Monologues specifically for POC

Monologue theatre nevertheless remains contentious, soliciting questions about the very nature of theatre itself, about the nature of performance and audience response, truth and illusion, narrative and experience Is it an undoing or dismemberment of theatre’s core characteristics—imitative

Scoring a Monologue - Huntington Theatre Company

Scoring a Monologue: Objectives, Beats, and Tactics Scoring the text is a foundational step of an actor’s work It creates a roadmap for acting choices and breaks the monologue down into manageable chunks for memorization We will practice

DRAMATIC MONOLOGUE - Utah High School Activities Association

DRAMATIC MONOLOGUE - Utah High School Activities Association Theatre Ballot P ar ti c i p an t Nu mb e r _____ T i tl e of M on ol ogu e _____ Au th or _____ T i me _____ Rou n d _____ Skill/Standard Definition Above Standard 4 - 5 points

THEATRE VOCABULARY

Monologue A long speech by a single character Motivation A character’s reason for doing or saying things in a play Musical theatre A type of entertainment containing music, songs, and, usually, dance

The Phenomenology of Monologue Writing as Pedagogy

The Phenomenology of Monologue Writing as Pedagogy Scott Welsh Victoria University Abstract This article explores the notion that for playwrights, actors, students of theatre or indeed anyone, the writing of monologues can be the catalyst for reflection on the nature of human existence, as well as an exercise in educational phenomenology

BEATS IN SCRIPTS & MONOLOGUES

o BEATS are sections within a scene or monologue o Everytime there there is a change in dynamic, emotion, or purpose, there is a change in BEAT o Deciding where the BEATS are in your monologue is an important step in deciding how you will perform your monologue o Changes in emotion and purpose are what make acting interesting If you are

Le théâtre Le dialogue Théâtral

Le monologue Personnage parle seul en scène, longuement C’est une forme de dialogue - donner des informations - exprimer son émotion La répartie Réplique brève - souligner l’affrontement - Formuler la répartie L’aparté Parole adressée au public mais non à l’interlocuteur en scène - créer la complicité avec l’auteur 1