Euterpe Muse of Lyric Poetry

[PDF] nom des 9 muses

[PDF] muses synonyme

[PDF] lien entre poésie et peinture

[PDF] poème inspiré d un tableau

[PDF] remise en etat logement hlm

[PDF] relogement locataire hlm

[PDF] dictée 6ème ulysse et le cyclope

[PDF] dictée ulysse et le cyclope

[PDF] le féminin des noms de métiers exercices

[PDF] féminin de intercesseur

[PDF] intercetrice

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Title: Euterpe Muse of Lyric Poetry

ISSN: 2381-800X

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Euterpe

Muse of Lyric Poetry

Movement V from Daughters of Olympus for Chamber Nonet

Aaron Waldrupe

Carson-Newman University

Tennessee Delta Chapter

Article Title: Euterpe Muse of Lyric Poetry

DOI:

ISSN: 2381-800X

This work is licensed under a Creative Commons Attribution 4.0 International License.

Muse of Lyric Poetry

Movement V

From

Daughters of Olympus

for Chamber Nonet

Aaron Waldrupe

Carson-Newman University

Tennessee Delta Chapter

Program Notes

The Daughters of Olympus suite for chamber nonet was inspired by the myt hological nine muses. The nine

movements semi-programmatically evoke qualities of the muse for which each one is named. Additionally,

each movement possesses at least one theme or motif that is echoed in the other movements. For example,

Polyhymnia"s Divine Theme is quoted partially or wholly in each movement.

In Euterpe, muse of lyric poetry, the ensemble simulates a choral ensemble. Beginning with an introspective

horn call, quietly growing into a chorale, the mood shifts from peaceful solemnity into an agitated state.

cello. With a swell, the horns and strings smooth the chant"s motion, allowing an introspective attitude to ap-

pear again, now more mysteriously. The ecclesiastical song of the woodwinds is grounded by the pizzicato

strings, which soon transition into a drone-like passage inspired by Ars Subtilior with the winds introducing

as a chorale with the opening horn call used as a compliment to the hymn. The ecclesiastic song and drone

∀32 32
32
32
32
32
32
32

32Flute

Oboe

ClarinetinBα1ClarinetinBα2

HorninF1

HorninF2

CelloICelloII

DoubleBass

Andante,withPeacefulSolemnity

solo soli soliο

V.Euterpe

AaronWaldrupe

©2017FullScore

ChantandChoraleMuseofLyricPoetry

∀Fl. Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II D.B.7 9 legato legato legato -ιV.Euterpe4 ∀Fl. Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.13

Εagitato

agitato

Ópizz.

pizz. pizz.Ε

Εagitato

agitatoV.Euterpe5 ∀74 74
74
74
74
74
74
74
74Fl.
Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.19===

Ι-Ó(DelphicHymn)21

V.Euterpe6

∀72 72
72
72
72
72
72
72
7231
31
31
31
31
31
31
31
3133
33
33
33
33
33
33
33
33Fl.
Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.25

arco arco arco29

εlegato

legato legato legato legatoV.Euterpe7 ∀Fl. Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.30

V.Euterpe8

∀34 34
34
34
34
34
34
34
3433
33
33
33
33
33
33
33
33Fl.
Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.33

ϖmoltorit.

ιLargo,likeahymn35

οcantabile

cantabile cantabile cantabile

V.Euterpe9

∀33 33
33
33
33
33
33
33
3334
34
34
34
34
34
34
34
34Fl.
Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.37

ÓΙ∀ιpizz.

pizz. pizz.Ο

V.Euterpe10

∀33 33
33
33
33
33
33
33
3334
34
34
34
34
34
34
34
34Fl.
Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.40

εarco

arco arcoV.Euterpe11 ∀34 34
34
34
34
34
34
34
34Fl.
Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II D.B. 43

οcresc.

cresc.ο

οcresc.

οV.Euterpe12

∀Fl. Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.46

V.Euterpe13

∀Fl. Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.49

Εcresc.V.Euterpe14

∀32 32
32
32
32
32
32
32
32Fl.
Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.52

Εrit.

ModeratoMaestoso

εcantabilecantabile

cantabile cantabile cantabile cantabile cantabile cantabileV.Euterpe15 ∀Fl. Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.55Ι

cantabilesolo

V.Euterpe16

∀Fl. Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.60

solisoli

V.Euterpe17

∀Fl. Ob.

BαCl.1

BαCl.2

Hn.1 Hn.2 Vc.I Vc.II

D.B.65ΙΙ

Ιrit.

ae ae

V.Euterpe18

quotesdbs_dbs7.pdfusesText_13

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