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LELE Littérature en Langue Etrangère ANGLAIS THEME 1 - The

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Lycée Municipal d'Adultes

LELE Littérature en Langue Etrangère

ANGLAIS

Descriptif Baccalauréat 2015.

•THEME 1 - The Imaginary - L'Imaginaire •THEME 2 - Travel, Exile, Initiation Narratives - Voyage, Exile et Récits d'initiation. •THEME 3 - The 'I' and the Eye - Le Je et le Jeu •THEME 4 - Characters and Avatars - Le Personnage, ses Figures, ses Avatars. •THEME 5 - The Writer in His Century - L'Ecrivain dans son Siècle. •THEME 6 - Meeting the Other, Love and Friendship. - La Rencontre avec l'Autre, l'Amour et l'Amitié. [E. Lecatre // Beeoclock.wordpress.com] - 1 -

THEME 1 - The Imaginary - L'Imaginaire

QUESTIONS

•Why do split personality heroes fascinate us? •What literary techniques are used to spark our imagination? •What kind of heroes are created to scare us? •Where are scary stories set? •What scientific elements are used to mix reality and fiction? TEXTS •Extracts from The Strange Case of Dr Jekyll and Mr Hyde, by Robert Louis

Stevenson, 1886.

•Extract from Varney the Vampire, by James Malcolm Rymer, 1845. •Extract from Dracula by Bram Stoker, 1897. •Extract from Twilight by Stephenie Meyer, 2005. •Extract from The Picture of Dorian Gray, by Oscar Wilde, 1891. •Extract from The Island of Dr Moreau, H. G. Wells, 1896. •Extract from 1984, by George Orwell, 1948.

Personal documents

Texts •The Yellow Wall Paper, by Charlotte Perkins Gilman, 1892. •Frankenstein by Mary Sheley, 1818. •The Tell Tale Heart by Edgar Allan Poe, 1843. •The Raven by Edgar Allan Poe, 1845.

Films & Images

•Fahrenheit 451 by François Truffaut, 1966. •Dr Jekyll and Mr Hyde by Victor Fleming, 1941. •Jekyll TV series, by Steven Moffat 2007. •Nosferatu, by Murnau, 1922. •Dracula, by Francis Ford Coppola, 1992. •The Nightmare, by J. H. Fuseli, 1791. •The Black Paintings by Goya, 1820. •The Tell-Tale Heart by Edgar Allan Poe graphic novel by Richard Corben. [E. Lecatre // Beeoclock.wordpress.com] - 2 -

THEME 2 - Travel, Exile, Initiation Narratives.

QUESTIONS

•Why do writers treasure islands? •How are islands represented? •How is the hero transformed on an island? •How are the hero's ordeals represented? •How are reality and fiction blurred on an island? TEXTS •Extract from The Island of Dr Moreau, Herbert George Wells, 1896. •Extract from Coral Island, by Robert Michael Ballantyne, 1858. •Extracts from Lord of the Flies by William Golding, 1954. •Extract from Shutter Island, by Dennis Lehane, 2003. •Extract from Robinson Crusoe, by Daniel Defoe, 1719. •Extract from Gulliver's Travels, by Jonathan Swift, 1726.

Personal documents

Texts •Why writers treasure islands ? by Ben Myers, TheGuardian.com/books •The Tempest, by William Shakespeare, 1611. •The Old Man and the Sea, Ernest Hemingway, 1951. •Concrete Island, by J. G. Ballard, 1974.

Films & Images

•Cast Away, by Robert Zemeckis, 2000. •The Beach, Danny Boyle, 2000. •Lost, TV series, 2004. •Shutter Island by Martin Scorsese, 2010. [E. Lecatre // Beeoclock.wordpress.com] - 3 -

THEME 3 - The 'I' and the Eye - Le Je et le Jeu

QUESTIONS

•How difficult is it to represent oneself? •How is the memory process translated into writing? •Can we trust the writer? •What narrative techniques are used and twisted? •Why do writers write their autobiography? •What urges us to read intimate and private writings? •How are points of view distorted? TEXTS •Extract from an Angel at my Table by Janet Frame, 1984. •Extract from The Autobiography of W. E. Burghardt Du Bois, by W. E. B. Du Bois, 1968.
•Extract from Moab Is My Washpot: An Autobiography, by Stephen Fry, 1997. •Extract from The Yellow Wallpaper by Charlotte Perkins Gilman, 1892.

Personal documents

Texts •Extract from Memoirs of the Second World War, by Winston Churchill, 1940-45. •Extract from, Le Pacte Autobiographique by Philippe Lejeune, 1975. •Extract from The Collected Autobiographies of Maya Angelou, by Maya Angelou, 2004.

Films & Images

•Double Self-Portrait, by Egon Schiele, 1915. •Self-Portrait as a Heel, by J. M. Basquiat, 1982. •Self-Portrait, by Francis Bacon, 1971. •Reflection, by Lucian Freud, 1985. •Interview about the Fry chronicles, 2001. •Vincent by Tim Burton, 1982. •Apricot by Ben Briand, 2009. [E. Lecatre // Beeoclock.wordpress.com] - 4 -

THEME 4 - Characters and Avatars

QUESTIONS

•How to identify a hero? •How does the author finds himself in his characters? •What's left of the hero in modern writings? •Can a setting become a character? •What are the avatars of the American Dream hero? TEXTS •Extract from Fahrenheit 451 by Ray Bradbury, 1953 •Extracts from The Great Gatsby by F. S. Fitzgerald, 1925. •Extract from On The Road by Jack Kerouac, 1957. •Extract from The Picture of Dorian Gray, by Oscar Wilde, 1891. •Extracts from The Strange Case of Dr Jekyll and Mr Hyde, by Robert Louis

Stevenson, 1886.

Personal documents

TEXTS •Extract from Richard III, by William Shakespeare, 1591. •Extract from Doctor Faustus, by Christopher Marlowe, 1604. •Extract from Paradise Lost, by J. Milton, 1667. •Extract from The Luck of Barry Lyndon, by W. M. Thackeray, 1844. •Extract from Of Mice and Men by John Steinbeck, 1937. •Extract from Brighton Rock, by Graham Greene, 1938. •Extract from Casino Royale, by Ian Fleming, 1953

Films & Images

•Lolita by Stanley Kubrick, 1962 •Barry Lyndon by Stanley Kubrick, 1975 •Fahrenheit 451 by François Truffaut, 1966. •Dr Jekyll and Mr Hyde by Victor Fleming, 1941. •Jekyll TV series, by Steven Moffat 2007. •Vincent by Tim Burton, 1982. [E. Lecatre // Beeoclock.wordpress.com] - 5 -

THEME 5 - The Writer in His Century

QUESTIONS

•How do detective novels reveal the urban space and fears? •How is suspense created? •How do we relate to the detective? •How do investigation techniques mirror the reading process? •What changed between the detective story and the American thriller? •What other literary genres are echoes in detective stories? •How can we define the character of the 'private eye'? TEXTS •Extract from The Murders in the Rue Morgue, by Edgar Allen Poe, 1841 •Extract from The Moonstone, by Wilkie Collins, 1868. •Extract from Blackmailers Don't Shoot by Raymond Chandler, 1933. •Extract from Dark Passage, by David Goodis, 1946. •Extract from The Talented Mr. Ripley by Patricia Highsmith, 1955.

Personal documents

Films & Images

•BBC adaptation, The Moonstone, 1997. •Television series, Inspector Morse 1987-1993; Murder rooms, The Dark beginnings of Sherlock

Holmes, 2000-2001; Sherlock, 2011-2013.

•HAWKES H., The Big Sleep, 1946. •DAVES D., Dark Passage, 1947. •Television series, Inspector Morse 1987-1993. •Philip Marlowe, Private Eye HBO series 1983-1986. [E. Lecatre // Beeoclock.wordpress.com] - 6 -

THEME 6 - Meeting the Other, Love and Friendship.

QUESTIONS

•How to discover oneself through the other's difference? •What obstacles can prevent friendship? •How important is the social context in defining one's identity? •Is love stronger than prejudices? •What narrative techniques fill in gaps between the characters? •How does language reveal oppression? TEXTS •Extract from A Dry White Season, by A. Brink, 1979. •Extract from Cal, by B. Maclaverty, 1983. •Extract from, Cry Freedom, by J. Briley, 1987. •Extract from A Lesson Before Dying, by E. J. Gaines, 1993. •Extract from Eureka Street, by R. M. Wilson, 1996. •Extract from The Help, by K. Stockett, 2009. •Extract from Walk Well, My Brother by Farley Mowat, 1975.

Personal documents

Films & Images

Cry Freedom, by R. Attenborough, 1987

The Help, by Tate Taylor, 2011.

The Snowwalker, by C. M. Smith, 2003.

The Piano, by Jane Campion, 1993.

Ae Fond Kiss... by Ken Loach, 2000.

Tickets, 2005, by A. Kiarostami, Ken Loach and Ermanno Olmi. [E. Lecatre // Beeoclock.wordpress.com] - 7 - [E. Lecatre // Beeoclock.wordpress.com] - 8 -quotesdbs_dbs12.pdfusesText_18