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A New Companion to

Digital Humanities

Blackwell Companions to Literature and Culture

This series offers comprehensive, newly written surveys of key periods and movements and certain major

authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on

contexts and on canonical and postcanonical texts, orientating the beginning student in new fields of study and

providing the experienced undergraduate and new graduate with current and new directions, as pioneered and

developed by leading scholars in the field.

Published

R ecently

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Edited by Nicolas S. Witschi

75. A Companion to Sensation FictionEdited by Pamela K. Gilbert

76. A Companion to Comparative LiteratureEdited by Ali Behdad and Dominic Thomas

77. A Companion to Poetic GenreEdited by Erik Martiny

78. A Companion to American Literary StudiesEdited by Caroline F. Levander and Robert S. Levine

79. A New Companion to the GothicEdited by David Punter

80. A Companion to the American NovelEdited by Alfred Bendixen

81. A Companion to Literature, Film, and AdaptationEdited by Deborah Cartmell

82. A Companion to George EliotEdited by Amanda Anderson and Harry E. Shaw

83. A Companion to Creative WritingEdited by Graeme Harper

84. A Companion to British Literature, 4 volumesEdited by Robert DeMaria, Jr., Heesok Chang,

and Samantha Zacher

85. A Companion to American GothicEdited by Charles L. Crow

86. A Companion to Translation StudiesEdited by Sandra Bermann and Catherine Porter

87. A New Companion to Victorian Literature and CultureEdited by Herbert F. Tucker

88. A Companion to Modernist PoetryEdited by David E. Chinitz and Gail McDonald

89. A Companion to J. R. R. TolkienEdited by Stuart D. Lee

90. A Companion to the English NovelEdited by Stephen Arata, Madigan Haley, J. Paul

Hunter, and Jennifer Wicke

91. A Companion to the Harlem RenaissanceEdited by Cherene SherrardJohnson

92. A Companion to Modern Chinese LiteratureEdited by Yingjin Zhang

93. A New Companion to Digital HumanitiesEdited by Susan Schreibman, Ray Siemens,

and John Unsworth

A NEW COMPANION TO

DIGITAL

HUMANITIES

E

DITED BY

SU SAN S C

HREIBM

AN

RAY SIEMENS,

AN D JOH N UNS WORTH

This edition first published 2016© 2016 John Wiley & Sons, Ltd.Registered OfficeJohn Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UKEditorial Offices350 Main Street, Malden, MA 021485020, USA9600 Garsington Road, Oxford, OX4 2DQ, UKThe Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UKFor details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wileyblackwell.The right of Susan Schreibman, Ray Siemens, and John Unsworth to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book.Limit of Liability/Disclaimer of Warranty: While the publisher and authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought.Library of Congress CataloginginPublication data applied forHardback 9781118680599Paperback 9781118680643A catalog record for this book is available from the British Library.Cover image: Zdenk Sýkora, Lines No. 56 (Humberto), 1988, oil on canvas, 200 × 200 cm. Collection ofthe Museum of Modern Art Olomouc, The Czech Republic. Photo Zdenk Sodoma. © Zdenk Sýkora - heir, Lenka Sýkorová, 2015Set in 11/12.5pt Garamond3 by SPi Global, Pondicherry, India1 2016

Notes on Contributors viii

Preface

xvii

Part I

Infrastructures 1

1 Between Bits and Atoms: Physical Computing and Desktop Fabrication in the Humanities 3 Jentery Sayers, Devon Elliott, Kari Kraus, Bethany Nowviskie, and

William J. Turkel

2 Embodiment, Entanglement, andImmersion in Digital CulturalHeritage 22

Sarah Kenderdine

3

The Internet of Things 42

Finn Arne Jørgensen

4

Collaboration and Infrastructure 54

Jennifer Edmond

Part II

Creation 67

5

Becoming Interdisciplinary 69

Willard McCarty

6 New Media and Modeling: Games andthe Digital Humanities 84

Steven E. Jones

7 Exploratory Programming in Digital Humanities Pedagogy and Research 98

Nick Montfort

8

Making Virtual Worlds 110

Christopher Johanson

Contents

vi Contents 9

Electronic Literature as Digital Humanities 127

Scott Rettberg

10

Social Scholarly Editing 137

Kenneth M. Price

11

Digital Methods in the Humanities: Understanding and Describing their Use across the Disciplines 150

Lorna Hughes, Panos Constantopoulos, and Costis Dallas 12

Tailoring Access to Content 171

Séamus Lawless, Owen Conlan, and Cormac Hampson 13 Ancient Evenings: Retrocomputing in the Digital Humanities 185

Matthew G. Kirschenbaum

Part III

Analysis 199

14

Mapping the Geospatial Turn 201

Todd Presner and David Shepard

15

Music Information Retrieval 213

John Ashley Burgoyne, Ichiro Fujinaga, and J.StephenDownie 16

Data Modeling 229

Julia Flanders and Fotis Jannidis

17 Graphical Approaches to the Digital Humanities 238

Johanna Drucker

18 Zen and the Art of Linked Data: NewStrategies for a Semantic Web ofHumanist Knowledge 251

Dominic Oldman, Martin Doerr, and Stefan Gradmann

19 Text Analysis and Visualization: Making Meaning Count 274

Stéfan Sinclair and Geoffrey Rockwell

20

TextMining the Humanities 291

Matthew L. Jockers and Ted Underwood

21

Textual Scholarship and Text Encoding 307

Elena Pierazzo

22

Digital Materiality 322

Sydney J. Shep

23
Screwmeneutics andHermenumericals: The Computationality of Hermeneutics 331

Joris J. van Zundert

24
When Texts of Study are Audio Files: Digital Tools for Sound Studies in Digital Humanities 348

Tanya E. Clement

Contents vii

25

Marking Texts of Many Dimensions 358

Jerome McGann

26

Classification and its Structures 377

C. M. SperbergMcQueen

Part IV

Dissemination 395

27
Interface as Mediating Actor for Collection Access, Text Analysis, and Experimentation 397

Stan Ruecker

28

Saving the Bits: Digital HumanitiesForever? 408

William Kilbride

29

Crowdsourcing in the Digital Humanities 420

Melissa Terras

30

Peer Review 439

Kathleen Fitzpatrick

31
Hard Constraints: Designing Software in the Digital Humanities 449

Stephen Ramsay

Part V

Past, Present, Future of DigitalHumanities 459

32
Beyond the Digital Humanities Center: The Administrative Landscapes of the Digital Humanities 461

Andrew Prescott

33

Sorting Out the Digital Humanities 476

Patrik Svensson

34
Only Connect: The Globalization ofthe Digital Humanities 493 Daniel Paul O"Donnell, Katherine L. Walter, AlexGil,and Neil Fraistat 35
Gendering Digital Literary History: What Counts for Digital Humanities 511

Laura C. Mandell

36
The Promise of the Digital Humanities and the Contested Nature of Digital Scholarship 524

William G. Thomas III

37
Building Theories or Theories of Building? A Tension at the Heart of Digital Humanities 538

Claire Warwick

Index 553

John Ashley Burgoyne is a lecturer in the Music Cognition Group at the University of Amsterdam and a guest researcher at the Netherlands Institute for Sound and Vision. Dr. Burgoyne led the compilation of the McGill Billboard transcriptions and the Hooked on Music project on long-term musical memorability.Tanya E. Clement is an assistant professor in the School of Information at the University of Texas at Austin. Her primary area of research is scholarly information infrastructure. She has published widely on digital humanities and digital literacies as well as scholarly editing, modernist literature, and sound studies. Her current research projects include High Performance Sound Technologies for Access and Scholarship (HiPSTAS).Owen Conlan is an assistant professor in the School of Computer Science and Statistics, Trinity College Dublin, with expertise in personalization and visualization. He has coauthored over 100 publications and has received several bestpaper awards. Owen coordinated the European Commissionfunded CULTURA project, and he is a p assionate educator who teaches knowledge and data engineering.

Panos Constantopoulos

is a professor in the Department of Informatics and Dean of the School of Information Sciences and Technology, Athens University of Economics and Business. He is also affiliated with the Athena Research Centre, where he heads the Digital Curation Unit. He was previously in the Department of Computer Science, University of Crete (1986-2003). From 1992 to 2003 he was head of the Information Systems Laboratory and the Centre for Cultural Informatics at the Institute of Computer Science, Foundation for Research and Technology - Hellas. His interests include digital curation and preservation, knowledge representation and conceptual modeling, ontology engineering, semantic information access, decision support and knowledge management systems, cultural informatics and digital libraries.

Costis Dallas

is associate professor at the Faculty of Information, University of Toronto, where he served as Director of Museum Studies from 2012 to 2015, and

Notes on Contributors

Notes on Contributors ix

assistant professor at the Department of Communication, Media and Culture, Panteion University. His current work as Research Fellow of the Digital Curation Unit, IMIS- Athena Research Centre, as chair of the DARIAH Digital Practices and Methods Observatory (DiMPO) working group, and as co-principal investigator in the CARARE, LoCloud, Europeana Cloud, and ARIADNE EUfunded projects, concerns developing a pragmatic theory of digital curation “in the wild", knowledge practices and digital infrastructures for cultural heritage and humanities scholarship, and knowledge representation of material culture.

Martin Doerr

is Research Director and head of the Centre for Cultural Informatics at FORTHICS in Crete. He has led and participated in projects for information systems in culture and escience. He is chair of the working group of ICOM/CIDOC which developed ISO 21127:2006, and on the editorial boards of

Applied Ontology

and the

ACM Journal on Computing and Cultural Heritage

(JOCCH).

J. Stephen Downie

is a professor and the Associate Dean for Research at the Graduate School of Library and Information Science, University of Illinois, where he conducts research in music information retrieval. He was instrumental in founding both the International Society for Music Information Retrieval and the Music Information

Retrieval Evaluation eXchange.

Johanna Drucker

is the Breslauer Professor in the Department of Information Studies at UCLA. She has published and lectured widely on topics related to digital human ities and aesthetics, book history and design futures, historiography of the alphabet, and contemporary art. Her most recent book is

Graphesis: Visual Forms of Knowledge

Production

(Harvard University Press, 2014).

Jennifer Edmond

is Director of Strategic Projects in the Faculty of Arts, Humanitiesquotesdbs_dbs22.pdfusesText_28

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