 1921. Cambini, Giuseppe Maria (attrib.). "Ausführung der Instrumentalquartetten." Allgemeine musikalische Zeitung 6, no. 47 (1804): col. 783. Campbell, Patricia Shehan, and Trevor Wiggins, eds. ?e Oxford Handbook of Children's Musical Cultures. Oxford and New York: Oxford University Press, 2013. Campe, Rüdiger. ?e Game of Probability: Literature and Calculation from Pascal to Kleist. Translated by Ellwood H. Wiggins Jr. Stanford: Stanford University Press, 2012.

372 Bibliography

Campion, ?omas, and Giovanni Coprario. A New Way of Making Fowre Parts in Counterpoint and Rules How to Compose. Edited by Christopher R. Wilson. Aldershot,

UK: Ashgate, 2003.

Canning, Charlotte M., and ?omas Postlewait, eds. Representing the Past: Essays in Perfor- mance Historiography. Iowa City: University of Iowa Press, 2010. Caplin, William E. "?e Classical Cadence: Conceptions and Misconceptions." Journal of the American Musicological Society 57, no. 1 (2004): 51-117. Caporaletti, Vincenzo. "'Ghost Notes': Issues of Inaudible Improvisations." Translated by Paolo Del Lungo. In Beyond Notes: Improvisation in Western Music of the Eighteenth and Nineteenth Centuries, edited by Rudolf Rasch, 345-73. Turnhout: Brepols, 2011. Carew, Derek. ?e Mechanical Muse: ?e Piano, Pianism, and Piano Music c. 1760-1850.

Aldershot, UK: Ashgate, 2007.

Castronova, Edward. Synthetic Worlds: ?e Business and Culture of Online Games. Chicago and London: University of Chicago Press, 2005. Caus, Salomon de. Von gewaltsamen Bewegungen: Beschreibung etlicher, so wol nutzlichen alss lustigen Machiner. 3 vols. Frankfurt: Pacquart, 1615. Chantler, Abigail. E.T.A. Ho?mann's Musical Aesthetics. Aldershot, UK: Ashgate, 2006. Chapin, Keith. "Learned Style and Learned Styles." In Mirka, ?e Oxford Handbook of

Topic 3eory, 301-29.

- - - . "Lost in Quotation: Nuances behind E.T.A. Ho?mann's Programmatic Statements."

Nineteenth-Century Music 30, no. 1 (2006): 44-64.

Charlton, David, ed. E.T.A. Ho?mann's Musical Writings: "Kreisleriana," "?e Poet and the Composer," Music Criticism. Cambridge: Cambridge University Press, 1989. Chat?eld, Tom. Fun, Inc.: Why Gaming Will Dominate the Twenty-First Century. New York:

Pegasus, 2010.

Chen, Jenova. "Flow in Games." MFA thesis, University of Southern California, 2006. Cheng, William. Sound Play: Video Games and the Musical Imagination. Oxford and New

York: Oxford University Press, 2014.

Cheshire, Keyne. "Kicking ΦΘΟΝΟΣ: Apollo and His Chorus in Callimachus' Hymn 2."

Classical Philology 103, no. 4 (2008): 354-73.

Chilton, Meredith. Harlequin Unmasked: ?e Commedia dell'Arte and Porcelain Sculpture. New Haven and London: George R. Gardiner Museum of Ceramic Art with Yale

University Press, 2001.

Cho, Gene Jinsiong. ?e Discovery of Musical Equal Temperament in China and Europe in the Sixteenth Century. Lewiston, NY: Edwin Mellen Press, 2003. Chomsky, Noam. Aspects of the ?eory of Syntax. Cambridge, MA: MIT Press, 1965. Choron, Alexandre. Principes de composition des écoles d'Italie: Adoptés par le gouvernement

français pour servir à l'instruction des élèves des maωtrises de cathédrales. 3 vols. (6 books).

Paris: Auguste Le Duc, 1808.

Christensen, ?omas. "Bemetzrieder's Dream: Diderot and the Pathology of Tonal Sensibil- ity in the Leçons de clavecin." In Music, Sensation, and Sensuality, edited by Linda Phyllis Austern, 39-56. Abingdon and New York: Routledge, 2002. - - - . "Four-Hand Piano Transcription and Geographies of Nineteenth-Century Musical Reception." Journal of the American Musicological Society 52, no. 2 (1999):

255-98.

Bibliography 373

- - - . "Fundamenta Partiturae: ?orough Bass and Foundations of Eighteenth-Century Composition Pedagogy." In ?e Century of Bach and Mozart: Perspectives on Histori- ography, Composition, 3eory, and Performance, edited by Sean Gallagher and ?omas Forrest Kelly, 17-40. Cambridge, MA: Harvard University Press, 2008. - - - . Rameau and Musical ?ought in the Enlightenment. Cambridge: Cambridge

University Press, 2004.

- - - . "?oroughbass as Music ?eory." In Moelants, Partimento and Continuo Playing in

3eory and in Practice, 9-41.

Chua, Daniel K. L. Absolute Music and the Construction of Meaning. Cambridge: Cambridge

University Press, 1999.

- - - . "Myth: Mozart, Money, Music." In Mozart Studies, edited by Simon P. Keefe,

193-213. Cambridge: Cambridge University Press, 2006.

- - - . "Untimely Re?ections on Operatic Echoes: How Sound Travels in Monteverdi's L'Orfeo and Beethoven's Fidelio with a Short Instrumental Interlude." Opera Quarterly

21, no. 4 (2005): 573-96.

Chun, Wendy Hui Kyong. "Programmability." In So?ware Studies: A Lexicon, edited by Matthew Fuller. Cambridge, MA, and London: MIT Press, 2008. Chun, Wendy Hui Kyong, and Anna Watkins Fisher with ?omas W. Keenan, eds. New Media, Old Media: A History and 3eory Reader. 2nd ed. New York: Routledge, 2015. Chung, David. "?e Port de Voix in Louis Couperin's Unmeasured Preludes." In Performers' Voices across Centuries and Cultures: Selected Proceedings of the 0??5 Performer's Voice International Symposium, edited by Anne Marshman, 59-83. London: Imperial College

Press, 2012.

Cicero. Letters to Atticus. Edited and translated by D.R. Shackleton Bailey. Vol. 1. Loeb Clas- sical Library 7. Cambridge, MA: Harvard University Press, 1999. - - - . ?e Verrine Orations. Translated by L.H.G. Greenwood. Vol. 1, Against Caecilius, Against Verres, Part ?, Part 0: Books ?-0. Loeb Classical Library 221. Cambridge, MA:

Harvard University Press, 1928.

Clarke, Bruce, and Mark B.N. Hansen, eds. Emergence and Embodiment: New Essays on Second-Order Systems 3eory. Durham and London: Duke University Press, 2009. Coelho, Gabriel Neves. "Kurtág's Játékok: Playing Games with Tradition." DMA diss., Uni- versity of Oregon, 2014. Cohen, Ada. Art in the Era of Alexander the Great: Paradigms of Manhood and ?eir Cul- tural Traditions. Cambridge: Cambridge University Press, 2014. Cohen, David E. "Notes, Scales, and Modes in the Earlier Middle Ages." In ?e Cambridge History of Western Music 3eory, edited by ?omas Christensen, 307-63. Cambridge:

Cambridge University Press, 2002.

Cohn, Richard. Audacious Euphony: Chromaticism and the Triad's Second Nature. Oxford and New York: Oxford University Press, 2012. Coleman, K. M. "Fatal Charades: Roman Executions Staged as Mythological

Enactments."

Journal of Roman Studies 80 (1990): 44-73.

Coleridge, Samuel Taylor. Biographia Literaria. Edited by James Engell and W. Jackson Bate.

2 vols. Princeton: Princeton University Press, 1983.

Collins, Karen. From Pac-Man to Pop Music: Interactive Audio in Games and New Media.

Aldershot, UK: Ashgate, 2008.

374 Bibliography

- - - , ed. Game Sound: An Introduction to the History, ?eory, and Practice of Video Game Music and Sound Design. Cambridge, MA, and London: MIT Press, 2008. - - - . Playing with Sound: A ?eory of Interacting with Sound and Music in Video Games.

Cambridge, MA, and London: MIT Press, 2013.

Comanini, Gregorio. Il Figino, overo del ?ne della pittura. Mantua: Francesco Osanna, 1591. Condillac, Étienne Bonnot de. La logique, ou Les premiers développements de l'art de penser. In OEuvres complètes de Condillac, 30:1-191. Paris: Dufart, 1803. Cook, Karen M. "Music, History, and Progress in Sid Meier's Civilization IV." In Donnelly, Gibbons, and Lerner, Music in Video Games, 166-82.quotesdbs_dbs25.pdfusesText_31

[PDF] Beethoven - Ode A La Joie

[PDF] Beethoven chanson russe - Piano

[PDF] Beethoven et Klimt Performance et patrimoine ! Le violon de - Les Tribunaux Et Le Système Judiciaire

[PDF] Beethoven für Elise - Ludwig van Beethoven

[PDF] BEETHOVEN Ludwig van - Les Amis d`Arthur Oldham - Anciens Et Réunions

[PDF] Beethoven Project - François - France

[PDF] Beethoven spielen nach 2 Stunden

[PDF] Beethoven symphonie n°7.mus - Piano

[PDF] Beethoven, Ah Perfido - Traduction

[PDF] Beethoven, Haydn - Opéra Orchestre National Montpellier - Automatisation

[PDF] Beethoven, joie et bonne humeur puissance trois - Automatisation

[PDF] Beethoven`s Boogie

[PDF] Beetle Denim décapotable 2016 - Anciens Et Réunions

[PDF] Beetle édition FenderMD 2013

[PDF] Beetle Express