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The purpose of this study is to analyze the writing of Annie Ernaux in two early texts La. Place and La Honte. We will explain the notion of “écriture
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DOSSIER PÉDAGOGIQUE
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LES RECEPTIONS « ORDINAIRES » DUNE ECRITURE DE LA
ces termes doit à la lecture d'Annie Ernaux ou plus généralement
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Feb 25 2020 Résumé. Dans un défi à ses sentiments
writing about such experiences. Reproduced here with a new
DUHAMEL: Souvenirs de la Grande Guerre ed. A.C.V. Evans Anthologie Éluard. TWENTIETH CENTURY TEXTS. Annie Ernaux. LA PLACE. Edited by. P.M. Wetherill.
writing “au-dessous de la littérature” : annie ernaux
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Pearson qualifications
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Roman mettant en vedette le monde des ouvriers et des commerçants, La Place d’Annie Ernaux fait dans cettefiche de lecture l’objet d’une étude toute particulière et ce, pour le plus grand plaisir des amateurs de littérature française ! Dotée d’un complément d’information sur l’écrivaine et les influences de son œuvre, la synthèse de cours est égale...
Getting
Started
GuideA Level French
Pearson Edexcel Level 3 Advanced GCE in French (9FR0)Contents
Getting Started: GCE French 2016
1. Introduction 1
2. changed? 2
2.1 How has A level changed? 2
Changes to A level qualification 2
Changes to Assessment Objectives 2
2.2 Changes to Edexcel GCE French 3
Specification overview 3
Changes to specification content 3
3. Planning 6
3.1 Planning and delivering linear A level courses 6
3.2 Suggested resources 6
3.3 Delivery models 8
4. Content guidance 9
4.1 Themes and sub-themes 9
5. Assessment guidance 11
5.1 Implications of linear assessment 11
5.2 Breakdown of Assessment Objectives 11
5.3 Assessment overview 11
5.4 Further details on the speaking assessment 16
1 © Pearson Education Ltd 2016
1. Introduction
The A level qualification is designed to be appealing and engaging to students, while preparing them for future study and work. An inspiring and culturally relevant course has been developed, based on feedback from teachers, students, subject associations, academics and advisors. The qualification has a clear structure, which will enable students to develop advanced-level, transferable language alongside a deeper cultural appreciation of French and Francophone culture. There is an emphasis on promoting understanding of grammar in order to allow spontaneous, creative use of language to suit different purposes. The themes are engaging and relevant, combining familiar and new content. Popular texts and films have been chosen, as well as some less well-known titles, both classical and contemporary. This Getting Started guide provides an overview of the A level specification, to help you get to grips with the changes to content and assessment, and to help you understand what these mean for you and your students. We are providing a package of support to help you plan and implement the specification. A level; an editable course planner; a student guide; and schemes of work which you can adapt to suit your department examiner commentaries assessments and mock exams areas, such as analysing films and literature, conducting research and essay- writing; film and literature PowerPoints to support you with teaching; and ideas for the independent research project. These support documents are available on the GCE 2016 French pages on theEdexcel website.
2 © Pearson Education Ltd 2016
2. changed?
2.1 How has A level changed?
Changes to A level qualification
From September 2016, A level French will be a fully linear qualification. This means that all examinations must be sat (and non-examination assessment submitted) at the end of the course. More information about the implications of the move to linear assessment is given on page 13.Changes to Assessment Objectives
The A level languages Assessment Objectives have been revised. There are two main changes to the Assessment Objectives: A new AO4 has been introduced. This requires knowledge, understanding and critical and analytical response to cultural and social issues relating to target-language communities. AO3 has a greater proportion of the marks than in the previous specification and has a subtly changed emphasis there is greater emphasis now on active application of grammar in generating new, independent language. AO1 20%Understand and respond:
ł in speech to spoken language including face-to-face interaction ł in writing to spoken language drawn from a variety of sources AO2 30%Understand and respond:
ł in speech to written language drawn from a variety of sources ł in writing to written language drawn from a variety of sources AO3 30%Manipulate the language accurately, in spoken and written forms, using a range of lexis and structures AO4
A level
20% Show knowledge and understanding of, and respond critically and analytically to, different aspects of the culture and society of countries/communities where the language is spoken3 © Pearson Education Ltd 2016
2.2 Changes to Edexcel GCE French
Specification overview
Paper 1Listening, reading and
translationThemes 1, 2, 3 and 4 2 hours 40%
Paper 2Written response to
works and translationLiterary works/film 2 hours 40 minutes 30%
Paper 3Speaking (internally
conducted and externally assessed)Independent
research, plusThemes 1, 2, 3 and 4
2123 minutes,
preparation time 30%Changes to specification content
Specification content is now based around social, political and cultural themes, relating to the French language, culture and communities. This will enable students to gain a deeper understanding of the culture related to their language of study and ensure smooth progression to further study. The themes and assessment model are also designed to promote the development of transferable skills. These changes are in line with reports published by the A-Level Content Advisory Board (ALCAB), informed by academics, and the Department for Education (DfE), which consulted a range of stakeholders. These reports were both strongly in favour of reports also identified a need for qualifications thinking on the basis of knowledge of the language, culture and society of the country or countries where the language is Students taking the A level will study four themes: Theme 1: Les changements dans la société française Theme 2: La culture politique et artistique dans les pays francophones Theme 3: la société multiculturelle françaiseTheme 4: et la Résistance
There are a number of sub-themes, which can be found below. The content of these themes is assessed in Paper 1 (listening, reading and translation) and Paper 3 (speaking). Students at A level are also required to study either two texts, or one text and one film, which will be assessed in Paper 2 (writing). Moreover, at A level students will also be required to undertake an Independent Research Project, which will be assessed in the second part of the speaking exam. Further detail on this can be found in Section 5.4.4 © Pearson Education Ltd 2016
Comparison of the new specification to the Edexcel A1 and A2 2008New specification Previous specification
Theme 1 Les changements dans la
société françaiseLes changements dans
les structures familialesLe monde du travail
environmental issues and theFrench-speaking world
Education and employment
Youth culture and concerns:
relationshipsTheme 2
La culture politique et
artistique dans les pays francophonesLa musique
Les médias
Les festivals et les
traditionsYouth culture and concerns
Customs, traditions, beliefs and
religionsTheme 3
multiculturelle française positif de société françaiseRépondre aux défis de
en France droite and future (Geographical area) (Aspects of modern society)5 © Pearson Education Ltd 2016
Theme 4
et la RésistanceLa France occupée
Le régime de Vichy
La Résistance
and future (Historical period)Literary works Prescribed list of works
Characterisation
Structure
Stylistic features
Concepts and issues
Free choice of work
different characters key themes/issues social and cultural setting styles/techniques employedFilms Prescribed list of films
Characterisation
Structure
Contexts
Techniques
Free choice of film
different characters key themes/issues social and cultural setting styles/techniques employedIndependent
researchMust be linked to the social
and cultural context of the francophone worldCompletely free choice no
requirement for research to relate to target-language culture or communityLifestyle: health and fitness
Travel, tourism,
International events
6 © Pearson Education Ltd 2016
3. Planning
3.1 Planning and delivering linear A level courses
Naturally, the key difference of linear qualifications is that students need to retain all that they have learned for examination at the end of the course. In terms of language learning, this is a logical and positive development because students must retain and build on everything they learn in order to master a language effectively. In terms of planning, teachers will need to consider the following:Course planning needs to cover:
four themes either two texts, or a text and film independently3.2 Suggested resources
The Edexcel A level course is supported by a range of free and paid-for resources:Coursebooks:
Edexcel A level French Rod Hares, Kirsty Thathapudi, Karine Harrington,Wendy O'Mahony, Amy Gregg, Hodder Education, 2016
Other paid-for resources:
ZigZag Education a range of material supporting all four skills in FrenchOur free online support for teachers includes:
vocabulary for literature and film guides on literature and film analysis, carrying out research and essay writing PowerPoints to support the teaching and learning of film and literature.Other useful resources include:
Grammar
Servane Jacob and Janine Schofield, Edexcel A Level French Grammar PracticeBook, Pearson 2008
Mireille Ribiere and Thaila Marriott, Help Yourself to Advanced French Grammar: A Grammar Reference and Workbook Post-GCSE/Advanced Level, second edition,Pearson 1998
7 © Pearson Education Ltd 2016
3.3 Planning
Vocabulary
Paul Humberstone, Mot à Mot: New Advanced French Vocabulary,Hodder Education, sixth edition, 2018
Literature
There are student guides to most of the books on the A level specification. The although intended for French students, these can be a really useful starting point for UK students. Most editions also include good introductions and some analysis of the text. Some examples of guides are given below, though this is by no means an exhaustive list: Kathy Jusseret, Le Tartuffe de Molière (Fiche de lecture): Résumé complet et analyse Peggy Chaplin, Maupassant: Boule de Suif (Glasgow Introductory Guides to FrenchLiterature), 2010
Alexandre Oudent, L'Étranger d'Albert Camus (Fiche de lecture): Analyse complète de Films An internet search for your chosen film should generate plenty of resources. The series also has a number of study guides in French. For example: Ginette Vincendeau, La Haine (Cine-file French Film Guides), 2017Newspapers, television and radio
http://streema.com/tv/country/France https://www.20minutes.fr https://www.lemonde.fr Other http://www.institut-francais.org.uk/ You will also find several English sites with resources to support the films at filmeducation.org.8 © Pearson Education Ltd 2016
Skills
3.4 Delivery models
Possible models for course planning include:
Model 1
Model 2
Model 1 offers a more integrated learning experience, developing all skills together, whereas Model 2 presents a clearer order. Model 1 is potentially more complex to manage, but Model 2 could result in teachers and students running out of time on the second literary work/film and independent research. More detailed Schemes of work and other useful planning documents are available as free resources on the Edexcel websiteLiterary work/
filmRevision
Grammar development Theme 4
Grammar revision Theme 3 Year
2 A levelRevision
Grammar development Theme 2
Skills Grammar revision Literary work/
filmTheme 1 Year
1 A levelRevision
Literary work/film
Independent research
Theme 4
Theme 3
Year 2
A level
Revision
Literary work/film
Theme 2
Grammar Theme 1
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