[PDF] Developing an electronic thesaurus of terms for Byzantine

Les Saints et leurs attributs - Accueil

Les Saints, ainsi que le Christ, commencent alors à parer les édifices religieux, soit par le biais de statues, soit grâce à des sculptures enchâssées (le tympan pour le Christ et les autres parties de l'église pour les Saints) Afin de les distinguer, des attributs génériques leur sont attribués Ces attributs

Iconography - Saylor Academy

the Virgin, parts of the Old Testament, and, increasingly, the lives of popular saints Especially in the West, a system of attributes developed for identifying individual figures of saints by a standard appearance and symbolic objects held by them; in the East they were more likely to identified by text labels

Between Similarity and Distinction: Notes on the Iconography

5 Louis Réau, Iconographie de l art chrétien, t 3 ²Iconographie des saints (Paris: Presses Universitaires de France, 1959), 1343 6 Jane Tibbett Schulenburg, Forgetful of Their Sex: Female Sanctity and Society, ca 510-1100 (Chicago: University of Chicago, 1998), 462 7 Regine Schweizer-Vüllers, Die Heilige am Kreuz Studien zum weiblichen

INTERDISCIPLINARY APPROACHES TO MUSICAL PORTRAITURE OF THE

century compilation of saints lives that became a standard text in Latin and vernacular translations through the early seventeenth century While the Legenda aurea enjoyed great popularity, iconography in the Middle Ages and Renaissance was the dominant mode of transmission of saints special attributes

Developing an electronic thesaurus of terms for Byzantine

Saints and their images in Byzantium, Princeton 1996, especially in chapter 2 corporality and immateriality, p 66-99 5 In Louis Reau's Iconographie de l'art chrétien, edited in, Paris between 1957and 1959, are followed divisions as New and Old Testament, iconography of saints, where it's used an alphabetical order in classification of the

Salvation in Angevin Hungary: The Iconography of the Scala

Devil and the Saints for the salvation of a dying man The red and ugly Devil himself appears on the painting and tries to seize the soul which is leaving the tortured body in the form of a small person This little soul asks for help in the very moment of death, and an angel narrates the story to us

Music in Art: Iconography as a Source for Music History The

paintings, as the attributes of some gods and saints (Barbara Russano Haning, New York: From saint to muse: Saint Cecilia in Florence; Katherine Powers, Fullerton: Music-making angels in Italian Renaissance painting), as the embodiment of symbolism in the arts (Mary Rasmussen, New Hampshire:

catalogue Sainte barbe - Centre historique minier Lewarde

Le livre est un attribut fréquent dans l’iconographie de la sainte Le livre ouvert rappelle que Barbara étudiait les textes saints alors qu’elle était enfermée dans sa tour et qu’elle parvint à établir une correspondance avec Origène Le ciboire symbolise les derniers sacrements, donné avant la mort aux agonisants

Saints and their legends in Medieval Art: Narrative, Audience

Palazzo, E , "L'iconographie des fresques de Berzé-la-Ville dans le contexte de la reforme grégorienne et de la liturgie clunisienne," Cahiers de Saint-Michel de Cuxa , 19 (1988), pp 169-182

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Developing an electronic thesaurus of terms for Byzantine Icons in the framework of a project, focused in the creation of a virtual

Museum

DIONYSIOS

MOURELATOS',

ANDREAS

ANDREOU^

THEODORA

PATSALOU^

DRAKOULIS

MARTAKOS^

Dep. of

Archaeology

University

of

Alliens

Dap. of

Informatics,

University

of

Athens

ABSTRACT

In the framework of a project realized by the

University

of

Athens,

an electronic thesaurus of terms for

Byzantine

icons is developing, based on

Dionysios

Mourelatos'Phd

thesis entitled Icon, its placement and function in the

Byzantine

society. In the following paper, you may see an overview of this

project, the system 'structure, developed by the Department of Informatics of University of Athens and the initial study and the general principles of this

thesaurus of terms, part ofD.Mourelalos Phd thesis at the

Department

of

Archaeology

of the

University

of

Athens.

1.

GENERAL

OVERVIEW

OF THE

PROJECT

This research takes place in the framework of the project realized by the

University

of

Athens

under the supervision of

Associate

Professor

D.

Martakos

(Dep. of

Informatics)

and

Professors

M.Panayotidi

and

S.Kalopissi-Verti

(Dep. of Archaeology) with the collaboration of the Foundation of Mount Sinai (Athens, Greece). It is entitled "I-BYZANTINE Use of

Advanced

Applications

of

Hypermedia

Systems

for the

Benefit

of

Services

of

Individualized

Navigation

and

Learning

in

Virtual

Byzantine

Museum

Environments",

funded by the

General

Secretary

of

Research

and

Technology

of the

Minister

of

Development

of

Greece.

The researchers, who take part in this project are:

Dimitrios

Charitos,

Theodora

Patsalou,

Andreas

Andreou,

loannis

Kontaxakis

(Department of

Informatics)

and

Nikolaos

Fyssas, Georgia Foukaneli, Charikleia Diamanti and Dionysios Mourelatos (Department of Archaeology).

Previous

projects of the

University

of

Athens,

mainly excavations, related to Saint

Catherine's

Monastery

in Sinai were the starting point for this project. This research project intends to create a virtual museum for

Byzantine

Antiquities,

relating to Saint

Catherine's

Monastery

in South Sinai (Egypt). More specifically, its thematical direction focusesquotesdbs_dbs6.pdfusesText_12